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Abramelin was a semi-mythical Egyptian mage or magician who taught a powerful form of Kabbalistic magic in his famous grimoire, “The Book of Abramelin”. It has been argued by the German esoteric scholar Georg Dehn that the author of “The Book of Abramelin” was most likely Rabbi Yaakov Moelin, a 14th/15th Century German Jewish Talmudist and authority on Jewish law. Internally, the book dates itself to 1458.

In the grimoire, the narrator Abraham of Worms (who is in the process of passing his magical and Kabbalistic secrets on to his son, Lamech) tells how he acquired his knowledge of magic from Abramelin (or Abra-Melin) the Mage, who he found living in the desert outside Arachi, an Egyptian town near the River Nile. Having extracted promises from Abraham to "serve and fear" the Lord, and to "live and die in His most Holy Law" Abramelin gave Abraham the "Divine Science" and "True Magic" embedded within the two manuscripts, which he was to follow and give only to those whom he knew well and trusted.

This magic involved an elaborate ritual whose purpose is to obtain the "knowledge and conversation" of the magician's "Holy Guardian Angel", who would then appear and teach the magician magical secrets. The chief goals of these secrets were to compel the magician's personal demon (an inverse counterpart of the guardian angel) to serve the magician, in his magical goals, such as the ability to find buried treasure, cast love spells, the ability of magical flight and the secret of invisibility.

The practical magic of Abramelin centres around a set of talismans composed of magical word squares, an anointing oil (known as "Abramelin Oil"), a holy lamp, a wand made of an almond branch, a recipe for incense (known as "Abramelin Incense"), various robes, a square or seven-sided plate of silver or bees-wax

From the early 1950’s, Anton LaVey explored some of these ideas, eventually gaining a reputation as a powerful black magician and San Francisco character. Others who felt aligned with his philosophy gravitated to him, gathering in his notorious Victorian “Black House.” In accordance with LaVey’s explorations of demonic geometry, they took to wearing an odd-shaped black and red medallion adorned with a bat-winged demon and formed a group called the Order of the Trapezoid, which later evolved into the governing body of the Church of Satan. Those who attended LaVey’s soirees always comprised an array of professions and pursuits: “the Baroness” Carin de Plessen—who grew up in the Royal Palace of Denmark, Dr. Cecil Nixon—magician and eccentric extraordinaire, underground filmmaker Kenneth Anger, as well as artists, attorneys, doctors, writers, and law enforcement officers. City Assessor Russell Wolden might share the room with Donald Werby, one of San Francisco’s most influential property owners; anthropologist Michael Harner with writer Shana Alexander. A ship’s purser might be seated next to a deep-sea diver, a dildo manufacturer next to a plastic surgeon. A famous tattoo artist, the grandson of a U.S. president, the owner of one of the world’s largest collections of Fabergé artifacts—all attended LaVey’s get-togethers. The field of fantasy and science fiction personages alone yielded the likes of Anthony Boucher, August Derleth, Robert Barbour Johnson, Reginald Bretnor, Emil Petaja, Stuart Palmer, Clark Ashton Smith, Forrest J. Ackerman, Fritz Leiber, Jr., to name a few, into LaVey’s circle of magical compatriots.

LaVey wanted to establish something new, not strict doctrines awash with attitudes of blind faith and worship, but something which would smash all concepts of anything that had come before, something to break apart the ignorance and hypocrisy fostered by the Christian churches. Something, too, that could free people to apply the black magic he and his Magic Circle were using. Anton became convinced he was learning methods to harness the dark forces which cause “a change in situations or events in accordance with one’s will which would, using normally accepted methods, be unchangeable,” as LaVey defines magic.

Anton expanded and refined his formulas for the Magic Circle rituals and began achieving precise results—professional advances, unexpected rewards, monetary gain, sexual or romantic satisfaction, the elimination of certain enemies—it was apparent to everyone involved that Anton had indeed tapped into that mysterious Dark Force in Nature.

There was the magic—and there was a workable philosophy to go along with it. It was a down-to-earth, rational, bedrock philosophy that emphasized the carnal, lustful, natural instincts of man, without imposing guilt for manufactured sins. To break apart the crust of stupidity and irrationality fostered over the past 2000 years, LaVey knew it was necessary to blast its very foundations. His ideas could not be presented as just a “philosophy”—that would be too easy to pass off or overlook. LaVey would blasphemously form a religion and, even more, he would call his new organization a church, consecrated not in the name of God but in the name of Satan. There had always been a Satanic underground, centuries old, but there had never been an organized Satanic religion, practicing openly. LaVey decided it was high time there was.

THE CUTTING EDGE OF NEANDERTHAL TECHNOLOGY, AND ARTISTRY TOO. (SubmarineArchaeologyTimes.blogspot.com) Pictures, Images and Photos

The Black Dahlia, she was someone who was just waiting for an executioner, waiting for it to happen. She was an ideal victim. I've met quite a few like her. They're just crying out, not just to be killed, but also tortured. She seemed very parasitic, a psychic vampire.”

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