The Ultimate Vampire Resource and Directory

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;



Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,



And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.



I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I--

I took the one less traveled by,

And that has made all the difference.

Gather ye rose-buds while ye may,

Old Time is still a-flying;

And this same flower that smiles today

Tomorrow will be dying.



The glorious lamp of heaven, the sun,

The higher he’s a-getting,

The sooner will his race be run,

And nearer he’s to setting.



That age is best which is the first,

When youth and blood are warmer;

But being spent, the worse, and worst

Times still succeed the former.



Then be not coy, but use your time,

And while ye may, go marry;

For having lost but once your prime,

You may forever tarry.

O Captain! my Captain! our fearful trip is done,





The ship has weather’d every rack, the prize we sought is won,





The port is near, the bells I hear, the people all exulting,





While follow eyes the steady keel, the vessel grim and daring;





But O heart! heart! heart!





O the bleeding drops of red,

Where on the deck my Captain lies,



Fallen cold and dead.



O Captain! my Captain! rise up and hear the bells;





Rise up—for you the flag is flung—for you the bugle trills,





For you bouquets and ribbon’d wreaths—for you the shores a-crowding,





For you they call, the swaying mass, their eager faces turning;





Here Captain! dear father!



This arm beneath your head!



It is some dream that on the deck,



You’ve fallen cold and dead.





My Captain does not answer, his lips are pale and still,



My father does not feel my arm, he has no pulse nor will,



The ship is anchor’d safe and sound, its voyage closed and done,



From fearful trip the victor ship comes in with object won;





Exult O shores, and ring O bells!



But I with mournful tread,



Walk the deck my Captain lies,



Fallen cold and dead.

TRUE! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses --not destroyed --not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily --how calmly I can tell you the whole story.



It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever.



Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid the lantern cautiously-oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.



Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.



I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?"



I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall.



Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself --"It is nothing but the wind in the chimney --it is only a mouse crossing the floor," or "It is merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of my head within the room.



When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --until, at length a simple dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.



It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.



And have I not told you that what you mistake for madness is but over-acuteness of the sense? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.



But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eve. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! --do you mark me well I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the sound would be heard by a neighbour! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eve would trouble me no more.



If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.



I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye --not even his --could have detected any thing wrong. There was nothing to wash out --no stain of any kind --no blood-spot whatever. I had been too wary for that. A tub had caught all --ha! ha!



When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.



I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search --search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.



The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: --It continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears.



No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath --and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men --but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now --again! --hark! louder! louder! louder! louder!



"Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! here, here! --It is the beating of his hideous heart!"

THE HOUSE BY THE SIDE OF THE ROAD



by: Sam Walter Foss



He was a friend to man, and he lived

In a house by the side of the road -- Homer



There are hermit souls that live withdrawn

In the place of their self-content;

There are souls like stars, that dwell apart,

In a fellowless firmament;

There are pioneer souls that blaze their paths

Where highways never ran --

But let me live by the side of the road

And be a friend to man.



Let me live in a house by the side of the road,

Where the race of men go by --

The men who are good and the men who are bad,

As good and as bad as I.

I would not sit in the scorner's seat,

Or hurl the cynic's ban --

Let me live in a house by the side of the road

And be a friend to man.



I see from my house by the side of the road,

By the side of the highway of life,

The men who press with the ardor of hope,

The men who are faint with the strife.

But I turn not away from their smiles nor their tears,

Both parts of an infinite plan --

Let me live in a house by the side of the road

And be a friend to man.



I know there are brook-gladdened meadows ahead

And mountains of wearisome height;

That the road passes on through the long afternoon

And stretches away to the night.

But still I rejoice when the travelers rejoice,

And weep with the strangers that moan,

Nor live in my house by the side of the road

Like a man who dwells alone.



Let me live in my house by the side of the road --

It's here the race of men go by.

They are good, they are bad, they are weak, they are strong,

Wise, foolish -- so am I;

Then why should I sit in the scorner's seat,

Or hurl the cynic's ban?

Let me live in my house by the side of the road

And be a friend to man.

BY EDGAR ALLAN POE



The skies they were ashen and sober;

The leaves they were crispéd and sere—

The leaves they were withering and sere;

It was night in the lonesome October

Of my most immemorial year;

It was hard by the dim lake of Auber,

In the misty mid region of Weir—

It was down by the dank tarn of Auber,

In the ghoul-haunted woodland of Weir.



Here once, through an alley Titanic,

Of cypress, I roamed with my Soul—

Of cypress, with Psyche, my Soul.

These were days when my heart was volcanic

As the scoriac rivers that roll—

As the lavas that restlessly roll

Their sulphurous currents down Yaanek

In the ultimate climes of the pole—

That groan as they roll down Mount Yaanek

In the realms of the boreal pole.



Our talk had been serious and sober,

But our thoughts they were palsied and sere—

Our memories were treacherous and sere—

For we knew not the month was October,

And we marked not the night of the year—

(Ah, night of all nights in the year!)

We noted not the dim lake of Auber—

(Though once we had journeyed down here)—

We remembered not the dank tarn of Auber,

Nor the ghoul-haunted woodland of Weir.



And now, as the night was senescent

And star-dials pointed to morn—

As the star-dials hinted of morn—

At the end of our path a liquescent

And nebulous lustre was born,

Out of which a miraculous crescent

Arose with a duplicate horn—

Astarte's bediamonded crescent

Distinct with its duplicate horn.



And I said—"She is warmer than Dian:

She rolls through an ether of sighs—

She revels in a region of sighs:

She has seen that the tears are not dry on

These cheeks, where the worm never dies,

And has come past the stars of the Lion

To point us the path to the skies—

To the Lethean peace of the skies—

Come up, in despite of the Lion,

To shine on us with her bright eyes—

Come up through the lair of the Lion,

With love in her luminous eyes."



But Psyche, uplifting her finger,

Said—"Sadly this star I mistrust—

Her pallor I strangely mistrust:—

Oh, hasten! oh, let us not linger!

Oh, fly!—let us fly!—for we must."

In terror she spoke, letting sink her

Wings till they trailed in the dust—

In agony sobbed, letting sink her

Plumes till they trailed in the dust—

Till they sorrowfully trailed in the dust.



I replied—"This is nothing but dreaming:

Let us on by this tremulous light!

Let us bathe in this crystalline light!

Its Sybilic splendor is beaming

With Hope and in Beauty to-night:—

See!—it flickers up the sky through the night!

Ah, we safely may trust to its gleaming,

And be sure it will lead us aright—

We safely may trust to a gleaming

That cannot but guide us aright,

Since it flickers up to Heaven through the night."



Thus I pacified Psyche and kissed her,

And tempted her out of her gloom—

And conquered her scruples and gloom:

And we passed to the end of the vista,

But were stopped by the door of a tomb—

By the door of a legended tomb;

And I said—"What is written, sweet sister,

On the door of this legended tomb?"

She replied—"Ulalume—Ulalume—

'Tis the vault of thy lost Ulalume!"



Then my heart it grew ashen and sober

As the leaves that were crispèd and sere—

As the leaves that were withering and sere,

And I cried—"It was surely October

On this very night of last year

That I journeyed—I journeyed down here—

That I brought a dread burden down here—

On this night of all nights in the year,

Oh, what demon has tempted me here?

Well I know, now, this dim lake of Auber—

This misty mid region of Weir—

Well I know, now, this dank tarn of Auber—

In the ghoul-haunted woodland of Weir."



Said we, then—the two, then—"Ah, can it

Have been that the woodlandish ghouls—

The pitiful, the merciful ghouls—

To bar up our way and to ban it

From the secret that lies in these wolds—

From the thing that lies hidden in these wolds—

Had drawn up the spectre of a planet

From the limbo of lunary souls—

This sinfully scintillant planet

From the Hell of the planetary souls?"

If—

Rudyard Kipling,



If you can keep your head when all about you

Are losing theirs and blaming it on you;

If you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or, being lied about, don’t deal in lies,

Or, being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise;



If you can dream—and not make dreams your master;

If you can think—and not make thoughts your aim;

If you can meet with triumph and disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to broken,

And stoop and build ‘em up with wornout tools;



If you can make one heap of all your winnings

And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: “Hold on”;



If you can talk with crowds and keep your virtue,

Or walk with kings—nor lose the common touch;

If neither foes nor loving friends can hurt you;

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run—

Yours is the Earth and everything that’s in it,

And—which is more—you’ll be a Man, my son!

Author unknown



Adam had'em



Many interpretations exist as to the meaning.

Pretty women wonder where my secret lies.

I’m not cute or built to suit a fashion model’s size

But when I start to tell them,

They think I’m telling lies.

I say,

It’s in the reach of my arms,

The span of my hips,

The stride of my step,

The curl of my lips.

I’m a woman

Phenomenally.

Phenomenal woman,

That’s me.



I walk into a room

Just as cool as you please,

And to a man,

The fellows stand or

Fall down on their knees.

Then they swarm around me,

A hive of honey bees.

I say,

It’s the fire in my eyes,

And the flash of my teeth,

The swing in my waist,

And the joy in my feet.

I’m a woman

Phenomenally.



Phenomenal woman,

That’s me.



Men themselves have wondered

What they see in me.

They try so much

But they can’t touch

My inner mystery.

When I try to show them,

They say they still can’t see.

I say,

It’s in the arch of my back,

The sun of my smile,

The ride of my breasts,

The grace of my style.

I’m a woman

Phenomenally.

Phenomenal woman,

That’s me.



Now you understand

Just why my head’s not bowed.

I don’t shout or jump about

Or have to talk real loud.

When you see me passing,

It ought to make you proud.

I say,

It’s in the click of my heels,

The bend of my hair,

the palm of my hand,

The need for my care.

’Cause I’m a woman

Phenomenally.

Phenomenal woman,

That’s me.