Part five
The bar was warm by 8:50 and smelled like ground coffee and wet stone from the street. She chose the table under the window where the tiles were chipped, and the old man behind the counter didn’t bother looking up. Magnus walked in two minutes before nine with no book, no bag, just the sleeves of his shirt rolled to the elbow and ink at the edges of his fingers. He didn’t scan the room. He came straight to her.
They drank coffee from small cups and started with Bologna, because it was safe. The porticoes, the way they turned every street into a hallway. He said the city was louder than he remembered, full of engines and voices he didn’t recognize. She told him she only heard it late, after the students cleared out of the piazzas and the stone cooled. It was easier to talk about the city than about why they were both here at nine on a Saturday.
When she talked about the diploma, about July on a scaffold with a brush the size of her thumb, he didn’t nod or make encouraging sounds. He just listened, his eyes on her hands where they rested on the table. She’d forgotten to put her rings back on after work, and her knuckles were still red from water. He noticed.
He talked about London for exactly one sentence. Mary’s office looked out at a courtyard where a magnolia bloomed late. He said _magnolia_ like it was a name he was retiring, and then he didn’t say her name again.
The cups were empty, but neither of them moved to leave. The space across the table felt narrower than it had when they sat down. He said, “You didn’t mop yesterday,” and she said, “I did. After you left.” She wasn’t defending herself. She was just telling him where she’d been.
He reached for her hand then. No hesitation, no question in it. His palm was warm and dry, and when she turned her hand over, he ran his thumb across her knuckles, once, as if he could smooth the red out by touch. The bar went loud with the grinder and then quiet again. In that quiet, he lifted her hand and kissed the back of it, right below the knuckles. His mouth was warm. He didn’t hold it there, but she felt it after he let go.
She said something about the woman from 2B, about the chair, about needing it more than she did. Her voice came out lower than she meant. He was still holding her hand.
When she stood, he stood with her, and the table was no longer between them. He put his arms around her like he’d been meaning to for a long time. She fit her head under his chin, and his shirt smelled like paper and the air outside. She could feel his breath, and her hands found his back and stayed there. He kissed the top of her head, and when she looked up, he kissed her temple. Then he kissed her mouth, brief and careful, like he was making sure she was real. The second time was less careful.
She stepped back because she had to, because her skin was warm and the bar was too small for what she was feeling. “I have work,” she said, and it sounded like an apology.
“I know,” he said. His voice was rough at the edges.
She walked to the door and turned with her hand on the frame. Saying his name out loud for the first time felt like crossing the room. “Magnus.”
He looked at her like he’d been waiting to hear it. “Yes.”
“Monday,” she said.
“Monday,” he said.
Outside, the porticoes were full of light and noise, but she touched the back of her hand as she walked, where his mouth had been. Upstairs in 314, she opened the green notebook and wrote under the last line: _Saturday, 9:00. I was too._ The period she put down was small. It didn’t end anything.
The next morning he wasn’t there, and Nina mopped the corridor at six while the water went down in clean lines and the terracotta drank it and gave it back to the air, and she didn’t look at room 12 because the door stayed shut, and at six-forty she wrung the mop and hung it in the closet and didn’t write anything this time, just closed the book and went upstairs.
He came back the morning after that with no coffee and no book, wearing the same shirt with the sleeves rolled and lines in it from the suitcase, and he stood three steps from room 12 with his hands in his pockets and didn’t pretend to be busy.
Nina turned the corner at 6:01 and saw him and kept walking while the bucket wheels clicked on the grout, and she stopped ten feet short of him and set the bucket down and lifted the mop because the water was cold, and they didn’t speak.
She worked toward him and the wet line moved across the floor, and when she was two feet away she stopped while the mop dripped, one drop and then two, and the terracotta went dark and then pale again, and she said, “You weren’t here,” and he said, “No,” and the globe lights hummed while somewhere a pipe knocked once and quit, and when she waited he said, “I had a call, London,” and she nodded, not acceptance but just a mark that she’d heard, and she pushed the mop so it passed his shoes and the water touched the toes and moved on while he didn’t move.
“You’re still married,” she said, and he said, “Yes,” and she said, “Don’t come at six,” and he looked at the floor between them that was already drying at the edges and said, “I know,” and she put the mop in the bucket and lifted the bucket by the handle while water ran over her wrist and she didn’t wipe it, and she said, “Tomorrow is Thursday,” and he said, “I know,” and she walked around him while the bucket left a thin trail and didn’t look back, and the fire door closed behind her with a soft click.
He went into room 12 and sat on the bed while the desk was empty because the Gombrich was gone and he didn’t remember moving it, and he opened the wardrobe and saw the book on the shelf, spine out, next to the safe, and he didn’t touch it.
At ten he walked and the city was the same with porticoes and stripes and heat, and he bought nothing and ate bread and a piece of pecorino at a counter while the woman serving him said something fast and he answered “Grazie” because that was enough, and he was back at the palazzo by three where the corridor was dry, and he went up to the third floor and stopped at 314 while the door was closed and stood there long enough to feel stupid before he went back down.
At six the next morning he was in the hall, and Nina came around the corner at 6:00 exactly and didn’t stop when she saw him, she set the bucket down and worked while he watched her hands and the way she wrung the mop with one twist and no wasted motion and the way she kept her eyes on the floor, and when she reached him she stopped.
“You said not to come,” he said, and she said, “I did,” and he said, “I’m here,” and she said, “I see,” and the water between them was a narrow, dark mirror that held the globe lights and the bottom of his shirt and the edge of her hoodie and nothing else, and he said, “Mary asked when I’m home,” and she didn’t look up and said, “When are you,” and he said, “Friday,” and she said, “Today is Thursday,” and he said, “Yes,” and she lifted the mop and set it back down, not cleaning, just holding it, and said, “Why are you telling me,” and he didn’t have an answer that fit in his mouth so he tried and said, “Because if I don’t say it, it’s a lie,” and she made a sound that wasn’t quite a breath and said, “There are other lies,” and he said, “I know,” and she looked at him then, straight on, her eyes blue and tired and not empty, and said, “I have a seminar at ten, I have work after, I have a diploma to finish, a masters to get, a job to have,” and he said, “I know,” and she said, “You are not on the list,” and he said, “I know,” and she put the mop in the bucket and picked up the bucket and walked past him, and at the end of the corridor she stopped but didn’t turn and said, “If you’re here tomorrow at six, I will not stop,” and he said, “Okay,” and she pushed through the fire door while he stood there until the floor was dry and the half-moons from his shoes were faint and already fading, and he went into room 12 and packed the leather bag and left the brogues by the door and put on trainers.
At 5:45 the next morning the corridor was dark with the globe lights off and the only light coming from the high window at the end, blue and thin, and Nina came around the corner with the bucket and saw him sitting on the floor, back against the wall by room 12, legs out, hands on his knees, trainers and no bag, and he didn’t stand and he didn’t speak.
She stopped and set the bucket down without filling it while the mop stayed dry, and she walked to him and stopped a foot away where the terracotta between them was dry with no water and no reflection, just the floor, new and warm from the pipes underneath, and she said, “It’s Friday,” and he said, “Yes,” and she said, “You said Friday,” and he said, “Yes,” and she said, “You’re still here,” and he looked up at her and said, “It’s five forty-five,” and she was quiet and then she sat down, not next to him but across from him, back against the opposite wall, and the corridor was two meters wide with the space between them empty air and terracotta and ten years.
They didn’t talk, and at 6:00 the globe lights came on and the hum started while the floor didn’t change, and at 6:15 she stood and picked up the bucket and filled it and mopped the corridor while he didn’t move, and when she passed him the water went around his trainers and she didn’t look down, and at 6:40 she hung the mop up and didn’t touch the book, and when she came out of the closet he was gone and the door to room 12 was open and the room was empty with the bed made and the key on the desk and the brogues gone, and on the desk, under the key, there was a book, _The Story of Art_, and inside the front cover, in pencil, on the blank page it said _Nina — Thank you. M._
She closed the book and put it in her bag and went upstairs to 314 where the wheelchair was behind the door and she put her hand on the back of it and the nylon was warm now, and she opened her laptop because at ten she had a seminar.
COMMENTS
Excellent reading so enjoy these short stories
For me, one of the most enjoyable things on the VR is to find you have written a new post.
I esp' like them if I can time them for coffee in the morning.
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He saw her again at six the next morning, and he told himself he had not meant to, but he was already there before the thought finished.
Maurice had slept two hours because the room was too new, the mattress had no dips and the sheets still smelled like the packet, and the blackout curtains didn’t fit the window, so at five he gave up and put on his brogues, English and wrong for terracotta, and took the lift down to the ground floor where the machine in the lobby said CAFFÈ in peeling letters and sold him two cups, one black and one with milk, though he didn’t know which she drank or if she drank coffee at all.
The corridor was wet with that thin skin of water on the new terracotta that caught the globe lights, and the hum was there if you listened, and she was at the far end by the fire door, working back toward him with her hair tied up in the same hoodie, moving the mop in steady arcs like someone who had done it a thousand times and would do it a thousand more.
He stopped by room 12 and held both cups, feeling the cardboard heat through his palms, and he could have gone back into his room to drink both coffees and answer emails and be a man on a business trip, but he stayed in the hall instead.
Nina saw his shoes first, new and wrong for the floor, then the two cups, and she kept mopping while the water pushed ahead of her in a clean line, and when she was three meters from him she stopped and stood the mop in the bucket.
“You are early,” she said, not a question, her Italian slow for him.
“Yes,” he said, “jet lag,” which wasn’t true because he hadn’t flown, he’d come by train, and she looked at the cups without asking while he held out the one with milk and said, “I didn’t know which, in case.”
Nina did not take it, she looked at his face and saw he had shaved, that he had the look of a man who had tried to be presentable and wasn’t sure he’d succeeded, and the blue in his eyes was the same as yesterday, washed and tired and not empty.
“I can’t,” she said, “I’m working,” and when he said “After,” and then corrected himself with “Or not, it’s fine,” she put her hand on the mop handle, her knuckles red from the water, and said “Thank you,” polite and final, before she moved the bucket around him and kept going so the water from her mop went over the spot where he stood, and when she was past he looked down and saw his shoes had left two half-moons on the wet terracotta that were already drying at the edges.
He went back into room 12 and put both cups on the desk, drank the black one while it was hot and left the one with milk to go cold, and at eight he poured it into the bathroom sink.
Nina finished the corridor at six-forty and did the stairs, wrung the mop and hung it up in the closet, wrote her hours in the book once — 6:00–7:00, corridoio + scale — and signed her name, Nina Rossi, before she went upstairs to 314 where the wheelchair was behind the door and she said, “It’s Wednesday,” to the room and opened her laptop because she had a seminar at ten.
Maurice spent the day in meetings, Bologna the middle of a conversation that had started in Milan and would finish in Florence, and he said numbers and nodded and signed one paper, and at four he was done and walked while the city was hot and the porticoes threw stripes on the street, bought a book he didn’t read and ate dinner alone in a place with paper on the tables, then went back to the palazzo at nine where the corridor was dry and the globe lights hummed and the terracotta looked like nothing at night, just floor.
He saw her at six the next morning again, and this time he didn’t have coffee, he had a book, art history, bought yesterday and three pages read, and he stood by room 12 holding it open like a man waiting for a train even though he wasn’t reading.
She came around the corner at 6:02 and saw the book and saw him and didn’t stop, she put her bucket down and pulled the mop out while the water was clean, and when he said “You study art,” not a question because he’d seen the book on her desk yesterday when the door to 314 was open and she was inside with her back to the hall, typing, she didn’t answer and ran the mop along the wall so the water made the terracotta darker for a second then lighter as it began to dry.
“I do,” he said, because the silence was worse, “for work, sometimes,” which was a lie because he worked in finance and the last time he’d opened an art book was with Olivia in the National Gallery where she’d liked the Italians and stood in front of the Caravaggio for twenty minutes without saying a word.
Nina stopped and looked at the book in his hands, _The Story of Art_, Gombrich, first year reading, and she had a copy with her notes in the margins, and then she said “Why are you here at six,” still not a question but a sentence with a hole in it, so he closed the book and said, “I sleep badly in new places,” and she nodded once because she understood that, she slept badly in old places, and started mopping again.
“Your Italian is good,” she said after a minute without looking at him, and he said “Not good, enough,” and when she asked “Enough for what?” he said “To ask for coffee, to say thank you,” and she made a sound that wasn’t a laugh and said, “To say more than that,” and he didn’t answer because he was watching her work, nineteen and moving like someone who had been carrying things since she was twelve, no wasted movement, and when she reached the spot by his door she didn’t look up.
He said, “Nina,” and she stopped while the mop dripped onto the terracotta, one, two, three drops, and without turning she said to the floor, “How do you know my name,” so he said, “The book in your room, it was open on the desk,” and she was quiet before she said, “You shouldn’t look,” and he said, “No, I shouldn’t,” and she lifted the mop and put it in the bucket and pushed the bucket past him, and at the end of the corridor she turned and said, “Maurice,” and when he looked up she said, “Your name is on the register, I clean, I see names,” and then she was gone through the fire door to the stairs.
He stood there while the corridor smelled like water and the faintest trace of kiln and the two half-moons from his shoes were gone because the floor was new and didn’t keep anything, and in room 12 he put the book on the desk without opening it and sat on the bed with his hands on his knees, thinking diploma, masters, teach, though he didn’t know why he knew that, maybe he didn’t, maybe he’d heard her say it to someone or maybe he’d made it up.
At ten he had a call with London and Mary asked why he sounded strange and he said the line was bad, and when she asked when he was coming home he said Friday and she said, “Don’t be late,” and he said he wouldn’t.
Nina sat in her seminar while the professor talked about patronage, women who paid for chapels and got left out of the names, and she took notes with her blue pen and wrote in the margin, _finish this year_, and under it, _no mistakes_.
At six the next morning Maurice was not in the corridor and his door was closed, and Nina mopped while the water went down and dried and the terracotta was warm when the sun hit it, and at six-forty when she put the mop away room 12 opened and he came out with his hand luggage, not the wheeled one, just the leather, and when he saw her at the closet he stopped and said, “Florence, day trip, back tonight,” and she closed the closet door with the key on the string around her neck and said, “Safe trip,” the same thing she said to all of them, and he nodded and walked past her and at the stairs he stopped and turned and said, “Will you be here at six tomorrow?” and she said, “I work at six, every day,” and he said, “Right,” and went down, and she stood there until she couldn’t hear his steps before she went upstairs where the wheelchair was behind the door and she put her hand on the back of it and the nylon was cold.
He came back at eight that night with a bag from a bookshop in Florence and didn’t see her because she was in 314, writing, and at six the next morning he was in the hall with no coffee and no book, just him in a shirt with the sleeves rolled up and his hands empty, and Nina came around the corner and saw him and stopped, and he said nothing and she said nothing, and she put her bucket down and mopped while he stood there without moving or speaking, and when she got to him she didn’t go around, she stopped, and the corridor was quiet with the globe lights humming and the terracotta wet between them.
“Why,” she said, finally a question, and he looked at her face, blue and tired and not empty, and said, “Because you’re the first color I’ve seen in ten years,” his Italian bad and the words wrong but he said them anyway, and Nina closed her eyes for a second and when she opened them she said, “I have a list,” and he said, “Okay,” and she said, “Diploma. Masters. Teach,” and he said, “Okay,” and she said, “You are not on it,” and he said, “Okay,” and she picked up her mop and put it in the bucket while water ran down the handle and over her hand and she didn’t wipe it, and she said, “You’re married,” and he said, “Yes,” and she said, “Don’t be here at six,” and he nodded and went back into room 12, and she finished the corridor and hung up the mop.
At six the next morning he wasn’t there, and at six the morning after that he wasn’t there, and on the third morning he was, with no coffee and no book and no words, standing by his door and watching her work, and when she was done she looked at him and he nodded once and she went upstairs, and that was how it started.
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The heat in Bologna didn’t leave the stones until well after midnight. By six in the morning it was already crawling back through the courtyard windows, settling on the terracotta in pale, dusty squares.
Palazzo Di Stefano had been dead for years. The Comune had nailed warnings to the door, the pigeons had claimed the cornices, and the plaster had come off in sheets the size of bedsheets. Then the money arrived. For two years the place was scaffolds and curses in dialect and men in hard hats. They kept the walls because the walls were protected, but they gutted everything else. Wiring, pipes, joists, floors. When they finished, the city cut a ribbon and called it “mixed-use residential.” It meant the second floor went to men in suits who expensed their rooms, and the third went to students who traded hours for rent.
The floors were new. Terracotta from Imola, fired the spring before last. They were laid level and sealed. When Nina mopped them they didn’t drink the water; it sat on top in a thin skin that showed every footprint until it dried. The color was warm and blunt. Not the soft, uneven red of the old palazzi. This was new red. Honest red. It didn’t pretend to be three hundred years old.
The lights were the same ones they used in the post office. Frosted glass globes on brass stems, screwed into the ceiling every four meters. They came on at five-thirty with a click from the timer in the custodian’s closet. They hummed. If you stood under one long enough, you could hear it. At six in the morning the corridor was empty except for that sound and the sound of Nina’s bucket wheels.
Nina was nineteen. She wore the key to the closet on a red string around her neck, tucked under her hoodie. The hoodie was from the university bookshop and had a stain on the left sleeve, cobalt blue, from second year when she still thought she had time to paint. She had been born in Rome, in Trastevere, in a flat above a bakery that made bread at three in the morning. The smell of yeast was her first memory. She could have stayed. Her liceo professors wrote letters for La Sapienza. But Rome asked for money every time you turned around. Bologna asked for less. In Bologna you could be poor and still be on time.
She was in her last year. Art history. Renaissance to contemporary, with a thesis half-written on female patronage in seventeenth-century Bologna. If she passed in June with the marks she had now, she’d go straight into the masters. She already had the letter. After that, she would teach. She’d known since she was fifteen and saw a woman in the Galleria Doria Pamphilj explain a Caravaggio to a room of tourists and make them cry. That was the plan. The whole plan. It did not have room for anything else.
Her sister Doriana had died in July. Amyotrophic lateral sclerosis. The doctors gave her five years and they were right. The first two she could still feed herself. The third she needed help. The fourth she needed a chair. The fifth she needed a machine to breathe and Nina to blink letters for her. They lived in room 314 because the palazzo was cheap and the lift worked after the rescue. The wheelchair was still there, folded, behind the door. It was aluminum and black nylon. It weighed nine kilos. Nina knew because she’d carried it up and down the stairs when the lift broke. She had not moved it since the funeral. In the morning she sometimes said, “Coffee’s on,” before she remembered there was no one to make it for.
Since Doriana, Nina had stopped answering boys. They were boys. They sent voice notes that were three minutes long or they didn’t answer for days. They wanted her to be impressed or they wanted her to be a mother. She was too tired to teach anyone how to be a person. A mature man would be different, she thought. A man who had already learned. But men like that didn’t look at girls with mops. They had wives. They had houses. It was easier to want nothing. Nothing fit in her bag. Nothing asked her to be late.
Maurice Magnus pushed through the portone at 6:03. The door was heavy and new and closed behind him with a sound like a bank vault. He was forty-one. His suit was wool and the color of wet newspaper. He wasn’t wearing a tie. He had two bags. The big one had wheels and a dent on the corner from Frankfurt. The small one was leather, the color of the gloves his grandfather wore to drive. He’d been in Milan since Sunday. He’d be in Florence on Thursday. Bologna was the hyphen between them.
He was married. His wife was Mary. The marriage was a bridge between two companies. His father had shaken her father’s hand and that had been that. He had not loved her when he said the words and he did not love her now. He had loved her sister. Olivia had eyes like a cold lake and a mouth that said no. She said it to him in a garden in Kent, in a letter he kept in a book, and in a church while she held a candle. Then she said yes to God and put a wall between them that he could not argue with. Mary knew. Mary kept a list in her head of every time he looked away from her. She told him he wanted younger women. He told her he wanted to be left alone. He did not. He wanted Olivia. But Olivia was gone. So he lived in rooms that looked like this one: clean, expensive, empty of color.
The corridor was damp. The smell was water and a faint mineral note from the kiln. The globe lights were on. They made the terracotta look flat. There was no shadow anywhere to hide in.
He did not expect the floor to stop him. It didn’t. The wheels on his case ran smooth. Still, he stopped. Key card in his right hand. Hand luggage slipping down his shoulder. He was not lost. He was just done, for a second, with moving. He stood there and listened to the building. It made the sound buildings make when they are new: nothing.
Nina came around the corner with her bucket. The mop handle knocked against the doorframe. She was watching the floor, looking for the line where she’d stopped last. She looked up because the light changed. Someone was in it.
It hit her like a fall. Not the pain of it. The certainty. The ground was there and then it wasn’t. Love at first sight was a thing people said when they wanted to excuse themselves. She felt it anyway, a full-body fact. And under it, fast as a reflex, came the word: no.
No, because she knew this. She had seen it. The girl who worked in the hotel in Rimini when they went for three days four years ago. The guest had been kind. He had been from Switzerland. He had left a note and a fifty euro tip. The girl had been sick by Christmas and gone by Easter. Doriana had made her promise. “School first, Nini. Always school first. Men will be there after. Degrees won’t.”
So Nina stopped walking. She put her weight in her heels. She made her face go plain. She lifted her chin toward the door with the 12 on it. The numbers were brass and new and screwed in straight.
“Stanza dodici,” she said. “Your room.” Her voice was the one she used at the coop when men asked her to reach something. Flat. Useful. Nothing else.
“Grazie,” he said. The word was careful. Practiced. He looked around, then down. “È nuovo, tutto quanto.” He touched the wall with his fingers, just a brush. Like he thought it might be a painting and still wet.
Then he looked at her. Not at her body. At her face. His eyes were blue. Not sky blue. The blue of a shirt that’s been washed a hundred times. They had been empty for a long time. She could see the shape of the empty. And then, for a second, it wasn’t.
Nina put her mop in the bucket. The water was gray. She pushed the bucket and went past him. She did not look again. The water she left on the terracotta caught the light from the globes and made a brief, shining path. It would be gone by the time he found his key.
She finished the corridor. She did the stairs down to the first landing. She wrung the mop until the tendons in her wrist stood up. Diploma, she thought. Masters. Teach. She said it to the rhythm of the wringer.
In room twelve, Maurice closed the door. The click was soft. The room smelled like fresh paint and the lemon soap they used in the bathrooms. He set the wheeled case down. He set the leather one beside it. He crouched. He put his hand flat on the floor. The terracotta was warm from the water. It was new. It had no memory.
He kept his hand there for a long time.
For the first time since Olivia folded her hands and said yes to someone else, Maurice Magnus could see color.
It was standing in the hall with a mop. He didn’t know her name.
COMMENTS
Matilda was twenty when Donald took her. Not purchased, not adopted — _taken_ to settle someone else’s debt. She was a grown woman with a life, a voice, and a will. Donald didn’t care. He saw blonde hair, blue eyes, and what he called “purity.” To him, she was a blank slate to carve his doctrine into.
His compound sat past the county line, ringed by fence and faith. The uniform was absolute: men in white, women in lilac. Most of them were young adults — eighteen, nineteen, twenty — but age didn’t matter here. Obedience did. Donald split them into functions. Gardening, maintenance, scripture study. The men patrolled, enforced, corrected. The women memorized, recited, believed. Or pretended to.
Donald never laid a hand on the women. Not for sex, not for comfort. That wasn’t his hunger. His hunger was ideological. He wanted mouths to repeat his words, hands to write his sermons, feet to carry his gospel past the gates. Matilda was meant to be his best disciple.
Melissa was eighteen and had been there two years when Matilda arrived. She wasn’t blood, wasn’t kin, but Donald decided she would be. “You look the same,” he said, pointing between them. “You’re her sister now. Her keeper.” Melissa’s jaw locked, but she nodded. Refusal meant the fields, or worse. As “sister-keeper,” her duties were simple: watch Matilda, report hesitation, recite doctrine until Matilda’s lips moved with hers. No baths, no spoon-feeding — Matilda wasn’t a child. This was surveillance dressed as sisterhood.
Matilda resisted for four years. Quietly at first. Missed phrases during prayer. Eyes open when they should be closed. By twenty-four, the quiet became loud. She said _no_. Out loud. In front of everyone.
Donald’s punishment was cold, not hot. He didn’t hit. He starved. Days with no food, locked in her room. The only sound was his voice through a ceiling speaker, looping scripture like a broken hymn. “If you cannot speak the truth, you will hear it until you do.” The test was simple: recite the full Chapter of Ascension without error. Fail, and the room got smaller.
She failed. Then she ran. Made it six steps past the doorway before the men caught her. That night they chained her to the bed frame. Iron manacles on her wrists, ankles. A cloth gag to keep her from biting. No water. “Thirst makes the mind clear,” Donald said through the door.
Dehydration came first. Then delirium. Her lips cracked. Her vision tunneled. She doesn’t remember collapsing, only waking up weeks later to white ceilings and the beep of monitors. Mercy Clinical Hospital.
Donald hadn’t wanted her dead. Dead disciples don’t recruit. He’d dumped her at the ER doors when she stopped responding. She spent months in that bed, unconscious, then awake but hollow. Nurses treated the ringed sores around her wrists and ankles where the manacles had eaten into skin. Saline by IV, then broth, then water by cup. Clean clothes that didn’t smell like lilac and dust. Bread torn into pieces. Tender chicken she could swallow without chewing.
When she could talk, she told them everything. Names, location, methods. The hospital called social services, then the police. Because Matilda was an adult, there was no foster placement. She was discharged with paperwork, a case number, and a restraining order thick enough to stop a door. She took an apartment two cities over. Changed her name on the lease. Enrolled in night classes. Learned to read better, write sharper. She worked, kept her head down, and checked the locks three times before sleep.
Two years of quiet. At twenty-six, she was composed. Striking in a way that came from surviving, not genetics. She had a friend, Sarah, from class. They walked the same route home.
Donald found her on a Tuesday. A van, a hand over her mouth, and the world tilted back to that room. Same peeling paint. Same speaker in the ceiling. Same manacles, bolted to the same bed frame. The indoctrination started before the door even closed. “You left before you were finished, Matilda. We will finish now.”
The trauma wasn’t new. It was familiar, and that made it worse. But something else was new: the rust. Flaking off the manacles in orange scabs. Her apartment landlord — a retired mechanic — had warned her once while fixing her sink: “Rust ain’t just ugly. Get enough in your system and it’ll poison you. Sepsis, organ failure. Leave it alone.”
She didn’t leave it alone. She used a fingernail, then the edge of the bed frame. Scraped it slow. Collected it in the seam of her sleeve. Grain by grain. It took weeks.
Donald tested her again. She passed this time. Recited every word of the Chapter of Ascension. Her voice didn’t shake. He smiled and promoted her. “Servant” meant she could move through the compound. Kitchen, laundry, gardens. She carried the rust with her.
Trust was currency, and she spent a year earning it. She nodded at sermons. Corrected other women’s recitations. Brought Donald tea exactly how he liked it. He called her “redeemed.”
Then she started giving back. A pinch of rust in the stew pot. A dusting in the water barrel. Not enough to kill fast. Enough to make them weak. Feverish. Confused. One by one they got sick. Sepsis, the doctors would later call it, if anyone had called doctors. No one did. Donald believed illness was spiritual failure. He prayed over them while they died.
He was last. Proud, paranoid, alone. By the time he took to bed, his skin was gray and his breath rattled. He asked for tea. For food. Matilda brought it. She’d pureed the meal herself — soft, easy to swallow. She mixed in a final, heavy dose of rust. Stirred in nutmeg until the metallic bite disappeared. He drank. He ate. He thanked her.
He didn’t wake up the next morning.
Matilda walked out the front gate. Didn’t run. Didn’t look back. She went to the police station first, then the social services office that had her file. She gave them the compound’s location, the names, the bodies. Then she went home. Her apartment. Her locks. Her name.
---
COMMENTS
Leaving a note of thanks for another great read.
Ended abruptly but a good read
Sabri is a woman consumed by resentment. Her husband abandoned her for her sister and took her daughter away — the only person she cherished deeply. He branded her as mentally unstable and unfit to care for Willow.
Sabri hails from Barbados. She traveled to the USA as a girl to forge a future. She always adored unusual creatures: snakes, spiders, centipedes, scorpions… and plants. Her homeland is encircled by sea, but it also harbors a few perilous plants that she learned to cultivate herself.
She is a striking dark-skinned woman, with long curly hair and green eyes. Truly distinctive features, with freckles dusted across her shoulders.
As a child she was violated by her neighbor. To exact revenge, she torched his car. He couldn’t determine who was responsible. When he discovered it was her, he couldn’t report it unless he exposed what he had done to her first.
She took vengeance again when a dog bit her. Not against the dog — it bore no blame — but against the owner. She broke into his house and scrawled on the wall with red paint that the owner was unfaithful. She left photographs as proof plastered to the wall.
When she came of age she was sent to New York, Coney Island. It’s a gorgeous façade with rotten bones underneath. The city teems with swindlers, hardened felons, and petty thieves, yet also with people from every walk of life. She relished her time there. She worked part-time selling gelato to cover rent and bills, and by night she was an exotic dancer with snakes at Coils and Fins Bar.
During her time in Coney Island she met the man who would become her husband, Neil Harris. They got to know each other slowly. Two years in, they professed love to one another. Months later they were engaged, then married. Six months into the marriage she was pregnant. In November they welcomed a lovely girl. They named her Willow.
After Willow turned six, on the day of her supposed birthday party, Sabri caught her husband with her sister — who had come to visit Sabri and her daughter. That betrayal is what set everything else in motion. He left Sabri for her sister and took Willow away, branding Sabri mentally unstable and unfit to care for their child.
*One evening she was cleaning the tables after her dance. She made sure never to consume alcohol — she wanted her daughter back, or at least to be allowed to see her. Pills, drugs, and alcohol were off limits. Her lawyer had made that clear. But her boss had other intentions.* He offered her a drink. When she refused, he threatened her with termination. Cornered, she drank it only to feel disoriented minutes later. She was assaulted by six men, and after that she was never the same.
She didn’t report it. She understood what would follow, so she bided her time. She acquired a snake — a black mamba. Illegal, but she secured a permit because she had a specialized enclosure for it. She also kept plants: foxglove, nightshade, and others. She chose to combine some nightshade with black mamba venom in a vessel, crystallizing it. She refined it into a black substance and blended it with nail polish, binding it all together.
She returned to work night after night until she encountered her attackers, and one by one they fell. She raked them with her nails. Some were poisoned by biting or licking her fingertips, others by scratches across their backs during intimate moments. All of them died. In the end she boarded a plane back to Barbados and now lives a tranquil life at home.
Her ex-husband, Neil, lost the custody case this time, since she obtained evidence that he deals and uses drugs with his current fiancée — her sister. She reclaimed her daughter, and by court order, he is forbidden from approaching Willow.
Andrew Tesla was a botanist who had dreamed his whole life of opening a public garden. When the city council rejected his plan, saying it was too strange and too expensive, something in him snapped. He swore he would still succeed, and that anyone who stood in his way would die.
Calleigh Lowe was the first to die. She was a well-known critic who had trashed his work in public, calling it sloppy and over-the-top. One night, she came home and grabbed the mail from her letterbox. On the ride up to her apartment on the 18th floor, she opened one of the letters and started reading. The second the elevator doors opened, she was already on the floor, dead. There were no cuts, no stab wounds, no gunshots. The doctors found no sign she was injected with anything. Even her tongue was clean. The only strange thing was a light smell of orchids in the elevator.
Pete Larson was next. He was a banker who had turned Tesla down for a loan. He told Tesla his garden project would never make the money back. Three days later, Larson was found dead at his desk, holding a folded newsletter in his hand. The paper was damp and smelled like gin and flowers.
Camelia Brown died in her car. She had rejected Tesla months earlier and sent back the bouquet of flowers he gave her. When a new bouquet showed up at her door with a small card tucked inside, she took it with her on her drive to work. People at the stoplight said she was reading the card when her car suddenly sped up and T-boned a jeep. She died on impact. No one was in the passenger seat. The flowers were still on the floor, untouched.
Shia Neville died because she licked an envelope. Tesla had made her a small glass garden for her birthday, full of moss and tiny orchids. She laughed at it, called it grotesque, and left it behind. When she got a letter from him later, the security camera caught her licking the flap to seal her reply. She never got the chance to send it. She dropped to the floor right there.
After that, a pattern was clear. Anyone who insulted him, turned him down for money, or rejected him in love got a letter, an envelope, or a gift in the mail. They all died soon after.
The newspapers started calling him the Deadly Letterman. His method was simple. He sprayed the paper with weed killer. To hide the sharp chemical smell, he mixed it with gin and added orchid oil he made from his own plants. The letters smelled expensive and floral, not dangerous. It was his own kind of garden — one that killed.
Mikaila Knight, a captivating 20-year-old bartender with an infectious smile, juggled a paralegal gig by day and nightclub work by night. Her mission was to cover her mother’s steep medical bills and law school loans, taken out for Sandra's MS (Multiple Sclerosis) treatment. A devoted daughter, Mikaila lived with her mom in a cozy, cluttered apartment, while her brother, Bryan, resided with their father, Frank – a dashing pilot in his fifties, still drawing attention from women, especially given his hard-earned wealth and chiseled good looks. Though not divorced, the couple lived separately after Frank’s Christmas party debacle with Larissa, Mikaila’s supposed "friend."
Larissa, a cunning gold-digger with a penchant for luxury and an eye on Frank, had long been a thwarted rival to Mikaila and Sandra. Sandra, unfortunately, was on a downward spiral due to MS complications – mobility issues, vision loss, and respiratory problems – leaving her days numbered. The once-vibrant woman was now confined to a wheelchair, her spirit dulling with each passing day.
During Christmas party scandal, Frank, intoxicated and reckless, succumbed to Larissa’s advances, progressing from a kiss in the toilet to a wild sex in a car and hotel. The next day, he confessed to his wife, tears streaming down his face as he begged for forgiveness. Sandra, livid yet sympathetic, cited their dulling intimacy as a factor, asking Frank to leave temporarily. He moved into a sleek, rented apartment, with their son, Frank Jr. – a 14-year-old aspiring pilot idolizing his dad – joining him. The boy’s eyes shone with hero worship whenever he looked at Frank, a stark contrast to the disappointment and anger brewing in Mikaila.
Larissa, facing a forced transfer, provocatively announced the affair was consensual to Frank’s colleagues on a flight, then quit, flaming her bridges. Meanwhile, Sandra’s condition worsened: breathing difficulties, organ infection, and a coma left her on life’s edge. Mikaila received a dinner invite from Larissa, ostensibly for consolation, and despite her better judgment, she accepted.
What a twisted trap it was. Over cocktails, Larissa spiked Mikaila’s drink with antifreeze, her smile saccharine as she asked about Sandra’s health. As they sipped, Larissa confessed her love for a married man – Frank. Mikaila, shocked, felt sudden nausea and dizziness after just three drinks. Blurry vision set in; she struggled to stand, sweating profusely. Stumbling towards the bathroom, she vomited on the kitchen floor, her stomach convulsing in agony.
Larissa seized Mikaila’s hair, scraping her scalp with nails, and snarled: “I wanted your dad since we were 17. Your mom’s expiry date is near – but you need to die, darling.” Using a scarf, she strangled Mikaila to death, the fabric tightening around her neck like a vise. As the life faded from Mikaila’s eyes, Larissa felt a twisted sense of satisfaction, her obsession finally satiated.
As Mikaila's body slumped to the floor, Larissa felt a rush of exhilaration, followed by a creeping sense of unease. She hadn't planned on killing her, at least not yet. Her original plan was to seduce Frank, get him to leave Sandra, and then dispose of Mikaila as a loose end. But things had escalated quickly, and now she had a dead body to deal with.
Larissa paced the apartment, her mind racing. She needed to get rid of the body, and fast. She couldn't risk getting caught, not now, not when she was so close to getting what she wanted. She thought about calling Frank, but that would raise too many questions. Instead, she decided to take matters into her own hands.
Just as she was about to drag Mikaila's body away, the phone rang, shattering the silence. Larissa's heart skipped a beat as she saw Frank's name on the screen. He was calling Mikaila, probably trying to fix things between them and bond again. A twisted smile spread across Larissa's face as she picked up the phone and threw it into the toilet, watching as it splashed into the water. She flushed it, the sound of the rushing water drowning out the faint ringing.
With the phone gone, Larissa felt a sense of satisfaction. She was one step closer to getting what she wanted. She turned her attention back to Mikaila's lifeless body, her mind racing with plans for disposal and deception. The apartment was quiet, except for the sound of the TV in the background, playing a mindless show. Larissa's eyes scanned the room, taking in the scattered drinks and the vomit on the kitchen floor. She needed to clean up, make it look like Mikaila had gone out, maybe met with an accident.
Frank repeatedly called, and now he contacted his son. His son responded, and they were apprehensive about her whereabouts. They contacted her employer, and she was absent, and called at university, and she was also nowhere to be found. They called the hospital, and the nurse said she hadn't arrived. Actually, she left in the afternoon, saying she would be there later, but never showed up. They both went to Frank's previous residence, and she wasn't there either. Now they were concerned and alerted the authorities.
After an extensive search, the authorities discovered the girl in a luggage compartment in a scrapped vehicle, and they went to determine who the car belonged to. It was a narcotics peddler Michael knows as Zeus, because he brutalizes his adversaries or those who deceive him with a taser and electrocutions. After days in the police station, he admitted a girl paid him enough to conceal her in his car and have it scrapped. When they asked where she went, he said he was oblivious. All he knew was that she had a substantial amount of cash with her.
What nobody knows is that she fled to Paris and never returned to Ireland.
COMMENTS
Your stories are so well written and paced. I really like them.
I read a lot on my Kindle and your work is as good, and often better than the novels I download.
Thanks. I appreciate
Anytime.
Had to refresh page a few times, screen keeps freezing. May be my internet.
Excellent read
Alexander Murray was 34 years old. By day, he was a cargo pilot. By instinct, he was a coyote. His hobby was hunting and fishing. But he didn’t hunt and fish animals. Not anymore. He did it to humans.
The habit started young. Alex’s father, Thomas Murray, was a field botanist who chased rare medicinal herbs through jungles most people couldn’t point to on a map. From the time Alex was five, Thomas took him out into the wadis and desert flats outside Abu Dhabi. A small bow, a dull knife, a lesson: “If you want to eat, you gotta earn it, son.” Alex would nod, because five-year-olds nod at everything their fathers say. He didn’t understand the weight behind it. He just liked the quiet, the waiting, the way his father’s eyes went still when they tracked something.
Thomas never came back from his last trip. Cerebral malaria, caught in Central Africa while documenting a root the locals swore could kill fever. The company sent a letter and a check. Alex was seven.
After that, it was just him and his mother, Layla. She hated hunting. The smell of blood, the trophies, the knives — she cleared them out of the flat within a week of the funeral. But she loved the desert at night, and she loved her brother, Rashid. So they camped. Rashid was a fisherman. Not the deep-sea charter kind. The patient kind. Lines in the water at Al Wathba, sunrise to sundown, waiting. Rashid taught Alex to tie knots, to read the surface for ripples, to sit until your legs went numb and not complain. “Hunting and fishing are the same thing,” Rashid told him once, hand on his shoulder. “Sabr. Patience. You wait longer than the thing you want can stand.”
Alex learned. By fourteen he could sit twelve hours without speaking. By sixteen he had trophies for marksmanship and a wall of ribbons for junior fishing comps. The house filled with frames and frozen fish and grilled meat. Layla would hang the certificates on the wall and make machboos for dinner. But nothing ever excited him. Not the weight of a prize in his hands, not the steam off a fresh catch. It was all procedure. Empty.
The change came at 22, in their cramped walk-up flat in Mussafah. No elevator, thin walls, his mother working two jobs — hospital laundry by day, hotel housekeeping by night — just to cover rent and keep the internet on. Alex was scrolling Netflix after a night flight, half-asleep, when the algorithm fed him _Squid Game_. He watched the first episode leaning forward. By episode three he wasn’t blinking.
It wasn’t the money. It wasn’t the masks. It was the rules. The structure. The permission. A game where you hunted people and it was allowed. Where waiting, stalking, eliminating — it all meant you won. He watched it twice. Then he started lifting weights again. Then he started sharpening things.
Abu Dhabi didn’t have games like that. Abu Dhabi had cameras, and laws, and his mother’s tired eyes asking, “Ya waladi, inta akalt?” — _Son, have you eaten?_ So Alex made his own.
His first hunt was at sixteen, but he’d been practicing in his head for years. The school organized a desert camping trip to the edge of Liwa. Three days, four boys including him, two teachers who drank after the kids went to sleep. The dunes rolled out like frozen waves. At night it was cold enough to see your breath.
His hunger that weekend was palpable. A physical thing, like a stone in his throat. But Rashid’s lesson held: patience. He waited until the second night, when the fire was low and the other boys were telling stories about girls they’d never touched. He took the first one while he was pissing behind a dune. A single thrust with the spear he’d hidden in his bedroll — up, under the ribs, into the liver. The boy made a wet, surprised sound and folded. No one heard.
The second and third were harder, but not hard. They trusted him. He was quiet Alex, the one who could start a fire in the rain. Betrayal didn’t occur to them. By sunrise, the teachers were still drunk and Alex was the only one who walked back to the bus. He told the police they’d wandered off. Got lost. The desert did that. The search turned up nothing for weeks. By then the sand and the animals had done their work.
He kept trophies. Not ears, not fingers — too obvious. Teeth. Canines only, pried out with pliers he’d taken from his mother’s toolbox. He drilled them, strung them on paracord. Four teeth, four boys. He wore the necklace under his flight suit sometimes. The weight of it was comforting.
“Fishing” started at 25. He was older, bigger, a pilot now with his own apartment. He had money, alcohol, and a car. He’d invite girls out to Al Wathba Lake. “Just a day trip. I’ll bring food. Bring friends.” They always came. Not for him — Alex knew he wasn’t charming. He was broad, quiet, and his eyes were flat. They came for the free vodka and the story to tell later.
It followed the same pattern. Drink, laugh, swim. Then walk. “Let me show you a quiet spot.” One by one. The spear was lighter now, carbon fiber, custom. He was precise. Liver and kidneys, always. No room for error. A punctured lung meant screaming. A gut shot meant smell. Liver and kidneys meant they dropped, bled out inside, and went quiet. Efficient.
Five girls that summer. The sixth one ran. Maya, he thinks her name was. She was smaller than the others but she didn’t freeze. When he stepped out from the reeds she was already moving. He hit her in the shoulder with the flare gun. The first shot knocked her down. She got up. He shot her again. And again. The phosphorus burned. It melted. It made holes that didn’t look like holes. She stopped getting up after the fourth.
He didn’t keep teeth from the girls. It didn’t feel right. The rules were different for fishing.
Something was never right in his head, and he knew it. He didn’t hear voices. He didn’t have conversations with God. He just didn’t feel what other people described. Crowds were noise. Pity was a word. Love was a story Layla told about his father. The only time the world went sharp and clear was in the wait, and the strike, and the second after when the body understood it was dead but the brain hadn’t caught up. The adrenaline hit like a drug. For ten seconds, he felt alive. The rest of the time he was just rehearsing.
It continued like that for nine years. Flights in, flights out. Hunts between. He was careful. He was patient. He thought he was smarter than the desert.
He wasn’t smarter than Layla.
She found the necklace. He’d gotten sloppy, left it in the pocket of his flight jacket when he dropped it off for her to wash. She found the spear, too, oiled and hidden in the air vent. She didn’t call the police. She didn’t scream. She waited three days. On the fourth, when he came home from Dubai, she was sitting at the kitchen table with his father’s old service revolver.
She said, “Ana shu sawwet ghalat ya Alex?” — _What did I do wrong, Alex?_
He said nothing. There was nothing to say. The hunt was over. The patience had run out.
She shot him once, in the head. She couldn’t believe she’d raised a monster.
---
Along the Myanmar-China border, a building rises like a hollowed mountain. From the road it appears to be a derelict warehouse, corrugated metal and blind windows. Inside, it is a home. One man and fifty children live beneath its roof. The children are between six and twelve years old, twenty-five boys and twenty-five girls. They came from splintered lives. Some bolted from houses where fists spoke louder than words. Others were discarded when money ran thin or patience ran out. A few clawed their way out of foster homes that promised safety and delivered new kinds of bruises. All of them were searching for a door that would not slam behind them.
They found Wen Shu. He is twenty years old, but his eyes carry the weight of someone twice that. He was once a student, then an apprentice to half a dozen callings. He learned the heat of a kitchen as a chef. He learned grain and joint as a carpenter. He learned fire and bond as a metalworker. He learned numbers and patience as an assistant mathematics tutor. He learned none of it would save him from his own bloodline. His family smothered him with expectation until the air turned to wire. One night the wire snapped. He struck his father, took money and jewelry from his mother’s purse, and disappeared into the borderlands.
He slept in bathhouses where the steam hid his shaking hands. He slept in motels where the walls were thin and the questions were thinner. The tremors were not fatigue. They were chorea, the opening notes of early-onset Huntington’s disease. His mother carries it too, lingering in the second stage. He watched her decline and decided he would not give the illness the satisfaction of an audience. He refuses to let the children see him collapse into a bed and become a burden.
He calls the boys Shui, a word that means water, adaptable and quiet. He calls the girls peach and pear blossoms, fragile only in appearance, lethal in their roots. Uniforms mark them so his faltering mind can still find them. Boys wear brown and black, earth and shadow. Girls wear white and blue, bone and sky. The colors are practical, not ceremonial. When his hands betray him and his speech slurs, the uniforms remain legible.
Within the house, order is law and care is currency. Every child has a real bed with a frame that does not groan. The girls receive the supplies they need, and the boys receive theirs. The pantry is not aspirational. There is water, milk, and tea. There is fruit, meat, fish, and vegetables. There is soup, rice, and noodles, cooked fresh, served hot. Homework is not algebra alone. It is laundry, dusting, sewing, and assisting with meals. Lessons are daily, delivered by Wen Shu or the older children. Play is not idle. It is martial arts, hopping, jumping, racing, running, boxing, parkour, and climbing. Their bodies are honed like tools. Even speech is drilled. Conversations with each other, with customers, and with workers are rehearsed and scored like a game. They learn to read a room before they enter it.
To the town, they are industrious orphans. By day they shine shoes on corners where whispers collect. They deliver chairs and tables into homes where locks are noted and habits are memorized. They earn their own wages and bring them home. The community nods at the man with the Sun tattoo who turned strays into craftsmen. They do not see the curriculum beneath the curriculum.
Because by night, the house exhales a different breath. The trades become weapons. The games become tactics. Wen Shu did not simply teach them to survive. He taught them to eliminate. He calls it pruning. He says some trees only grow when the rot is cut away. He never raised his voice when he said it. He never needed to.
The assignments are tailored to hand and temperament. Some are given the path of brute force. They are the older ones, broad in the shoulder from carpentry, fast in the foot from parkour. They learn angles, leverage, and silence. They learn how to end a confrontation before it begins. Others are given machination. They study routines, dependencies, and weaknesses. They learn to move pieces until a target is alone, unguarded, and certain of safety. Others are taught traps. They understand weight, tension, and timing from their hours with wood and wire. They learn how to make a room betray its occupant. Others are taught apothecary. They know doses and reactions from Wen Shu’s own cabinets. They learn which leaves calm and which stop a heart, and they learn that the difference is often a matter of grams.
They do not choose their path. Father chooses for them, and they accept because he has never lied about the cost. He tells them the world took from them first. He tells them the Sun only asks that they protect its light. They believe him because he never struck them, never cursed them, and never let them sleep hungry. The Sun on his chest is not a brand. It is a promise.
They move through the borderland like smoke. Rooftops are roads. Manholes are doors. Sewers are tunnels. Walls are ladders. A child can pass through a gap that would break an adult’s ribs. A child can stand in a corner and become part of the furniture. They enter, they complete the task, and they leave. The loot and the confirmation return to Father. He keeps none of it. The money becomes food and fabric and medicine. The reputation becomes armor. The town keeps calling them hardworking orphans, and the illusion holds.
Wen Shu charts his own decline the way he charts their lessons. He logs the tremors, the pauses in speech, the mornings when a spoon feels like a stone. He knows the statistics. He knows the stages. He decides he will not give the disease the final word. One night, when the shaking is bad and the future is a corridor with no doors, he takes his medication in a number that is not a dose but a decision. He drives. The car does not return. The Sun sets by his own hand, not the illness.
In the morning the house is still standing. Fifty beds are still made. Fifty uniforms are still folded. Fifty children are still breathing. They are trained, they are loyal, and they are stained. The curriculum is complete. Father is gone.
The border is quiet. The Sun is down.
COMMENTS
Sun sets by his own hand. Love it, excellent
Thanks
Loved it.
Excellent best yet.
In the gray, frigid sprawl of Moscow, Russia, three gay men were discovered brutally stoned to death in a desolate alley behind a warehouse district. Their bodies, broken and bloodied, lay half-covered by overnight snow.
No one could explain why they were targeted. They didn’t _look_ gay — not by the cruel, arbitrary standards people use to justify hate. On the contrary, they wore stained work clothes: one a mechanic’s jumpsuit smeared with grease, another a construction vest still dusted with concrete. The third man was even married to a woman and had two small children. It was a cover, a shield he’d built years ago, but still… it hadn’t saved him.
The news didn’t make the front pages. It traveled in whispers, in locked Telegram chats, in the sudden quiet that falls over a bar when someone new walks in. Shock and dread rippled through Moscow’s small, fractured gay community, but no one dared to protest. To march was to volunteer to be next. It’s Russia we’re talking about — where the state’s silence is a kind of permission, and where the wrong glance can become a sentence.
Germany was once like that, people reminded each other in hushed tones. It changed gradually, painfully, over decades. Now men can marry men, women can marry women, and the law stands between them and the mob. But Russia, unfortunately, has no chance of breaking through. Not in this generation. Maybe not in the next.
Among those who heard was Lars Hoffmann, a German literature student, and Ladislas Kováč, a Hungarian engineering student. Both had come to Moscow on exchange programs, both had fallen in love with the city’s brutal architecture and hidden courtyards, and both were now terrified to walk outside after dark — because the killings had happened at night. Within weeks they’d both swiftly changed jobs, abandoning evening shifts at cafés and clubs for anything that ended before sundown. Day jobs only. Sunlight as armor.
Time passed, as it always does. The snow melted, the blood was hosed away, and Moscow’s relentless momentum buried the incident under new scandals, new traffic jams, new sanctions. The city forgot. But Lars and Ladislas did not.
Trauma diverged their paths. Lars, raised Catholic and already wrestling with guilt, sought answers in the one place that promised absolute moral order: he joined the Church of the Holy Ascension in the Kitai-Gorod district. Ladislas, always the defiant one, the atheist who argued with professors for sport, rejected every god he could name. He packed a single duffel bag and bought a ticket to St. Petersburg. “I can’t breathe here,” he told Lars at the train station. “You shouldn’t stay either.” Lars stayed.
Only Ladislas came out alive.
Lars died months later, though his death certificate would list “suicide by hanging.” The truth was slower, more methodical. Inside the Church of the Holy Ascension, Father Dimitri ran private “counseling sessions” for men who confessed to “unnatural urges.” Day after day, Lars was beaten — not always with fists, sometimes with scripture, sometimes with silence, sometimes with the open palm of a man who smiled while he did it. He was manipulated into believing he was a sinner by nature, that being gay was filthy, deviant, a corruption of the soul. _Not the way of God,_ Dimitri would intone, his voice calm as he prescribed another night of prayer on broken glass. The internal conflict hollowed Lars out until there was nothing left but shame and exhaustion. When he finally took his life in the church basement, he left a note with three words: _Forgive me, Father._
He was not the only one. Over two years, fifteen gay men and four lesbians connected to Dimitri’s “ministry” died by suicide. Others, broken differently, coerced themselves into heterosexual marriages, parading wives and husbands at Easter service like proof of salvation. Those who couldn’t conform — who were caught holding hands, or messaging, or simply being too soft, too themselves — were dragged from their homes. The police looked away. The verdict was always the same: stoned.
The culprit is Dimitri, and unfortunately the law doesn’t stop him from committing these crimes. On paper, Russia has statutes against murder. In practice, there are loopholes for “moral correction” and “public decency,” and there are police who attend Dimitri’s Sunday service.
So the community bled out in other ways. Some of the young ones decided to flee. They saved, they lied, they bought bus tickets and visas and one-way flights to Germany, Hungary, Romania, Italy — anywhere that had once been hostile but had chosen, however imperfectly, to change. They left behind parents, languages, the only alphabet they’d ever known.
But in the end, Dimitri still dominates in the Church of the Holy Ascension in Moscow. The candles still burn. The choir still sings. And somewhere in St. Petersburg, Ladislas wakes up at 3 a.m. every night, checks that his door is locked twice, and wonders how long guilt can survive when the person who planted it is already dead.
In the gray, frigid sprawl of Moscow, Russia, three gay men were discovered brutally stoned to death in a desolate alley behind a warehouse district. Their bodies, broken and bloodied, lay half-covered by overnight snow.
No one could explain why they were targeted. They didn’t _look_ gay — not by the cruel, arbitrary standards people use to justify hate. On the contrary, they wore stained work clothes: one a mechanic’s jumpsuit smeared with grease, another a construction vest still dusted with concrete. The third man was even married to a woman and had two small children. It was a cover, a shield he’d built years ago, but still… it hadn’t saved him.
The news didn’t make the front pages. It traveled in whispers, in locked Telegram chats, in the sudden quiet that falls over a bar when someone new walks in. Shock and dread rippled through Moscow’s small, fractured gay community, but no one dared to protest. To march was to volunteer to be next. It’s Russia we’re talking about — where the state’s silence is a kind of permission, and where the wrong glance can become a sentence.
Germany was once like that, people reminded each other in hushed tones. It changed gradually, painfully, over decades. Now men can marry men, women can marry women, and the law stands between them and the mob. But Russia, unfortunately, has no chance of breaking through. Not in this generation. Maybe not in the next.
Among those who heard was Lars Hoffmann, a German literature student, and Ladislas Kováč, a Hungarian engineering student. Both had come to Moscow on exchange programs, both had fallen in love with the city’s brutal architecture and hidden courtyards, and both were now terrified to walk outside after dark — because the killings had happened at night. Within weeks they’d both swiftly changed jobs, abandoning evening shifts at cafés and clubs for anything that ended before sundown. Day jobs only. Sunlight as armor.
Time passed, as it always does. The snow melted, the blood was hosed away, and Moscow’s relentless momentum buried the incident under new scandals, new traffic jams, new sanctions. The city forgot. But Lars and Ladislas did not.
Trauma diverged their paths. Lars, raised Catholic and already wrestling with guilt, sought answers in the one place that promised absolute moral order: he joined the Church of the Holy Ascension in the Kitai-Gorod district. Ladislas, always the defiant one, the atheist who argued with professors for sport, rejected every god he could name. He packed a single duffel bag and bought a ticket to St. Petersburg. “I can’t breathe here,” he told Lars at the train station. “You shouldn’t stay either.” Lars stayed.
Only Ladislas came out alive.
Lars died months later, though his death certificate would list “suicide by hanging.” The truth was slower, more methodical. Inside the Church of the Holy Ascension, Father Dimitri ran private “counseling sessions” for men who confessed to “unnatural urges.” Day after day, Lars was beaten — not always with fists, sometimes with scripture, sometimes with silence, sometimes with the open palm of a man who smiled while he did it. He was manipulated into believing he was a sinner by nature, that being gay was filthy, deviant, a corruption of the soul. _Not the way of God,_ Dimitri would intone, his voice calm as he prescribed another night of prayer on broken glass. The internal conflict hollowed Lars out until there was nothing left but shame and exhaustion. When he finally took his life in the church basement, he left a note with three words: _Forgive me, Father._
He was not the only one. Over two years, fifteen gay men and four lesbians connected to Dimitri’s “ministry” died by suicide. Others, broken differently, coerced themselves into heterosexual marriages, parading wives and husbands at Easter service like proof of salvation. Those who couldn’t conform — who were caught holding hands, or messaging, or simply being too soft, too themselves — were dragged from their homes. The police looked away. The verdict was always the same: stoned.
The culprit is Dimitri, and unfortunately the law doesn’t stop him from committing these crimes. On paper, Russia has statutes against murder. In practice, there are loopholes for “moral correction” and “public decency,” and there are police who attend Dimitri’s Sunday service.
So the community bled out in other ways. Some of the young ones decided to flee. They saved, they lied, they bought bus tickets and visas and one-way flights to Germany, Hungary, Romania, Italy — anywhere that had once been hostile but had chosen, however imperfectly, to change. They left behind parents, languages, the only alphabet they’d ever known.
But in the end, Dimitri still dominates in the Church of the Holy Ascension in Moscow. The candles still burn. The choir still sings. And somewhere in St. Petersburg, Ladislas wakes up at 3 a.m. every night, checks that his door is locked twice, and wonders how long guilt can survive when the person who planted it is already dead.
COMMENTS
Adding a comment in friendship. You know I love your stories.
Thanks mate
A mysterious diary has been circulating around the city of Athens, and every time a name is added to it, someone meets their demise, either by a fatal gunshot to the head or a lethal poison.
The day was balmy and radiant, with people going about their daily routines, some indulging in retail therapy, others sipping coffee or tea and relaxing, while some attended to their business on the streets, peddling leaflets or booklets to tourists. However, there were a few individuals plotting to eliminate those who posed a threat to their interests or well-being. Others were struggling with debts, mortgages, and other financial burdens.
The diary itself was an enigma, adorned with an obscure insignia that only a few, well-versed in the depths of history and mythology, could decipher. It bore the sigil of Hades, the Greek god of the underworld. Whoever's name was inscribed in it would meet their maker. A person had scribbled a list of enemies on Sunday, and by Wednesday, it was all over the news: those individuals had perished at midnight, exactly two days later.
A young girl had written her father's name, a man who had subjected her and her mother to daily abuse, beating and kicking them with impunity. The authorities had turned a blind eye, fearing entanglement or worse. Two days later, the perpetrator was found shot in the head while stumbling home, inebriated.
Two women had written their former boss's name, a tyrannical woman who had exploited their labor and heaped verbal abuse upon them. The woman was subsequently poisoned, her insides ravaged by a slow-acting toxin.
As the bodies piled up, the police were baffled, their investigative prowess at a loss. They were unnerved by the notion that the god Hades might actually exist. In reality, a shadowy corporation was circulating the diary, offering financial incentives to those who inscribed names, effectively allowing them to eliminate their tormentors.
One young woman, though, refused to be party to this macabre scheme. Despite her father's egregious abuse, she had never wished him dead; she wanted him to face justice and reform. She confided in the authorities, who, understanding her plause, granted her and her mother immunity and pardon, on the condition they disavow the diary.
The killings continued unabated until the diary was filled, after which it fell silent. A five-year lull followed, only to be shattered by the appearance of a new diary, this one emblazoned with the insignia of Vulcan. Malefactors were now being subjected to a gruesome fate, melted in vats of scorching liquid fire and gold. The panic among the guilty was palpable, with many surrendering themselves to the authorities and seeking redemption. But would their belated contrition save them from the impending retribution?
In Berlin, Germany, a plethora of breathtaking sights beckon tourists and locals alike, easily accessible by bus or taxi. However, amidst the vibrant streets, a sinister threat lurked, targeting the very individuals who chauffeur strangers through the city's winding roads. Taxi drivers, typically the epitome of helpfulness, found themselves in the crosshairs of a ruthless perpetrator.
One driver, exhausted from a morning of ferrying passengers, yearned for the comfort of his shower and the solace of his bed. His final assignment, however, would prove to be his last. A mysterious passenger, seated in the backseat, would seal his fate. The driver was brutally stabbed in the back three times, and a metal string sliced through his throat, leaving him virtually decapitated.
Another driver, a female, met a similarly gruesome end while transporting a passenger to the countryside. Her wrists and ankles were bound with a tourniquet, cut with the same metal string. As the body count rose, six drivers fell victim to the same heinous methods. Males were half-decapitated, while females were mutilated, their wrists and ankles severed. The motive behind these atrocities remained a mystery.
The authorities swiftly sounded the alarm, mobilizing the Polizei, armed forces, and Interpol to tackle the serial killer. The investigation revealed that the crimes were not isolated to Berlin; similar incidents had occurred in Bavaria, Hamburg, Austria, and even Moscow, Russia. The case was dubbed the "Kopfloser Killer" – German for "Headless Killer" – due to the perpetrator's gruesome modus operandi.
Months passed with no new leads, and the case went cold. The reprieve was short-lived, as the killings resumed in Hamburg, with drivers of both sexes falling prey to the killer's blade. This time, however, the victims' heads were found on the roof of their cars. The public's fear peaked, and the police were under pressure to apprehend the perpetrator.
In a twist of fate, a suspect was arrested, but he was later revealed to be an innocent man with a vendetta against taxi drivers. The real killer remained at large, and the authorities faced scrutiny for their mistake. Germany's law enforcement, averse to admitting defeat, chose not to disclose the error, opting to protect the public from panic.
The killing spree eventually spread to Stockholm, Sweden, where taxi drivers were targeted in a similar manner. The victims were decapitated, but with a twist: their heads were found in the backseat of their cars. A group of vigilant drivers finally apprehended a young man who had been rejected from multiple taxi driving positions. His motive, rooted in anger and resentment, was a twisted attempt to lash out at the industry that had spurned him.
The Kopfloser Killer's reign of terror had ended, but not before claiming multiple innocent lives. The drivers, though shaken, had banded together to bring an end to the nightmare, while the authorities continued to work behind the scenes to ensure public safety.
COMMENTS
Have you thought about Amazon publishing? Your work would sell I think.
i tried but i do not know how to do it
I'm not sure either. I haven't used it. I know it can be profitable.
It might be worth looking into.
great job
The truck rolled south from Roma toward Bari. After Bari, it would turn north for Milano. On the outside it looked like any other unmarked van chewing up the autostrada. White, dented, logo peeling from too much sun. Nothing to flag. Nothing to stop.
Inside, it was a hearse with a secret.
Six coffins lined the cargo bay, bolted to the floor so they wouldn’t slide. They weren’t supposed to be occupied. Funeral transport runs empty one way, collects the dead on the return. Standard procedure. With Eduardo Luca, the coffins were never empty. They were inventory.
Eduardo Luca presented as unremarkable. Mid-forties, clean-shaven, pressed shirt, quiet eyes. Dispatch liked him because he was punctual. Clients liked him because he never spoke unless spoken to. Managers liked him because he never complained about night runs or holiday shifts. They called him the coffin Man, thinking it was for his temperament. Cool under pressure. Never rattled. They didn’t know how literal the nickname was.
The coldness started early. As a child, Eduardo discovered that pain gave him a clarity nothing else did. He experimented on his siblings first because they were available. The experiments escalated. He would bind their wrists with electrical cord and time how long it took for their fingers to turn blue. He called it research. His parents called it boyish cruelty and looked away until they couldn’t.
He was nine when he killed his sister. She was a toddler, still wobbling on unsteady legs, still reaching for him with total trust. He put her in the chest freezer in the garage and listened. He told the police she must have climbed in herself. He cried at the funeral. The tears were real. They were for the loss of a good test subject.
His brother came next, age twelve. Eduardo waited on the landing and shoved him down the staircase at the precise moment their mother turned her back. The banister snapped. The brother’s neck snapped with it. “Accident,” the report said. Eduardo carried the casserole to the wake and accepted condolences with dry, polite nods.
The last sibling took longer. Poison requires patience. Rat pellets, ground fine, mixed into hot chocolate over three weeks. Small doses. Cumulative effect. The doctors called it a rare blood disorder. Eduardo memorized the medical terms so he could use them later, correctly, when someone asked questions.
His family sent him away after that. Not out of grief. Out of fear. They couldn’t comprehend the arithmetic of his mind: flesh and blood meant nothing if it didn’t obey. They signed the papers and committed him to a state institution at fourteen. The psychiatrists ran tests, filled charts, debated diagnoses. The only word they agreed on was psychopath. One doctor wrote in the margin: _No future for those who meet him except the grave._ They discharged him at eighteen because he was smart, compliant, and legally untouchable. Eduardo had learned how to perform sanity.
Freedom had rules, so he learned the rules. He argued for his own release in court, citing case law, quoting statutes. He won. At nineteen he took a job driving delivery trucks. Long hauls, alone, nobody watching the back of the cab. He liked the solitude. He liked the weight limits. He liked that people at truck stops were transient, forgettable, easily misplaced.
He became a veteran of the road. Ten years without a citation. He changed carriers twice, always upward, always to smaller companies with less oversight. Then he switched to refrigerated transport. Ice trucks carried less weight, which meant better fuel economy and fewer questions at weigh stations. It also meant he had a freezer on wheels.
That’s when the hitchhikers started vanishing.
The method was refined over time. He chose stretches between cities where cell service died. He picked up men and women with backpacks, with cardboard signs, with the particular exhaustion that meant they wouldn’t fight hard. He offered water. The water was drugged. By the time they realized the door was locked, they were already sliding toward unconsciousness.
He didn’t kill them in the cab. Too much cleanup. He dragged them into the reefer unit and set the temperature to -20°C. He watched through the small porthole as frost formed on their eyelashes. Suffocation came first, hypothermia second. Sometimes the order reversed. Eduardo didn’t care. He timed it anyway. Data mattered.
Once they were dead, he moved them into the coffins. The funeral home contract was a masterpiece of legitimacy. He bid low to transport empty caskets from manufacturers in Roma to mortuaries across the north. Nobody checked an empty box. Nobody ever opened them at a tollbooth. He lined the interiors with plastic sheeting, loaded the bodies, screwed the lids down, and signed the manifest: _6 units, empty, funerary use._
From Roma to Bari he collected. From Bari to Milano he delivered. Not coffins. Not ever empty. He delivered endings.
The Ice Man kept records. Dates, weights, causes, mileage. He cross-referenced weather with decomposition rates. He noted which body types cooled fastest. He was building a thesis, even if no one would read it. The truck’s odometer ticked up. The grave count ticked with it.
On the outside, Eduardo Luca was normal. On the inside, he was winter. Relentless, systematic, and incapable of thaw.
Some say he is the Ice Man and some call him the Coffin Man.
COMMENTS
I have my coffee. I have my read. Thank you.
Great read as always
28th December.
A fishing crew was hauling back to port after a long season overseas. Night run, black water, nothing but engine hum and salt. That’s when they hit it. A field of garbage bags riding the swells. Too many. Too organized.
They thought nets. Maybe a lost catch drifting. They slowed, hooked a few, sliced them open.
It wasn’t fish.
It was people. Or what was left of them. Human remains, bagged and dumped. The crew called it in immediately to the marina, reporting the find while they pushed for port. They even volunteered the hold for inspection. Fish, gear, cabins, all of it. They knew the drill. Marina security checks every boat for contraband, narcotics, bodies, stowaways, criminals using fishing routes to slip past the law. But these guys were clean. Just fishermen who stumbled into a graveyard.
The bags told a story. Body parts, mixed, dismembered. Latina, Black, South Asian. All women. All young, 17 to 25. And all of them cut with surgical precision. Hearts gone. Kidneys gone. Livers gone. Eyes gone. Then, after the organs were harvested, the bodies were hacked apart like trash. Rough. Spiteful. Murdered twice. Humiliated twice. Once by the blade, once by the butcher.
Los Angeles had a hemorrhage nobody wanted to name: human organ trafficking. These girls weren’t random. Prostitutes working the boulevard. Homeless kids trying to survive a night. Some were targeted on the job, snatched between clients. Others vanished from shelters. Taken, drained, dumped at sea.
Months crawled by. LAPD chased ghosts. No links, no sellers, no buyers that stuck. Until one bag changed everything.
Inside was Sandra Alisos. No liver. No kidneys. And Sandra wasn’t a street girl. She was LAPD. No, deeper. FBI.
That’s when the suits arrived. The Bureau tried to yank jurisdiction, seal the files, bury the case in federal concrete. Didn’t work. The judge wanted answers, not turf wars. So the FBI and LAPD were forced to share a table. Share evidence. Share blood.
Sandra had gone undercover as a prostitute. Deep cover. It was personal. One of the first bags dragged from the Pacific held her sister. Sandra wanted the traffickers in the ground. She got close. Too close. When her cover blew, they didn’t just kill her. They harvested her. Made her inventory.
You don’t murder a fed and walk away clean. Not this time.
The mistake woke a war. A joint task force was carved out of grief and rage. LAPD and FBI, cell by cell, name by name. They burned through the network. Pimps. Drivers. Clean-up crews. Brokers. Buyers.
Then they hit the top.
The boss wasn’t cartel. Wasn’t foreign. He was a prosecutor general, polished, televised, climbing toward higher office. His lieutenants were worse. Captain Henry Sanza, LAPD East Division, commanding the very precinct that should have hunted him. And a hospital director, white coat, steady hands, signing off on the cuts.
It ended fast and ugly.
Sanza ate his service weapon. One shot, head, lights out in his office.
The hospital director ran. Didn’t get far. Federal marshals had him in cuffs before he cleared the city line.
The prosecutor general went out loud. His yacht, federal raid closing in, helicopters overhead. He triggered the explosives himself. The blast took five cops and six agents with him. Fire on the water. Nothing left but teeth and ash.
London, 24th April.
Barnaby Street was torn apart. Eight cars and a bus, reduced to charred metal and shattered glass. The blast killed five Jewish residents, seven Black residents, and six Irish. No one could say what sparked the catastrophe, but the precision made one thing clear: it was deliberate. Targeted. Designed to send a message.
Weeks passed, and the violence metastasized. A stadium rocked by another detonation. Then a theatre, mid-performance, turned into a tomb of dust and screams. The pattern held. Always crowded places. Always maximum impact. The victims were rarely random. Jews, Muslims, Black Londoners, Irish. The same groups, again and again.
The motive bled through the smoke: hatred. A crusade against anyone marked as different by race, faith, or nationality. It was hate crime weaponized into terrorism.
Months dragged on, but time healed nothing. Trauma calcified. Black workers dreaded the morning commute. Jewish families stopped walking door to door with prayers. Muslims carried the same fear, paralyzed by the memory of sirens and sirens and more sirens. Suspicion curdled into rage, and rage circled back on itself. The Irish community whispered that this was blowback for the IRA, vengeance decades overdue.
Then the attacks came home. Literally. Houses ignited in the night. Gas mains tampered with. Mysterious explosions. Water lines ruptured, flooding kitchens and drowning memories. The message was physical now: you are not safe behind your own front door. People reached their limit. Exhausted by bias. Sick of flinching at shadows, at a car backfiring, at the scent of smoke on the wind.
So they marched. Straight to the stations, demanding either retribution or peace. They refused to be caged in their own city, and they refused to be driven out by shame or intimidation. Not for the color of their skin. Not for their gods. Not for their passports or their pasts.
Delegations met. Community leaders, organizers, crews from every corner that had bled. They agreed on one thing: find the root.
The investigation ran deep and dirty, pulling in MI7. After months of chasing whispers and wiretaps, a name surfaced. A militia, large, organized, fanatical. They believed England was being stolen from them and decided terror would reclaim it. White, blue or brown or green eyes, blonde or dark hair, Protestant and nothing else. Everyone outside that mold was an invader. They branded themselves the Anglogiclan. They answered to no one. Not Parliament. Not police. Officers who tried to intervene ended up in hospital beds, or comas, or morgues. Patrol cars were found gutted, warnings written in glass.
But tolerance has a breaking point. And London reached it.
The counter-stroke was given a name before it even began: the Final Uprising.
It started on a moonless night. The hunt. The Anglogiclan were rooted out cell by cell, crew by crew. Some were eliminated in the alleys where they once staged ambushes. Others were captured alive, though “alive” was generous. Faces were pulp, bones were ruin, identities erased beyond what any passport could restore. A handful were left breathing, comatose, warehoused in secure wards. A few more were taken in cuffs, dragged before courts that suddenly found their courage.
London had bled. Now it bit back.
Pradesh is the kind of place that ends up on postcards. Sun-washed streets, spice markets that wake you before dawn, hills that turn gold in late afternoon. People tell you it’s beautiful, and they’re right. But like anywhere else in the world, beauty doesn’t cancel danger. It just gives it better places to hide.
The first one was found in an empty warehouse down by the docks. A girl, twenty-one. At first glance she didn’t look dead at all. Her skin caught the light, slick and unnatural, like she’d been dipped in wax and left to set. Only when you got closer did you see the rest: her wrists and ankles bound, small, precise holes bored through the center of each palm, thin strings looped around every joint. Her mouth was sealed shut with something dark that wasn’t tape. The strings ran up into the rafters, disappearing into shadow. She moved when the air shifted. Not breathing — moving. A puppet.
The police who found her didn’t speak much in the report. One of them threw up outside. She had no enemies. Background check pulled up one infraction in her whole life: a parking ticket. Before that, she’d cooked for a wealthy household on the east side. Quiet girl. Kept her head down. Didn’t deserve any of this.
Three days later, officers were called to the old theatre on Mercer Street. The building had been condemned, but the front doors were unlocked. Inside, the stage lights were on. A family of three sat at a round table center stage, dressed in clothes from another century — high collars, brocade, wigs that didn’t quite fit. Crystal glasses in front of them, untouched. They turned their heads in slow, loving arcs toward one another, smiling with sealed lips. More strings. More holes. More wax on the skin, catching the footlights. Music crackled from a gramophone in the pit. Then the girl from the table stood. She danced. The movement was careful, gingerly, with the slight hitch you see in marionettes when the puppeteer’s hand slips. If you were in the back row, you might have believed she was alive. Up close, you heard the faint creak of joints.
The theatre wasn’t empty. Fifteen people sat in the audience, scattered through the first four rows. They were dressed like guests at a premiere. Their heads swung left, then right, nodding, bobbing in time with the music. Eyes open, fixed on nothing. From the balcony you wouldn’t know. From the aisle, you saw the strings and the way their eyelids never moved. Human puppets, every one of them. The same method. The same wax. The same care.
None of it was random. There’s a boy behind the curtain. He was a child when his parents were killed — not for money, not for passion, but for competition. Another troupe wanted their stage. When his mother and father were gone, no one in the audience stood up. No one called the police. No one remembered their names a week later. He did. He remembers every face that watched and did nothing, and every hand that pulled a trigger or paid for one. He doesn’t claim he can’t tell right from wrong. He can. He just doesn’t care anymore. He wanted to be a puppeteer. He wanted his own show. Now he has one. He’s been building the cast out of the people who took his family from him and the people who let it happen. He makes sure the show goes on, night after night, and he calls it justice.
That’s what they found in Pradesh. A beautiful place. A terrible stage. And a boy who learned that if you pull the right strings, the dead will dance for you.
COMMENTS
I enjoy your style of writing. It has a habit of pulling me in.
Told you great story.
Marlon is a man of his word. If he vows to kill his wife, he will. Erica was previously married, but her husband succumbed to spinal cancer. He was only three years into the marriage with her, but she wasn't the one who killed him or caused his illness. When she married him, she was already affluent from her own wealth and family.
Mrs. Silva is a stunning woman who supports charitable causes, including cancer research in memory of her late husband and Alzheimer's research in honour of her dear mother. During the charity event, she met a captivating man - a Texas Ranger and a Native American to boot. He was tall, with long hair, dark skin, and piercing brown eyes. They clicked instantly and hit it off wonderfully. Now, they're in bed, and he's thoroughly enjoyed his time with her. What he doesn't know is that she's a married woman, not yet divorced.
When they met again and again, she became infatuated with him. His name is Leroy, and she can't seem to shake him from her thoughts. She'd had men in her bed before, and she'd made it clear from the start that she was married, but not with him. It seemed she was afraid he wouldn't want to be with her once he knew she was married. Erica had once been in love with her husband, but over time, her feelings had gradually faded to nothing. He loves her, but unfortunately, not in the way she desires.
This is why they started an open relationship, at her initiative. He chose not to have lovers, but told her, "Fine, you can have lovers. But you're my wife, so don't go falling in love."
When she grew more intimate with Leroy and their affair exceeded a month, Marlon resolved to end her life. Murdering a law enforcement officer, especially a Texas Ranger, was a recipe for disaster - the death penalty awaited. So he opted to sabotage her suntan bed, but ended up receiving a jolt of electricity and was rushed to hospital just in time. As they wheeled him away, she rushed to his side, embracing him fervently. Leroy grasped the situation and discreetly stepped back. Later that day, he confronted her about her omission, and she revealed her reasons. Though he appreciated her candor, he terminated their liaison. She was devastated.
Marlon and Erica had a heated argument at home, and she stormed out for her morning workout. When she returned, he was found dead, and she called the ambulance again. They couldn't revive him, and she was in shock, her tears relentless. The autopsy revealed carbon monoxide poisoning - the cooker’s gas had been leaking. Initially, the cops suspected her, but Leroy kept a low profile, staying out of it. Clearly, he'd fallen for her.
The funeral took place, and when the investigation started, firefighter John ruled it an accidental death. Days passed, and she was relieved to be cleared of suspicion, but grief lingered - she'd lost both her lover and her husband. Leroy meant a lot to her, and though she hadn't loved Marlon, he'd been her family. After a decade of marriage, it wasn't easy.
She tried to escape her pain with skydiving, but tragedy struck when both parachutes failed. She called 911, but help arrived too late. The impact shattered every bone; she was gone.
Leroy was devastated, blaming himself for not being there to save her. Now, he's left with what-ifs.
The investigation uncovered a shocking twist: CCTV footage showed Marlon tampering with her parachute cords and the second parachute's deployment system. It became clear he'd orchestrated her death. In a twisted sense, he'd kept his word - he'd vowed to end her life if she fell in love with someone else. His love had turned obsessive and deadly.
Timothy Van Pelt is a young boxer from Chicago, only seventeen years old. He lives with his single father, who works hard to provide for him. His mother left them when Timothy was just a toddler, seeking a better life. His father works as a dishwasher in a restaurant and sells pastries at a bakery at night, doing whatever it takes to make ends meet. Rory, his father, suffers from severe arthritis and shouldn't be doing physically demanding work, but he's determined to support Timothy's love of boxing and help him graduate.
Since he was young, he loved visiting his grandfather Michael and hearing stories of the Navy SEALs and lessons about honor. His grandfather told him: If you can't protect your family, what right do you have to protect a stranger? If you can't protect your own country, what right do you have to call yourself a patriot?
Honor was instilled in him — do right, avoid wrong. Help the needy, especially family, and be humble but never a doormat. Don't dishonor his parents' sacrifices.
His father and grandfather taught him these values.
One day, his father signed a loan for Timothy's school entry tuition, costing over $120,000 for a year — no room included. He struggled to make the weekly repayments, and when he couldn't pay, loan sharks trashed the bakery and broke his arms.
Timothy found him under the rubble, called an ambulance, and got neighbors to help clear the debris. Seeing his dad's injuries, Timothy broke down, offering to quit school.
His father, injured but fierce, scolded him: "Don't waste my sacrifice!"
Time went by, and unbeknownst to his father and grandfather, Timothy threw himself into boxing and studies, stretching himself thin. Winning fights brought in good money, which he saved to pay back the loan. He also picked up a part-time gig as a bouncer at a local gentlemen's club from 9pm to 11pm. The owner, sympathetic to his situation, paid him well and kept the hours flexible.
He was determined to sort things out without his family's knowledge.
He saved enough to pay off the loan, using his winnings and not missing a day of work. But when he went to give his father the money, he found his body hanging at the shop, everything wrecked again — door to kitchen. He choked back tears, refusing to break down, driven by a sense of honor.
His grandfather took him in, and they lived in the countryside till Timothy turned nineteen. Determined to make amends, he joined the Navy, unable to shake the guilt of not protecting his father or their shop. His grandfather reminded him he'd done his best, but the weight lingered.
Seven years later, he discharged honorably as a Navy SEAL. Back home, his grandfather greeted him with a smile. When Timothy shared his next move, he said he'd be a firefighter. Years of Navy service hadn't erased the guilt; now he'd fight fires instead.
After crushing firefighter school, Timothy joined Station 451, diving headfirst into missions — car wrecks, rescues, you name it. He was a man on a mission, fueled by the demon inside.
One drunken night with his grandpa, he got a tattoo: "Death Before Dishonor."
Missions kept coming, and he threw himself into them, till he faced the men who killed his dad. The quiet demon roared back to life. He confided in some new friends, who warned him off: the guy's a gangster, working with the mafia, a bloodhound for loan sharks. "Leave it, man," they said.
He couldn't let it go. First, he sent his grandfather to a safe country in Europe, then he started gathering evidence against Steve Carmichael. With enough proof, he went to the cops — got brushed off.
Till he met prosecutor Amelia Hanover. She was looking for dirt, and when he dropped the envelope on her desk, he left without a word.
Amelia Hanover was torn — a mountain of evidence against Steve Carmichael was stacking up on her desk, some of it admissible in court, but most of it gathered illegally, making it useless. Despite the risk, she wasn't about to cut Timothy Van Pelt off. She dug into his past and uncovered the connection — the why behind his relentless pursuit of justice for his father's murder.
Meanwhile, Timothy had been secretly lacing up his boxing gloves again, using the training to boost his firefighter skills. He kept it on the down-low, but his determination was palpable.
The confrontation with Carmichael was inevitable. Steve, confident in his power, offered Timothy a twisted job opportunity — work for him, collecting debts and doing "favors." Timothy's response was cold: "I only work for people with good hearts."
Carmichael's smile twisted into a snarl. He snapped, breaking Timothy's rotator cuff with a vicious twist. "You'll pay the price," he spat, walking away without looking back.
A box arrived at Timothy's doorstep, containing his grandfather's severed head, drenched in blood. The scream that erupted from him was primal, Steve Carmichael's name echoing through the streets. Revenge became his sole focus.
His coworkers were on edge, worried he'd do something reckless, but who could blame him? Sending his grandfather overseas hadn't kept him safe — Carmichael had reached him anyway.
Guilt turned to fury, fueling Timothy's training. He worked less, trained non-stop, his mission clear: take down Carmichael.
Carmichael, meanwhile, was making his own mistakes. Skipping town, he aimed to escape on a stowaway ship bound for Kuwait, unaware Timothy was closing in.
The showdown on the stowaway ship. Timothy, fueled by vengeance, fought Steve with knives, blows clashing. Steve was shocked — the kid's skills screamed Navy SEAL. Switching to boxing, Timothy's injured rotator cuff didn't stop him. He knocked Steve out, tied his feet and hands.
As Steve lay there, he saw Timothy's tattoo: "Death Before Dishonor." The kid turned to leave.
Steve was handed over to prosecutor Amelia Hanover, but he didn't make it to trial. His own boss, the mafia bigwig, had a mole in the police. Steve was stabbed in his cell, tongue cut out, hands mangled. He died alone, horribly — a fitting end for a bloodhound who betrayed his master.
COMMENTS
I really love this story
I really got into that. Lovely work.
At the end of the street stands a house that looks gloomy, though there’s nothing particularly remarkable about it. It belongs to a butcher named Johnson.
Johnson’s shop had been open for years, if not decades. The trade passed from generation to generation. But recently, something changed. While he still bought pig and cow carcasses, he also sought offal that common folk and the poor would simmer into hearty stews or soups.
What people didn’t know was that the meat they were consuming wasn’t entirely animal.
A few days before the change, Mr. Johnson suffered a severe accident. He struck his head with tremendous force and nearly lost his life. He was deprived of oxygen for thirty minutes or more. The only reason he survived was his son — a paramedic — who refused to surrender and performed CPR relentlessly until a heartbeat and breath returned. After being resuscitated, however, Johnson seemed eerie, even to his son. He refused to consume animal flesh anymore. His son assumed he was becoming vegetarian or vegan. _What could be worse?_
What _was_ worse: Johnson began regarding his own son’s arms, legs, and body as sustenance.
Johnson’s work continued, but the meat changed. He claimed he needed to “respect the animals,” so he attempted to eat vegetables and vegan products. They only made him nauseous. One day, during an argument with his wife, he snapped and bit her arm. Something clicked — he savored the taste. The flavor of her skin. Convinced he was descending into madness, he began sleeping in a separate bedroom to prevent himself from committing something irreparable.
Months passed and his condition deteriorated. He started pilfering corpses from the morgue — headless torsos, limbs, offal. He smuggled them into his shop freezer. His wife accidentally cooked the liver and heart into a stew. He devoured it ravenously. His wife was pleased he’d enjoyed the meal, despite him abandoning the strict table manners he once enforced. Though she found the texture peculiar, she ate it and asked what meat it was. He told her: “Boar.”
Unbeknownst to her and their son, they began consuming human remains. As years elapsed, clientele at his shop dwindled because of a new butcher in town. Five weeks later, customers returned. Why? He had switched the meat to human flesh, marinated for hours in spices, herbs, and oils.
One day, Dr. Morales was eating meat purchased from Johnson’s and nearly choked on a bone. He expelled the fragment, and when his vision cleared, he realized it was not animal — it was human. After it happened to three more customers, Dr. Morales went to the authorities. When an officer arrived to escort Johnson to the station, the butcher struck him with a meat hook, dismembered him, and later sold the remains. They sold “like hotcakes.”
In the end, he drugged his wife and son, cast their bodies and offal into a pig pen, and fled town overnight.
This is not a chronicle of valor, but a testament to defeat against a nefarious syndicate. The purview of law enforcement is circumscribed, particularly when corruption permeates the ranks, and some officers opt for discretion, safeguarding their own hide or familial security from the malevolent patriarch's retribution.
In Zaragoza, Spain, a metropolis of approximately 744,856 inhabitants, a dichotomy exists: a picturesque populace juxtaposed with a disaffected youth, beset by ennui and stress, for whom gym workouts and jogging fail to alleviate their angst. The city's Mediterranean coastline, replete with ports, bars, and restaurants, belies the scourge of substance abuse, with Ecstasy, heroin, and cocaine insidiously infiltrating the social fabric. Methamphetamine, though, is a Rubicon they dare not cross.
The contraband enters via fishing vessels, with fish serving as a clandestine conduit, and vulnerable individuals coerced into smuggling. These hapless couriers are compelled to ingest or conceal the narcotics, their bodies fragile vessels, susceptible to rupture, with fatal consequences.
Manolo Hernandez, a cop ravaged by grief, his wife and unborn child victims of an overdose, is driven by a singular imperative: to dismantle the cartel. Yet, he faces an existential conundrum: his partner, a lapatetic colleague, clocking hours, earning a paycheck, oblivious to the abyss. Manolo's maverick streak led to demotion; his pugilistic response to a syndicate member's perfidy, a visceral reaction, earned him a rebuke.
The serendipitous discovery of cocaine on Calle Alfonso, amidst a spillage of fish, galvanized Manolo. The perpetrators, predictably, lawyered up, their silence a foregone conclusion. Manolo's ire was palpable, his exit from the interrogation room a necessity, lest he imperil his career.
Assigned to port surveillance, Manolo seized the opportunity to hunt for contraband. Caffeine coursed through his veins, his senses on high alert, as he endured the tedium of nocturnal vigils. Then, after weeks of futility, 2:41 am, a vessel docked, and the transaction unfolded. Manolo documented it all, unbeknownst to him, his partner discreetly affixed a GPS tracker to his uniform, ensuring the syndicate would monitor his every move.
Manolo, anticipating betrayal, had made a copy of the video, hiding it away, a safeguard against the worst. But his boss, complicit or coerced, dismissed the evidence as inadmissible. Manolo knew he couldn't prove the truth, that his own department was mired in corruption.
Fleeing for his life, Manolo hid the evidence, only to be hunted down by two cold-blooded killers. A sniper's bullet, fired from a friendly barrel, ended his life. The evidence he carried was lost, or so they thought.
Thirty days passed, the narrative crafted: Manolo Hernandez, corrupt cop, drug addict. His reputation in tatters, his memory maligned. But Pablo, a loyal friend, knew the truth. He found the hidden evidence, uploaded it to the cloud, and unleashed it upon the world.
The fallout was seismic: syndicate leaders arrested, half the police corps implicated, their careers and freedoms shattered. Yet, for Manolo, justice came too late. His name remained tarnished, his legacy a cautionary tale.
This is not a story of grace or glory, but of defeat
Katarina, a Romanian girl, was kidnapped at Fort Knox and never came back.
Katarina was only in her late twenties, driving home from her job as a waitress. A van hit her car and she got out to check the damage. That’s when the driver got out to talk to her, and the passenger from the van came from behind to hit her with a crowbar.
She didn’t pass out and fought back hard, but the ex-soldier and the other man, a mechanic, were stronger than her and knocked her out. They taped her mouth shut and put a bag with holes in it over her head and tied it tight. They chained her arms and locked them, tearing her clothes off until she was naked.
The next thing she knew, she was sent to Japan as a hostess in a shipping container with three other girls who were also heavily drugged and asleep. There was only one container with four liters of water and a bucket to pee in. No food.
Once they got there, she fought again only to be punched hard in the stomach, knocking the air out of her. Katarina didn’t know where she was. Her eyes were covered with cloth and a bag over her head. But as a waitress, she recognized Japanese because she worked at a sushi restaurant.
They were taken into a house and the other two girls also had their clothes torn off, with not even a piece of underwear left. Suddenly a blast of spray hit them, showering them with cold ice water. It was so strong it slammed them against the walls. Then someone was scrubbing them, and then more water and more scrubbing but with rough cloth. Was that a towel? They had to walk in tall platform sandals.
A man came to look at them and he seemed to be in charge of everything. He touched them but not in a sexual way, more like he was checking goods. Gentle but cold and distant. He kept Katarina and sent the other two away. Katarina was locked in a room with him. His name was Kentai. He assaulted her every day. And when he wasn’t there, his man watched her so she didn’t kill herself or try to run away. No windows, but you never know when desperate people can get creative.
After months being kept inside and sent out to customers to serve them and back, she never saw daylight or night. Her eyes were always covered with cloth.
Then her eyes finally saw light. She saw two dead girls next to her. Beaten up badly. She was given a chance to run and escape, so she did, though it was hard because all she’d done was sit in a box or on her knees most of the time. After three days she was caught and assaulted again for a long time.
Months passed and she served customers again. Then that game happened again. Only this time, to get out she had to kill three other girls if she wanted to live.
Katarina picked a hammer as a weapon and started running. When she had no choice, to protect herself she killed the girls, leaving her the only one alive.
She wasn’t beaten this time; they gave her time to wash. Only this time in the bath there were electric eels. She couldn’t see them because the water was dirty and it was too dark.
This time the eels attacked and left her barely alive. Pulled from the pool, Kentai came and said she was his favorite toy. He choked her to death with his belt and told them to send her back to where she was found.
Days later she was back in her car. In her seat, dead, at Fort Knox.
Louise Stefani hails from a family of four: Tom, Sofia, Winston, and herself. Despite being the elder sibling, she's treated as an outsider, a stranger in her own family. Everything she possessed – attire, toys, and literature – were hand-me-downs from her cousins or self-purchased with her meager allowance. Her brother, conversely, was showered with everything he desired by their doting parents. This blatant favoritism was a stark reality.
Her father, Tom, pushed her towards studying domestic science, but she balked at the idea. He then proposed business, which she rejected outright. Her true aspiration was to become a medical researcher, a dream that necessitated her studying tirelessly and earning money to fund her tuition and private coaching. Her brother, meanwhile, opted for business, barely scraping by, yet receiving unwavering parental support.
Determined to break free, she chose to live independently, a decision met with her parents' approval, who callously suggested she live with her brother. She vehemently opposed this, seeking to escape her family's toxic dynamics. When they proposed she live with her brother, she was appalled.
She found solace in a lovely apartment with friends – a three-bedroom abode with two bathrooms. With careful budgeting and shared expenses, they could make ends meet. Her parents refused financial support, but Louise was resolute, vowing to fund her own life. When they attempted to foist her brother onto her, she adamantly refused, insisting on a female-only domicile.
Stefani, Blackwell, and Cowell formed a harmonious trio, juggling part-time jobs, studies, and rent, striving to forge their own paths, free from stifling family expectations. Blackwell's family owned a jewelry empire, while Cowell's parents were accomplished musicians. They sought autonomy, craving space to breathe.
Mark, Winston's acquaintance, had previously expressed interest in Louise, an interest she hadn't reciprocated. Winston's social circle revolved around hedonistic pursuits, and Mark was no exception. He'd spiked her drink and assaulted her, yet her parents had blamed her, citing Mark's inexperience. This incredulous response had galvanized her decision to leave.
The trauma lingered, prompting her to seek solace with the school counselor, a compassionate nun. Sister Maria offered words of comfort, urging her to take self-defense classes and not let the experience define her.
Her schedule was a grueling blur of work, study, and self-improvement, a deliberate attempt to avoid her toxic family. When her brother went missing, only to be found dead, suspicion fell upon her. Despite her alibi, her family's influence and her self-defense training made her a prime suspect.
The trial was a farce, with even her family testifying against her. The nun's testimony and her friends' alibi statements were insufficient to sway the court. A mistrial was declared, but justice remained elusive.
Her subsequent murder, with her parents as prime suspects, brought a chilling sense of irony. They had always favored her brother, and now they'd lost both children - first to violence, then to alleged vengeance. The investigation into Louise's death revealed a twisted narrative: her parents, consumed by grief and denial, had orchestrated her killing, convinced she'd taken their golden boy's life. The authorities uncovered damning evidence, exposing the depths of their depravity. In the end, justice was served, but at a terrible cost – Louise's life, lost to her family's toxic obsession.
While Larry languished in Saudi Arabia, Rahman administered sedatives to ensure his safe passage to Yemen, precluding any attempts at evasion. Upon arrival, he was ensconced in a luxurious villa, boasting dual swimming pools and a diminutive ablution pool. The villa's seven bedrooms and four bathrooms were enveloped by towering walls, safeguarding its occupants from prying eyes. Date palms swayed in the breeze, imbuing the surroundings with serenity. The villa's secluded location, likely situated on Sanaa's periphery, afforded its occupants an air of detachment. A retinue of guards, a butler, and six maids catered to Larry's every whim, underscoring his confinement.
In stark contrast, Farid resided in a Spartan abode in Afghanistan, adhering to a stringent minimalist ethos. The dwelling contained only the bare essentials: a refrigerator, cooking stove, and sink in the kitchen, a dining table and chairs, a lavatory and basin in the bathroom, and a bed and wardrobe in the bedroom. A separate oratory completed the austere ensemble. Nasir, the interpreter abducted by Farid's cohorts, surprisingly shared Farid's ascetic inclinations. A rustic scholar, Nasir had secured a scholarship to study languages, leveraging his aptitude for linguistic acquisition. He had worked as a pedagogue, interpreter, and military translator before his precipitous abduction.
Nasir's odyssey took a calamitous turn as he was spirited away from his native Pakistan, beset by fears for his life. Beaten and cowed, he found himself in Afghanistan, his fate hanging precariously in the balance. When Farid deigned to reveal himself, he was taken aback by Nasir's erudition and comeliness. Upon learning of Nasir's injuries, Farid vowed to ensure his safety and eventual liberation if he cooperated. Nasir, galvanized by a primal urge to survive, acquiesced to Farid's demands, cognizant that his captors were Taliban affiliates.
Here's your story with some synonyms and rephrased sentences:
Larry is a precocious young man who began living independently after the demise of his parents. His sister had long been estranged from the family when their parents bailed her out of jail for peddling narcotics and expelled her from the household in a bid to teach her a lesson. He was merely thirteen at the time. Ramona was a brilliant chemist in her own right, but she was unenthusiastic about pursuing a career in groundbreaking research. She was consumed by the allure of wealth and the lucrative prospects of concocting experimental substances. She also trafficked these illicit goods.
He saved his earnings and decided to embark on a vacation with his acquaintances. They chose Jeddah, Saudi Arabia, as their destination. Upon arrival, they checked into their hotel, and everything seemed pleasant. While lounging by the pool, he grew listless and began sketching an engine design. An enigmatic stranger happened by and was captivated by the youngster's work. He grasped the intricacies of the drawing and the complex mathematics and physics that underpinned it. This individual was Farid, a seasoned militant. He was recuperating in Jeddah after a brutal confrontation with Rahman, which had left him with a debilitating injury. In fact, he had lost an eye and undergone surgery at the royal hospital. Now, he was in Jeddah for convalescence. Their conversation was stilted, and Larry was wary of Farid's intentions. Not that Farid appeared disheveled; on the contrary, he exuded an aura that commanded respect and caution.
Two weeks later, Larry ventured into the night markets and became separated from his friends. Fortunately, he stumbled upon Rahman, who kindly guided him out of the labyrinthine market and escorted him back to their hotel. Rahman introduced himself as Rahman Bin Faisal and handed Larry his contact information in case they became separated again. As time passed, they developed a cordial relationship. Larry was not one to form close bonds, but he maintained a civil acquaintance with Rahman. Their latest encounter, however, was precipitated by a proposition. "Design arms for me, and I'll release you from your obligations," Rahman proposed. Larry vehemently declined, prompting Rahman to declare that he would remain his "guest" until he acquiesced to his demands. Subsequently, Rahman concealed him from the world, and his friends returned to the USA without him. Three and a half years elapsed, and they had become, in effect, housemates, albeit with Larry under virtual house arrest, subject to Rahman's whims.
Will Farid manage to abduct Larry or liberate him from Rahman's cl clutch? He had already kidnapped an interpreter from Pakistan, after all. Both Rahman and Farid are desperate to acquire Larry's expertise.
A young girl is playing with her dolls in her bedroom, and down in the kitchen, there is her stepmother's lifeless body with a knife wound on the jugular that hemorrhaged to death, and a smothered infant with a torn stuffed toy in its mouth.
The family was a blissful one, just a dad, Jonas, and a daughter, Lily. When Lily was born, her mother breathed her last and passed away, whispering "Lily" before she expired. She grew up without her mother and became intimate with her dad. But eight years later, her dad met a new person and started dating her.
Lily didn't approve, but she wanted her dad to perpetuate loving her. Madison, the new woman, was youthful and playful but considerate at the same time. She tried to bond with Lily, but Lily was detached. But Lily thought, if I can't make her detest me, I will make her confide in me. And so she did.
In less than a year, Jonas and Madison got betrothed, and in a year, they wed. Everything was proceeding smoothly without knowing the girl was scheming to eliminate Madison in some way. Why? Because Madison announced that she would gift Lily a little brother or sister. Jonas was ecstatic yet apprehensive about Lily. He knew Lily never desired a sibling. She never even liked the idea.
Months elapsed, and Madison's belly expanded, and the time to give birth arrived. She delivered a boy. Jonas was overjoyed, and everyone was focused on little Mick, but not Lily. Lily abhorred it. She abhorred not having her father's attention to herself. Madison and Mick needed to vanish.
Months passed, and for the first time, Lily offered to help Maddy chop veggies, and Madison was gratified. Lily smiled endearingly. She hugged Maddie, and in that second, she plunged a knife in the jugular vein of her stepmother and pulled it out and did it again and again.
When Madison fell to the ground, clutching her throat, Lily went to Mick's cot and shredded his favorite toy with scissors, stuffing it into his mouth, asphyxiating him. When he didn't die, she used a pillow.
Then she went to her room and played with her dolls, singing her favorite lullaby that her dad usually sang to her.
A witch walked through the English forest, her solitary stroll cut short by a treacherous root. As she fell, a massive boulder struck her head, crushing her skull. The forest was silent, except for the sound of her body hitting the ground. The trees loomed above, their branches like skeletal fingers reaching for the sky.
A pedestrian strolled through the twilight, enjoying the evening air, when he was ambushed. Two shots rang out, one shattering his knee, the other piercing his heart. He stumbled and collapsed, his life ebbing away. The sound of his labored breathing was the only noise in the stillness.
A motorcyclist stopped to admire the countryside, unaware of the danger lurking beneath her. Her leaking fuel tank ignited, unleashing a fiery inferno that consumed her and her bike. The flames were intense, leaving nothing but smoldering wreckage. The air was thick with the smell of smoke and burnt rubber.
But one misstep led her to a worthy adversary - a hunter named Ethan. Ethan had lost his family to a psychopath like Selena, and he'd dedicated his life to hunting down predators like her. He'd tracked Selena for months, studying her patterns, waiting for the perfect moment to strike.
The night came when Selena's latest victims stumbled into her tavern, laughing and drunk. Ethan was among them, playing the part of a carefree tourist. As the night wore on, Selena's true nature emerged, and she slipped something into Ethan's drink. But Ethan was prepared, he'd anticipated this move.
As Selena led her latest victims into the woods, Ethan followed, his senses on high alert. He drugged her tea, and as she pursued him, she triggered her own trap. Her leg ensnared, she was trapped, and Ethan stood over her, his shotgun aimed at her head.
"You thought you were the hunter," Ethan said, his voice cold. "But you're just another predator, and I'm the one who cleans up the trash."
The shotgun blast echoed through the woods, and Selena's twisted game was finally over. Ethan walked away, his mission accomplished, leaving the darkness to claim another victim.
.
Three teenage guys embarked on a perilous journey into the sewers as a test of bravery. They traversed the dark tunnels, exchanging jests and nervous laughter, with some of them emitting startled yelps at the sight of scratched rats and others shrieking at eerie, unearthly noises.
This time, they dispersed to tackle the challenge solo, their mission being to unearth something of value and retrieve it. With this accomplished, they would progress to the next level. The third level... remained a mystery. Ricky veered left, Adam headed south, and Seth went right.
Ricky detected a gnawing sound and continued to creep towards it. There, he beheld a hulking figure, its back turned, devouring something. Rick espied some keys and surreptitiously snatched them, but before he could make his escape, the creature sensed his presence and ceased its gnawing. Rick made a calamitous mistake. Instead of beating a hasty retreat, he froze, transfixed by the spectacle before him.
The man was besmirched with blood and fragments of bones. He wore large, black goggles over his eyes and was bald, with only a few strands of hair remaining on the sides of his head. Attempting to flee, Rick was apprehended, and his terrified screams echoed through the tunnel.
Meanwhile, Adam was shrieking in terror, overwhelmed by the rodents scratched around him, and amidst his panic, he failed to hear Rick's desperate cries. Stumbling upon a wine bottle and a wallet, he spotted the ladder leading up to the manhole and hastily ascended, abandoning his friends to their fate. He had always been a scaredy cat.
Seth, meanwhile, continued to explore, only to be confronted with a ghastly sight: heaps of human remains, bones upon bones. As a biology student, he recognized the gruesome truth: they had stumbled into something best left undisturbed. He seized a bone and turned to leave, but collided with the monster.
He landed with a splatter in the fetid water, his predicament dire. The creature grasped a severed hand, adorned with a wristband unique to their trio, forged by their own hands. The wristband was red – Rick's. Seth's bladder released in terror, and he was paralyzed with fear.
The creature, a grotesque human aberration, began to devour Rick's arm, severed from his body. Seth, still frozen in terror, watched as the monster then turned its attention to him. It severed Seth's head from his body with ease and dismembered his limbs. The creature retreated to its lair, Seth's torso and arms in tow, intent on savoring its grisly repast.
Adam emerged from the manhole, gasping for air, and made his way back to the starting point. He was the sole survivor, having completed the courage test, but felt hollow and remorseful for abandoning his friends. He came to realize that true courage wasn't about emerging victorious, but about facing one's fears alongside companions.
COMMENTS
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Adain
20:55 Apr 24 2026
I'll save this one for my coffee in the morning.
Cadrewolf2
23:12 Apr 24 2026
Great