Proud Pupil Of This Mentorship
Alittle History of MAsquerade.
Masquerade ball
From Wikipedia, the free encyclopedia
For the Axel Rudi Pell album, see The Masquerade Ball.
Masquerade ball at the Carnival of Venice
A Venziana mask from Verona, Italy.
History
Such gatherings, festivities of Carnival, were paralleled from the 15th century by increasingly elaborate allegorical Entries, pageants and triumphal processions celebrating marriages and other dynastic events of late medieval court life. The "Bal des Ardents" ("Burning Men's Ball") was intended as a Bal des sauvages ("Wild Men's Ball") a costumed ball (morisco). It took place in celebration of the marriage of a lady-in-waiting of Charles VI of France's queen in Paris on January 28, 1393. The King and five courtiers dressed as wildmen of the woods (woodwoses), with costumes of flax and pitch. When they came too close to a torch, the dancers caught fire. (This episode may have influenced Edgar Allan Poe's short story "Hop-Frog".) Such costumed dances were a special luxury of the ducal court of Burgundy.
Masquerade balls were extended into costumed public festivities in Italy during the 16th century Renaissance (Italian, maschera). They were generally elaborate dances held for members of the upper classes, and were particularly popular in Venice. They have been associated with the tradition of the Venetian Carnival. With the fall of the Venetian Republic at the end of the 18th century, the use and tradition of masks gradually began to decline, until they disappeared altogether.
Masquerade ball at Château de Hattonchâtel, France.
They became popular throughout mainland Europe in the 17th and 18th centuries, sometimes with fatal results. Gustav III of Sweden was assassinated at a masquerade ball by disgruntled nobleman Jacob Johan Anckarström, an event which Eugène Scribe and Daniel Auber turned into the opera Gustave III. The same event was the basis of Giuseppe Verdi's opera A Masked Ball, although the censors in the original production forced him to portray it as a fictional story set in Boston. Most came from countries like Switzerland and Italy.
John James Heidegger, a Swiss count who arrived in London in 1708, is credited with having introduced the Venetian fashion of a semi-public masquerade ball, to which one might subscribe, to London in the early eighteenth century, with the first being held at Haymarket Opera House.[1] London's public gardens, like Vauxhall Gardens, refurbished in 1732, and Ranelagh Gardens, provided optimal outdoor settings, where characters masked and in fancy dress mingled with the crowds. The reputation for unseemly behavior, unescorted women and assignations motivated a change of name, to the Venetian ridotto but as "The Man of Taste" observed in 1733;
In Lent, if masquerades displease the town,
Call 'em Ridottos and they still go down."
A standard item of masquerade dress was a Vandyke, improvised on the costumes worn in the portraits of Van Dyck: Gainsborough's Blue Boy is the most familiar example, and a reminder of the later 18th-century popularity in England for portraits in fancy dress.
Throughout the century masquerade dances became popular in Colonial America. Its prominence did not go unchallenged; a significant anti-masquerade movement grew alongside the balls themselves. The anti-masquerade writers (among them such notables as Samuel Richardson) held that the events encouraged immorality and "foreign influence". While they were sometimes able to persuade authorities to their views, particularly after the Lisbon earthquake of 1755, enforcement of measures designed to end masquerades was at best desultory, and the masquerades went on as semi-private "subscriptions".[2] In the 1770s fashionable Londoners went to the masquerades organized by Teresa Cornelys at Carlisle House in Soho Square, and later to the Pantheon.
Masquerade balls were sometimes set as a game among the guests. The masked guests were supposedly dressed so as to be unidentifiable. This would create a type of game to see if a guest could determine each others' identities. This added a humorous effect to many masques and enabled a more enjoyable version of typical balls.
One of the most noted masquerade balls of the 20th century was that held at Palazzo Labia in Venice on 3 September 1951, hosted by Carlos de Beistegui. It was dubbed "the party of the century".
[edit] Contemporary revival
A new resurgence of masquerade balls began in the late 1990s in North America and are still held today, though in modern times the party atmosphere is emphasized and the formal dancing usually less prominent. Less formal "costume parties" may be a descendant of this tradition. The revival may be linked to the development of live action role playing during the late 1970s, which in turn arose from tabletop fantasy gaming.
Cultural references
The picturesque quality of the masquerade ball has made it a favorite topic or setting in literature. Edgar Allan Poe's short story "The Masque of the Red Death" is based at a masquerade ball in which a central figure turns out to be exactly what he is costumed as. Another ball in Zürich is featured in the novel Steppenwolf by Hermann Hesse.
"Regency" romance novels, which are typically about Britain's upper class "ton" during the 1800s, often make use of masquerade balls as settings, due both to their popularity at the time and to their endless supply of plot devices.
Masquerades appear in several operas. The musical and movie The Phantom of the Opera has a very important scene in the story line take place at a masked ball. This scene (in the film) features inventive choreography to music by Andrew Lloyd Webber.
I feel we all wear a mask of sorts for many reasons, not saying people are not honest just cautious or yes maybe ti hide. Masks have been here since the beginning of time, literally.
I love all things that cannot be proved, or things people refuse to believe in, to me with white we have black ..with evil good.. there is always some out there that keeps the balance and I believe any thing is possible until they can be proven fake... which will not happen in my lifetime.
I AM WICCAN
I was raised to respect all beliefs and religions that are out there, does not mean I have to like them or be apart of them yet I respect that People believe in something so be it whatever it may be. We have too, keep Faith, Hope & Love in or for something or some one
It is what keeps us going in this cycle of life. Some say they do not believe in anything, when technically that *IS BELIEVING * LOL
We do not respect the world at all not that some try yet in general we do not take care of our planet as well as it does us is all I am saying . I lived abroad till I was 12 and here in the usa seems very small compared to the OLD Countries around the rest of the world. and many do not respect it either. One day it will bite us when not looking..
Some have broke my heart as I am sure many have had their heart broke at some point or another yet to me this says it right
I think this image says it all for most of us LOL
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