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Vampire Rave
ESTABLISHED 2004
Vampire Rave is the social networking website for vampires and goths. We are a home for real vampires around the globe. If you're looking for a darker gothic or vampire social network, you've found it.

Vampire Rave was designed as an online resource for the vampire community. Our goal is to catalog everything there is to be cataloged about vampires. This is an immense task and we have a long way to go. With your help we will become the largest vampire database, resource, and community on the Internet.

As a member you can add to our database and help us grow. Membership is easy and free. Sign up today!

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Real Vampires

Vampires have held the fascination of the public for hundreds of years. Many point to Bram Stoker's Dracula as the source of this fascination, but vampire obsession has existed for much longer.

Like all legends, the vampire has evolved throughout history. Vampires exist in many different cultures under many different names. In ancient times, the word vampire did not exist. Gods, demons, and evil spirits were often associated with drinking blood or eating human flesh.

Ancient Times (Pre 500 AD)

The Egyptian goddess Sekhmet is one of the earliest known accounts of vampirism. When Ra became angry because mankind was not following his laws he sent Sekhmet as punishment. She was called the Lady of the Bloodbath. She would slaughter humans, rip their bodies apart, and drink their blood. Sekhmet can be traced to at least 3000 BCE. She is one of the earliest known versions of the modern day vampire. The Feast of Sekhmet was held each year in Egypt. Ancient Egyptians would drink beer mixed with pomegranate juice. Beer turned red, beer that symbolized blood.

Around the same time in nearby Mesopotamia, there were numerous blood-drinking demons. The Persians may have been the first to tell tales of these demons. Excavated Persian pottery shards contain images of demons attempting to drink human blood. Estries was a female demon who was a shape shifter. She appeared to men as a beautiful woman. She would seduce them and then drink their blood. In Babylon, Lilitu was the Temptation Demon. She appeared as a seductive woman who drank the blood of men.

Lilitu led to the Hebrew myth of Lilith. There are numerous contradictory stories of Lilith. In some, Lilith is Adam's first wife. In others Lilith is a demon of the night that lives by drinking the blood of babies.

In Ancient Greece there was Empusa. She was a blood-drinking demon who transformed into a young woman and seduced men. Lamia, daughter of Poseidon, was one of Zeus's many human lovers. When Hera found out, she killed all of Lamia's children. Lamia swore vengeance and began preying upon young children in their beds at night, drinking their blood.

The most common theme in ancient times was a demon that shape shifted into a beautiful woman. The demon seduced and preyed upon men, drinking their blood.

In 130 BCE the Silk Road opened and connected the Egyptian port of Alexandria to southern Europe and eastern Asia. The Silk Road is credited with intermixing cultural beliefs throughout Africa, Europe, and Asia. Egyptian mythology was particularly inspiring as it introduced the concepts of eternal life after death, reincarnation, and numerous deities. Legends, folklore, and tales spread across the continents.

Medieval Times (500 AD to 1500 AD)

In Hungary, belief in vampires has persisted since at least 800 AD. The demon Izcacus was a blood-drinking demon. The word has roots in ancient Turkish. The Hungarians and Turks made contact along the Silk Road in the late 8th century. The Turks introduced the Hungarians to these early vampires, who were in turn most likely descendents of the Mesopotamian vampires. Later, in the 12th century, a pagan shaman was on trial in the city of Saeospatak. The shaman again tells of Izcacus and issues a warning. Izcacus would be called upon to destroy the Hungarians (who were now Christian).

The upir (upyr, upior, upier, upyri, upor, and numerous other variants) has Russian, Ukrainian, and Slavic origins. In 1047 AD a manuscript of the Book of Psalms is transcribed by a priest from Glagolitic into Cyrillic for the Russian Prince Vladmiri Yaroslavovich. In a colophon, the priest writes his name as is Upir' Likhyi, which means Wicked Vampire.

Across Slavic culture, the upir is traditionally an unclean spirit that possesses a dead body. This undead creature requires the blood of the living to survive. The upir is jealous and vengeful toward the living. To kill an upir you must stake it in its heart, burn it by fire, drown it in holy water, or decapitate it.

Vlad III Dracula, ruler of Walachia (modern-day Romania) lived 1431 - 1476. He was the son of Vlad II Dracul. Locally he was considered a hero. He was charged with protecting Christianity in Eastern Europe. He led raids against the invading Ottomans and protected the Romanians and the Bulgarians. He gained additional notoriety for the unusually cruel and brutal punishment of his Ottoman enemies. Although there are no convincing historical accounts of Vlad drinking blood, he would later become the inspiration for Bram Stoker's Dracula.

Modern Times (1500 AD to Today)

Elizabeth Bathory (Hungarian, 1560 - 1614) was born in Transylvania. She was a countess and a serial killer. She tortured and killed hundreds of young women between 1585 and 1609. Her victim count may have been as high as 650. To retain her youth, she bathed in the blood of her victims, young virgin girls. She would later become known as the Blood Countess.

Greek folklore tells of the vrykolakas. A person became a vrykolakas when they led a sacrilegious way of life, suffered excommunication, or were buried in unconsecrated ground. After death they would rise from their grave and their bodies did not decay. They would roam the village at night and cause all kinds of havoc. Then, each night before dawn, they would return to their grave to rest. In 1645 Leo Allatios, a Greek catholic, wrote a letter to his friend about the vrykolakas. It was titled De quorundam Graecorum Opinationibus.

In 1656 in the region of Istria (modern-day Croatia), Jure Grando died. For at least 16 years after his death, each night Jure rose from his grave. He terrorized the village, his former family, and drank human blood. Eventually the town revolted and went to his grave and performed an exorcism. Jure was decapitated and the town never saw him again.

In 1748 the word vampyre appears in the poem, Der Vampir by Heinrich August Ossenfelder. This is considered to be the first introduction of the word vampire into the English language.

In 1897 Bram Stoker publishes Dracula.

Fictional and real vampires have appeared in mythology, folklore, and our writings for thousands of years.

The Vampire in Literature

Numerous vampire stories were written prior to the popularization of the vampire myth in pop culture.

The Vampyre; a Tale by John Polidori (1819)
A short story that exploited the gothic horror predilections of the public of the period. It was originally mis-published under the authorship of Lord Byron (Polidori was Lord Byron's personal physician). The tale accounts the exploits of Lord Ruthven, a British nobleman and vampire. Lord Ruthven bore more than a passing resemblance to Lord Byron and became a highly influential model for the Byronic vampires of literature.
Varney The Vampire by James Malcolm Rymer (1845-47)
A Victorian-era gothic horror story which first appeared in a series of pamphlets between 1845 and 1847. Inexpensive and gruesome, the collective work was published in book form in 1847. The tale runs 868 pages and is divided into 220 chapters. The story revolves around the persecution of the Bannerworth family by Sir Francis Varney, a vampire who in the early chapters enters the bedroom of the daughter of the house (Flora) and sucks her blood.
Carmilla by J. Sheridan Le Fanu (1872)
A compelling gothic novel of a lesbian vampire, set in darkest central Europe. It tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. The story was to greatly influence Bram Stoker in the writing of Dracula. It also served as the basis for several films, including Hammer's The Vampire Lovers (1970), Roger Vadim's Blood and Roses (1960), and Danish director Carl Theodor Dreyer's Vampyr (1932).
Dracula by Bram Stoker (1897)
The most well known vampire story, the novel is mainly composed of journal entries, letters, and newspaper clippings. It has been suggested that the story was based on Vlad Tepes, a medieval figure of extraordinary bloodthirst. History records that Vlad Tepes impaled his enemies and cut off their heads. He ruled Walachia as Vlad III during the 15th century (modern day Romania) and signed his letters as Vlad Dracula. Dracula translates into "son of the devil".

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Featured Game

Infamous: Festival of Blood

Infamous: Festival of Blood Festival of Blood begins with Cole's best friend Zeke sitting alone in a bar. When a busty woman sits down next to him, he attempts to impress her with a completely made-up story about how he and Cole vanquished vampires from New Marais. Zeke narrates the story as you play through as Cole, who finds himself bitten by a female vampire named Bloody Mary and turned into a vampire himself. Infamous' humorous slant has returned, and the tongue-in-cheek story is entertaining but poorly fleshed out. It admittedly comes off as rushed and half-baked.

Regardless of the subpar nature of the story being told, Infamous: Festival of Blood still plays extremely well. Cole's moveset is generally the same as you remember; he can shoot electrically-charged bolts, grenades and rockets. He can grind on rails or hover in the air. New moves have been added in, too, giving Cole something called Vampire Sense and allowing him to fly all around New Marais as a group of vampire bats, giving you mobility even a parkour-heavy series like Infamous has never provided before.

But as I played through the main story, I came to realize just how short the narrative is, and how Festival of Blood gives you no compelling reason to play it again. I beat the game, beginning to end, in 80 minutes. There are no side quests to distract from the main quest, and one of Infamous' great pillars -- choice -- is nowhere to be found in Festival of Blood. Cole automatically leans evil in the game because he's been turned into a vampire (which forces him to do things like drink the blood of New Marais' citizenry to stay alive), but what if I wanted to play as a different sort of Cole? Isn't that what Infamous has always been about?

If you want to play beyond the main story, you can. There are 100 Canopic Jars to find strewn around New Marais, and these will help raise Cole's blood meter, a new addition introduced in Festival of Blood that primarily governs his ability to use the aforementioned flying ability. Bloody Mary has also left some more cleverly-hidden rune-like collectibles around New Marais itself, but these items are easy to find due mostly to helpful in-game tools and the small nature of Festival of Blood's map. Don't expect to see the entire city. You won't be able to explore the northern island at all, which is essentially half of New Marais.

Festival of Blood reintroduces the notion of Infamous UGC -- or User-Generated Content -- that was first revealed in Infamous 2. You can again create your own missions, this time with some new tools that help you tell the story you're weaving just a little bit better. Playing other users' UGC will help prolong Festival of Blood a little bit more, but UGC wasn't really my thing in Infamous 2, and the same can be said here (mostly because the tools are too complicated for me to wrap my head around). But if you enjoyed it in Infamous 2, the toolset is more robust and you're likely to enjoy making missions even more.

Then again, if you focus on doing the main quest, finding all of the collectibles and grabbing all of the non UGC-related Trophies in lieu of building and playing missions, you should only expect to sink about three hours into Festival of Blood before you've seen and done just about everything.

Infamous: Festival of Blood is also PlayStation Move-enabled, and it works fairly well, but -- surprise, surprise -- you'll definitely want to stick with your DualShock controller. Infamous: Festival of Blood's gameplay-tight mechanics shouldn't be mucked up with motion controls.


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