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13:43 Dec 25 2006
Times Read: 1,047


SRI NRSIMHA KAVACHA



1. Sri Narad uvaca, indradi deva vrndesa tatesvara jagat pate,

mahavisnor nrsimhasya kavacam bruhi me prabho

yasya prapathanad vidvan trilokya vijayi bhavet



"Sri Narad Muni said: my dear father and lord, master of the Universe, lord of the multitude of demigods headed by Indra, kindly tell me the kavaca mantra of Lord Nrsimha, the incarnation of Visnu. O master, reading this kavaca aloud, a learned man will become victorious throughout the three worlds."



2. sri brahmovaca, srnu narada vaksyami putra srestha tapodhana

kavacam narasimhasya trailokya vijayabhidam



"Lord Brahma said: My dear Narad, please hear me. O best of my sons, who are rich in austerity, I shall speak this kavaca of Lord Narasimha, which gives victory over the three worlds."



3. yasya prapathanad vagmi trailokya vijayi bhavet

srastham jagatam vatsa pathanad dharanad yatah



"My dear boy, by recitation of this kavaca an eloquent person will become victorious throughout the three worlds. It is by reciting this and meditating deeply on it that I (lord Brahma) am the creator of all these planetary systems."



4. laksmir jagat trayam pati samharta ca mahesvarah

pathanad dharanad deva babhuvus ca digisvarah



"It is by reciting and meditating upon this that Laksmi maintains the three worlds, and Lord Siva destroys them. Also the demigods in this way became controllers of the different directions."



5. brahma mantra myam vaksye bhutadi vinivarakam

yasya prasadad durvasas trailokya vijayi munih

pathanad dharanad yasya sasta ca krodha bhairavah



"I shall speak this essence of all Vedic mantras, which wards off all kinds of ghosts and hobgoblins. By its grace the sage Durvasa became victorious throughout the three worlds, commanding respect and most fearful in his anger."



6. trailokya vijayasyasa kavacasya prajapatih

rsis chandas ca gayatri nrsimho devata vibhuh



"For this kavaca, which is directly perceived as giving victory over the three worlds, I (Brahma) am the Rsi, Gayatri is the metre, and the all powerful Nrsimhadev is the Deity."



7+ 8 ksraum bijam me sirah pati candra varno maha manuh

"ugram viram maha visnum jvalantam sarvatomukham

nrsimham bhisanam bhadram mrtyu mrtyum namamy aham"

dva trimsad aksaro mantro mantra rajah sura drumah



"One should place Lord Nrsimha's mantra bija, ksraum, on one's head, thinking, 'May my head be protected by the moon coloured one, who is the greatest among humans. My obeisances unto the ferocious and powerful, the great Visnu, the fiery one, who's faces are on all sides, the fearful one, Nrsimha, who causes the death of even death personified, (or who can overcome death).' One should place this mantra, composed of thirty two syllables, upon his head.It is theking of all mantras. It is like a wish fulfilling tree for the demigods and devotees."



9. kantham patu dhruvam ksraum hrd bhagavate caksusi mama

narasimhaya ca jvala maline patu mastakam



"One should also place ksraum firmly upon his neck for protection. Placing the word bhagavate upon his heart, narasimhaya upon his two eyes, and jvala maline on the top of his head, one meditates upon the different parts of this narasimha mantra protecting the different parts of his body."



10. dipta damstraya ca tatha agni netraya ca nasikam

sarva rakso ghnaya sarva bhuta vinasanaya ca



"One should place on his nose the syllables dipta damstraya agni netraya sarva rakso ghnaya sarva bhuta vinasanaya. (Obeisances unto Him, whose teeth are blazing, whose eyes are fire, and who destroys all ghosts and raksasas.)"



11. sarva jvara vinasaya daha daha paca dvayam

raksa raksa sarva mantra svaha patu mukham mama



"Meditationg on the protection of one's face, one should place there the syllables sarva jvara vinasaya daha daha paca paca raksa raksa. ksraum ugram viram maha visnum jvalanatam sarvatomukham nrsimham bhisanam bhadram mrtyu mrtyum namamy aham. ksraum bhagavate narasimhya jvalamaline dipta damstrayagni netraya sarva rakso ghnaya sarva bhuta vinasanaya svaha.

(Unto He who vanquishes all fevers, oblations. Burn and burn, cook and cook, protect protect. My obeisances unto the ferocious and powerful, the great Visnu, the fiery one whose faces are on all sides, the fearful one, Nrsimha, who causes the death of even death personified, or who can overcome even death. Unto the Personality of Godhead Narasimha, garlanded with blazing energy, whose teeth are glowing and whose eyes are fiery, who kills all raksasas and demons and annihilates the ghosts, to You my oblations)"



12. taradi ramacandraya namah payad gudam mama

klim payat pani yugmam ca taram namah padam tatah

narayanaya parsvam ca am hrim kraum ksraum ca hum phat



"Meditating on the protection of one's rectum, one should first sip water for purification and chant om Ramacandra namah. Sipping water again one should place the bija mantra klim on both of his hands together. Thereafterone should place om namah on his feet and narayanaya on his side, as well as the bija mantras am hrim kraum ksraum hum phat."



13. varaksarah katim patu om namah bhagavate padam

vasudevaya ca prstham klim krsnaya uru dvaram



"Praying for the protection of one's waist, one should place there the varaksara Om. One should place the syllables om namo bhagavate upon his feet, vasudevaya on his back, and klim krsnaya upon his two thighs."



14. klim krsnaya sada patu januni ca manuttamah

klim glaum klim syamalangaya namah payat pada dvaram



"Upon his knees, one should place the mantra klim krsnaya, thinking that the Lord may always protect me in His form as the best of human beings.Then one should sip water for purification and place the mantra klim glaum klim syamalangaya namah upon his feet."



15. ksraum narasimhaya ksraum ca sarvangam me sadavatu



"One should meditate upon the constant protection of the body, placing the mantra ksraum narasimhaya ksraum upon all his limbs."



16. iti te kathitam vatsa sarva mantraugha vigraham

tava snehan myakhyatam pravaktavyam na kasyacit



"Lord Brahma continued: My dear boy, thus I have told you the embodiment of the potencies of all mantras. Because of your great affection I have explained it to you, although it is not to be spoken to just anyone."



17. guru pujam vidhayatha grhniyat kavacam tatah

sarva punya yuto bhutva sarva siddhi yuto bhavet



"Having performed worship of the spiritual master, one may accept this kavaca. Having become enriched in his pious activities he will attain all perfections."



18. satam astottaram caiva purascarya vidhih smrtah

havanadin dasamsena krtva sadhaka sattamah



"Performing the ritualistic ceremonies of purification (purascarya) one hundred and eight times is equal to one tenth the effect received by that best of devotees who chants this kavaca."



19. tatas tu siddha kavacah punyatma madanopaman

sparddham uddhuya bhavane laksmir vani vaset tatah



"Laksmi, the Goddess of fortune, and Sarasvati, the Goddess of speach and learning, reside in the home of that fortunate soul who has become perfected by this kavaca, giving up the intoxication of competing with others for supremacy."



20. puspanjalyastakam dattva mulenaiva pathet sakrt

api varsa sahasranam pujayah phalam apnuyat



"Simply offering eight times puspajali and reading only once the original version, one attains the result of even a thousand years of worship."



21. bhurje vilkhya gutikam svarnastham dharayed yadi

kanthe va daksine bahau narasimho bhavet svayam



"If one write this down on a leaf or bark of a tree and keeps it within a golden capsule on his neck or right arm, Lord Nrsimhadev will be personally present."



22. yosid vama bhuje caiva puruso daksine kare

vibhryat kavacam punyam sarva siddhi yuto bhavet



"A woman may keep it on her left arm, a man on the right hand. Certainly this most auspicious kavaca brings all perfection to the bearer."



23. kaka vandhya ca ya nari mrta vatsa ca ya bhavet

janma vandhya nasta putra bahu putravati bhavet



"A woman who is totally barren, or who bears only one child, or whose sons are lost or dead may become possessed of many sons."



24. kavacasya prasadena jivan mukto bhaven narah

trilokyam ksobhayaty eva trailokya vijayi bhavet



"By the grace of this kavaca, a man becomes jivan mukta, liberated soul even within this life time. He is able to move the whole universe, and certainly becomes victorious throughout the three worlds."



25. bhuta preta pisacas ca raksasa danava ca ye

tam drstva prapalayante desad desantaram dhruvam



"Certainly bhutas, pretas, pisacas, raksasas, and danavas all immediately flee from the country and go to another upon seeing it."



26. yasmin gehe ca kavacam grame va yadi tisthati

tam desantu parityajya prayanti catidurantah



"In the home or even the same village where this kavaca exists, all such demoniac creatures, once having understood its presence, give up that placeand go far away."

Thus ends the Sri Nrsimha kavaca, of the Trailokya vijay in the samhita of Brahma.







Sri Nrisimha Kavacha of Prahlad from Brahmanada Purana.

.. shrii nR^isi.nhakavachastotram.h ..



nR^isi.nhakavachaM vakshye

prahlaadenoditaM puraa .



sarvarakshakaraM puNyaM

sarvopadravanaashanam.h .. 1 ..



## I shall now recite the Narasimha-kavacha, formerly spoken by Prahlaada Mahaaraaja. It is most pious, vanquishes all kinds of impediments, and provides one all protection. ##



sarva sampatkaraM chaiva

svargamokshapradaayakam.h .



dhyaatvaa nR^isi.nhaM deveshaM

hemasi.nhaasanasthitam.h .. 2 ..



## It bestows upon one all opulences and can give one elevation to the heavenly planets or liberation. One should meditate on Lord Narasimha, Lord of the universe, seated upon a golden throne. ##



trinayanaM

sharadindusamaprabham.h .



lakshmyaaliN^gitavaamaaN^gam.h

vibhuutibhirupaashritam.h .. 3 ..



## His mouth is wide open, He has three eyes, and He is as radiant as the autumn moon. He is embraced by Lakshmiidevii on his left side, and His form is the shelter of all opulences, both material and spiritual. ##



chaturbhujaM komalaaN^gaM

svarNakuNDalashobhitam.h .



sarojashobitoraskaM

ratnakeyuuramudritam.h .. 4 ..



## The Lord has four arms, and His limbs are very soft. He is decorated with golden earrings. His chest is resplendent like the lotus flower, and His arms are decorated with jewel-studded ornaments. ##



kaaJNchanasankaashaM

piitanirmalavaasasam.h .



indraadisuramaulishhThaH

sphuranmaaNikyadiiptibhiH .. 5 ..



## He is dressed in a spotless yellow garment, which exactly resembles molten gold. He is the original cause of existence, beyond the mundane sphere, for the great demigods headed by Indra. He appears bedecked with rubies which are blazingly effulgent. ##



virajitapadadvandvam.h

sankhachakradihetibhiH .



garutmatma cha vinayat.h

stuyamanam.h mudanvitam.h .. 6 ..



## His two feet are very attractive, and He is armed with various weapons such as the conch, disc, etc. GaruDa joyfully offers prayers with great reverence. ##



kamalasamvaasaM

kR^itvaa tu kavachaM pathet.h .. 7 ..



## Having seated Lord Narasimhadeva upon the lotus of one's heart, one should recite the following mantra: ##



me shiraH paatu

lokarakshaarthasambhavaH .. 8 ..



## May Lord Narasimha, who protects all the planetary systems, protect my head. ##



.api stambhavaasaH

phalaM me rakshatu dhvanim.h .



nR^isi.nho me dR^ishau paatu

somasuuryaagnilochanaH .. 9 ..



## Although the Lord is all-pervading, He hid Himself within a pillar. May He protect my speech and the results of my activities. May Lord Narasimha, whose eyes are the sun, and fire, protect my eyes. ##



paatu nR^ihariH

munivaaryastutipriyaH .



naasaM me si.nhanaashastu

mukhaM lakshmiimukhapriyaH .. 10 ..



## May Lord Nrihari, who is pleased by the prayers offered by the best of sages, protect my memory. May He who has the nose of a lion protect my nose, and may He whose face is very dear to the goddess of fortune protect my mouth. ##



vidyaadhipaH paatu

nR^isi.nho rasanaM mama .



vaktraM paatvinduvadanaM

sadaa prahlaadavanditaH .. 11 ..



## May Lord Narasimha, who is the knower of all sciences, protect my sense of taste. May He whose face is beautiful as the full moon and who is offered prayers by Prahlaada Mahaaraaja protect my face. ##



paatu me kaNThaM

skandhau bhuubhR^idanantakR^it.h .



divyaastrashobhitabhujaH

nR^isi.nhaH paatu me bhujau .. 12 ..



## May Lord Narasimha protect my throat. He is the sustainer of the earth and the performer of unlimitedly wonderful activities. May He protect my shoulders. His arms are resplendent with transcendental weapons. May He protect my shoulders. ##



devavarado

nR^isi.nhaH paatu sarvataH .



hR^idayaM yogisaadhyashcha

nivaasaM paatu me hariH .. 13 ..



## May the Lord, who bestows benedictions upon the demigods, protect my hands, and may He protect me from all sides. May He who is achieved by the perfect yogiis protect my heart, and may Lord Hari protect my dwelling place. ##



paatu hiraNyaaksha-

vakshaHkukshividaaraNaH .



naabhiM me paatu nR^ihariH

svanaabhibrahmasa.nstutaH .. 14 ..



## May He who ripped apart the chest and abdomen of the great demon HiraNyaaksha protect my waist, and may Lord Nrihari protect my navel. He is offered prayers by Lord Brahmaa, who has sprung from his own navel. ##



koTayaH kaTyaaM

yasyaasau paatu me kaTim.h .



guhyaM me paatu guhyaanaaM

mantraanaaM guhyaruupadR^ik.h .. 15 ..



## May He on whose hips rest all the universes protect my hips. May the Lord protect my private parts. He is the knower of all mantras and all mysteries, but He Himself is not visible. ##



manobhavaH paatu

jaanunii nararuupadR^ik.h .



jaN^ghe paatu dharaabhara-

hartaa yo.asau nR^ikesharii .. 16 ..



## May He who is the original Cupid protect my thighs. May He who exhibits a human-like form protect my knees. May the remover of the burden of the earth, who appears in a form which is half-man and half-lion, protect my calves. ##



raajyapradaH paatu

paadau me nR^ihariishvaraH .



sahasrashiirshhaapurushhaH

paatu me sarvashastanum.h .. 17 ..



## May the bestower of heavenly opulence protect my feet. He is the Supreme Controller in the form of a man and lion combined. May the thousand-headed Supreme enjoyer protect my body from all sides and in all respects. ##



puurvataH paatu

mahaaviiraagrajo.agnitaH .



mahaavishhNurdakshiNe tu

mahaajvalastu nairR^itaH .. 18 ..



## May that most ferocious personality protect me from the east. May He who is superior to the greatest heroes protect me from the southeast, which is presided over by Agni. May the Supreme Vishnu protect me from the south, and may that person of blazing luster protect me from the southwest. ##



paatu sarvesho

dishi me sarvatomukhaH .



nR^isi.nhaH paatu vaayavyaaM

saumyaaM bhuushhaNavigrahaH .. 19 ..



## May the Lord of everything protect me from the west. His faces are everywhere, so please may He protect me from this direction. May Lord Narasimha protect me from the northwest, which is predominated by Vaayu, and may He whose form is in itself the supreme ornament protect me from the north, where Soma resides. ##



paatu bhadro me

sarvamaN^galadaayakaH .



sa.nsaarabhayataH paatu

mR^ityor.h mR^ityur.h nR^ikesharii .. 20 ..



## May the all-auspicious Lord, who Himself bestows all-auspiciousness, protect from the northeast, the direction of the sun-god, and may He who is death personified protect me from fear of death and rotation in this material world. ##



nR^isi.nhakavachaM

prahlaadamukhamaNDitam.h .



bhaktimaan.h yaH pathenaityaM

sarvapaapaiH pramuchyate .. 21 ..



## This Narasimha-kavacha has been ornamented by issuing from the mouth of Prahlaada Mahaaraaja. A devotee who reads this becomes freed from all sins. ##



dhanavaan.h loke

diirghaayurupajaayate .



kaamayate yaM yaM kaamaM

taM taM praapnotyasa.nshayam.h .. 22 ..



## Whatever one desires in this world he can attain without doubt. One can have wealth, many sons, and a long life. ##



jayamaapnoti

sarvatra vijayii bhavet.h .



bhuumyantariikshadivyaanaaM

grahaanaaM vinivaaraNam.h .. 23 ..



## He becomes victorious who desires victory, and indeed becomes a conqueror. He wards off the influence of all planets, earthly, heavenly, and everything in between. ##



vR^ishchikoragasambhuuta-

vishhaapaharaNaM param.h .



brahmaraakshasayakshaaNaaM

duurotsaaraNakaaraNam.h .. 24 ..



## This is the supreme remedy for the poisonous effects of serpents and scorpions, and Brahma-raakshasa ghosts and Yakshas are driven away. ##



talapaatre vaa

kavachaM likhitaM shubham.h .



karamuule dhR^itaM yena

sidhyeyuH karmasiddhayaH .. 25 ..



## One may write this most auspicious prayer on his arm, or inscribe it on a palm-leaf and attach it to his wrist, and all his activities will become perfect. ##



manushhyeshhu

svaM svameva jayaM labhet.h .



ekasandhyaM trisandhyaM vaa

yaH paThenniyato naraH .. 26 ..



## One who regularly chants this prayer, whether once or thrice (daily), he becomes victorious whether among demigods, demons, or human beings. ##



maN^galamaN^galyaM

bhuktiM muktiM cha vindati .



dvaatri.nshatisahasraaNi

pathet.h shuddhaatmanaaM nR^iNaam .. 27 ..



## One who with purified heart recites this prayer 32,000 times attains the most auspicious of all auspicious things, and material enjoyment and liberation are already understood to be available to such a person. ##



kavachasyaasya mantrasya

mantrasiddhiH prajaayate .



anena mantraraajena

kR^itvaa bhasmaabhirmantraanaam.h .. 28 ..



## This Kavacha-mantra is the king of all mantras. One attains by it what would be attained by anointing oneself with ashes and chanting all other mantras. ##



vinyasedyastu

tasya grahabhayaM haret.h .



trivaaraM japamaanastu

dattaM vaaryaabhimantrya cha .. 29 ..



## Having marked ones body with tilaka, taking aachamana with water, and reciting this mantra three times, one will find that the fear of all inauspicious planets is removed. ##



yo naro mantraM

nR^isi.nhadhyaanamaacharet.h .



tasya rogaH praNashyanti

ye cha syuH kukshisambhavaaH .. 30 ..



## That person who recites this mantra, meditating upon Lord Narasimhadeva, has all of his diseases vanquished, including those ofthe abdomen. ##



garjantaM gaarjayantaM nijabhujapatalaM sphoTayantaM hatantaM

ruupyantaM taapayantaM divi bhuvi ditijaM kshepayantam kshipantam.h .



krandantaM roshhayantaM dishi dishi satataM sa.nharantaM bharantaM

viikshantaM puurNayantaM karanikarashatairdivyasi.nhaM namaami .. 31 ..



## Lord Narasimha roars loudly and causes others to roar. With His mulitudes of arms He tears the demons asunder and kills them in this way. He is always seeking out and tormenting the demonic descendants of Diti, both on this earth planet and in the higher planets, and Hs throws them down and scatters them. He cries with great anger as He destroys the demons in all directions, yet with His unlimited hands He sustains, protects, and nourishes the cosmic manifestation. I offer my respectful obeisances to the Lord, who has assumed the form of a transcendental lion. ##



.. iti shriibrahmaaNDapuraaNe prahlaadoktaM

shriinR^isi.nhakavachaM sampuurNam.h ..



## Thus ends the Narasimha-kavacha as it is described by Prahlaada Mahaaraaja in the BrahmaaNDa PuraaNa. ##



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Horus

14:15 Dec 24 2006
Times Read: 1,048








Origin of name



The original name also survives in later Egyptian names such as Har-Si-Ese literally "Horus, son of Isis".





Mythology



Sky god



Horus is the god of the sky, and the son of Osiris. His mother is Isis.





Horus, (Louvre Museum), 'Shen rings' in his grasp.Since he was god of the sky, Horus became depicted as a falcon, or as a falcon-headed man, leading to Horus' name, (in Egyptian, Heru), which meant The distant one. Horus was also sometimes known as Nekheny (meaning falcon), although it has been proposed that Nekheny may have been another falcon-god, worshipped at Nekhen (city of the hawk), that became identified as Horus very early on. In this form, he was sometimes given the title Kemwer, meaning (the) great black (one).



As Horus was the son of Osiris, and god of the sky, he became closely associated with the Pharaoh of Upper Egypt (where Horus was worshipped), and became their patron. The association with the Pharaoh brought with it the idea that he was the son of Isis, in her original form, who was regarded as a deification of the Queen.



It was said that after the world was created, Horus landed on a perch, known as the djeba, which literally translates as finger, in order to rest, which consequently became considered sacred. On some occasions, Horus was referred to as lord of the djeba (i.e. lord of the perch or lord of the finger), a form in which he was especially worshipped at Buto, known as Djebauti, meaning (ones) of the djeba (the reason for the plural is not understood, and may just have been a result of Epenthesis, or Paragoge). The form of Djebauti eventually became depicted as an heron, nevertheless continuing to rest on the sacred perch.





Sun god



Since Horus was said to be the sky, it was natural that he was rapidly considered to also contain the sun and moon. It became said that the sun was one of his eyes and the moon the other, and that they traversed the sky when he, a falcon, flew across it. Thus he became known as Harmerty - Horus of two eyes. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the contestings of Horus and Set, originating as a metaphor for the conquest of Lower Egypt by Upper Egypt in about 3000BC. In this tale, it was said that Set, the patron of Lower Egypt, and Horus, the patron of Upper Egypt, had battled for Egypt brutally, with neither side victorious, until eventually the gods sided with Horus.



As Horus was the ultimate victor he became known as Harsiesis, Heru-ur or Har-Wer (ḥr.w wr 'Horus the Great'), but more usually translated as Horus the Elder. In the struggle Set had lost a testicle, explaining why the desert, which Set represented, is infertile. Horus' right eye had also been gouged out, which explained why the moon, which it represented, was so weak compared to the sun. It was also said that during a new-moon, Horus had become blinded and was titled Mekhenty-er-irty (mḫnty r ỉr.ty 'He who has no eyes'), while when the moon became visible again, he was re-titled Khenty-irty (ḫnty r ỉr.ty 'He who has eyes'). While blind, it was considered that Horus was quite dangerous, sometimes attacking his friends after mistaking them for enemies.



Ultimately, as another sun god, Horus became identified with Ra as Ra-Herakhty, literally Ra, who is Horus of the two horizons. However, this identification proved to be awkward, for it made Ra the son of Hathor, and therefore a created being rather than the creator. And, even worse, it made Ra into Horus, who was the son of Ra, i.e. it made Ra his own son and father, in a standard sexually-reproductive manner, an idea that would not be considered comprehensible until the Hellenic era. Consequently Ra and Horus never completely merged into a single falcon-headed sun god.



Nevertheless the idea of making the identification persisted, and Ra continued to be depicted as falcon-headed. Likewise, as Ra-Herakhty, in an allusion to the Ogdoad creation myth, Horus was occasionally shown in art as a naked boy, with a finger in his mouth, sitting on a lotus with his mother. In the form of a youth, Horus was referred to as Neferhor. This is also spelled Nefer Hor, Nephoros or Nopheros (nfr ḥr.w) meaning 'The Good Horus'.



In an attempt to resolve the conflict, Ra-Herakhty was occasionally said to be married to Iusaaset, which was technically his own shadow, having previously been Atum's shadow, before Atum was identified as Ra, in the form Atum-Ra, and thus of Ra-Herakhty when Ra was also identified as a form of Horus. In the version of the Ogdoad creation myth used by the Thoth cult, Thoth created Ra-Herakhty, via an egg, and so was said to be the father of Neferhor.





Conqueror of Set



By the Nineteenth dynasty, the previous brief enmity between Set and Horus, in which Horus had ripped off one of Set's testicles, was revitalised as a separate tale. According to Papyrus Chester-Beatty I, Set was considered to have been homosexual and is depicted as trying to prove his dominance by seducing Horus and then having intercourse with him. However, Horus places his hand between his thighs and catches Set's semen, then subsequently threw it in the river, so that he may not be said to have been inseminated by Set. Horus then deliberately spreads his own semen on some lettuce, which was Set's favourite food (the Egyptians thought that lettuce was phallic). After Set has eaten the lettuce, they go to the gods to try to settle the argument over the rule of Egypt. The gods first listen to Set's claim of dominance over Horus, and call his semen forth, but it answers from the river, invalidating his claim. Then, the gods listen to Horus' claim of having dominated Set, and call his semen forth, and it answers from inside Set.[ In consequence, Horus is declared the ruler of Egypt.



This myth, along with others, could be seen as an explanation of how the two kingdoms of Egypt (Upper and Lower) came to be united. Horus was seen as the God of Upper Egypt, and Set as the God of Lower Egypt. In this myth, the respective Upper and Lower deities have a fight, through which Horus is the victor. However, some of Horus (representing Upper Egypt) enters into Set (Lower Egypt) thus explaining why Upper Egypt is dominant over the Lower Egyptians.





Brother of Isis



When Ra assimilated Atum into Atum-Ra, Horus became considered part of what had been the Ennead. Since Atum had had no wife, having produced his children by masturbating de facto (the concept of masturbation being offensive in Egypt- Atum's hand being considered a female part[citation needed]), Hathor was easily inserted as the mother of the previously motherless subsequent generation of children. However, Horus did not fit in so easily, since if he was identified as the son of Hathor and Atum-Ra, in the Ennead, he would then be the brother of the primordial air and moisture, and the uncle of the sky and earth, between which there was initially nothing, which was not very consistent with him being the sun. Instead, he was made the brother of Osiris, Isis, Set, and Nephthys, as this was the only plausible level at which he could meaningfully rule over the sun, and over the Pharaoh's kingdom. It was in this form that he was worshipped at Behdet as Har-Behedti (also abbreviated Bebti).



Since Horus had become more and more identified with the sun, since his identification as Ra, his identification as also the moon suffered, so it was possible for the rise of other moon gods, without complicating the system of belief too much. Consequently, Chons became the moon god. Thoth, who had also been the moon god, became much more associated with secondary mythological aspects of the moon, such as wisdom, healing, and peace making. When the cult of Thoth arose in power, Thoth was retroactively inserted into the earlier myths, making Thoth the one whose magic caused Set and Horus' semen to respond, in the tale of the contestings of Set and Horus, for example.



Thoth's priests went on to explain how it was that there were 5 children of Geb and Nut. They said that Thoth had prophesied the birth of a great king of the gods, and so Ra, afraid of being usurped, had cursed Nut with not being able to give birth at any point in the year. In order to remove this curse, Thoth proceeded to gamble with Chons, winning 1/72nd of moonlight from him. Prior to this time in Egyptian history, the calendar had had 360 days, and so 1/72 of moonlight each day corresponded to 5 extra days, and so the tale states that Nut was able to give birth on each of these extra days, having 5 children. The Egyptian calendar was reformed around this time, and gained the 5 extra days, which, by coincidence, meant that this could be used to explain the 5 children of Nut.



Mystery religion



Since Horus, as the son of Osiris, was only in existence after Osiris's death, and because Horus, in his earlier guise, was the husband of Isis, the difference between Horus and Osiris blurred, and so, after a few centuries, it came to be said that Horus was the resurrected form of Osiris. Likewise, as the form of Horus before his death and resurrection, Osiris, who had already become considered a form of creator when belief about Osiris assimilated that about Ptah-Seker, also became considered to be the only creator, since Horus had gained these aspects of Ra.



Eventually, in the Hellenic period, Horus was, in some locations, identified completely as Osiris, and became his own Father, since this concept was not so disturbing to Greek philosophy as it had been to that of ancient Egypt. In this form, Horus was sometimes known as Heru-sema-tawy (ḥr.w smȝ tȝ.wy 'Horus, Uniter of Two Lands'), since Horus ruled over the land of the dead, and that of the living. Since the tale became one of Horus' own death and rebirth, which happened partly due to his own actions, he became a life-death-rebirth deity.



In the time of Christ the term "son of god" had come to mean the bearer of this title was the father god himself as well as his own son incarnated on earth. Horus was Osiris the father who incarnated as Horus the son.



By assimilating Hathor, who had herself assimilated Bata, who was associated with music, and in particular the sistrum, Isis was likewise thought of in some areas in the same manner. This particularly happened amongst the groups who thought of Horus as his own father, and so Horus, in the form of the son, amongst these groups often became known as Ihy (alternately: Ihi, Ehi, Ahi, Ihu), meaning "sistrum player", which allowed the confusion between the father and son to be side-stepped.



The combination of this, now rather esoteric mythology, with the philosophy of Plato, which was becoming popular on the Mediterranean shores, lead to the tale becoming the bases of a mystery religion. Many Greeks, and those of other nations, who encountered the faith, thought it so profound that they sought to create their own, modelled upon it, but using their own gods. This led to the creation of what was effectively one religion, which was, in many places, adjusted to superficially reflect the local mythology although it substantially adjusted them. The religion is known to modern scholars as that of Osiris-Dionysus.





Horus and Jesus



Some information in this article or section has not been verified and may not be reliable.

Please check for inaccuracies, and modify and cite sources as needed.

Connections between Jesus and Horus-Osiris have been raised by critics of the historicity of Jesus (see Jesus as myth). For example, the death and resurrection of Horus-Osiris, and Horus' nature as both the son of Osiris and Osiris himself,[citation needed] have been seen as foundations for the later Christian doctrines of the resurrection of Jesus and the Trinity. Similar assertions have been made by other scholars, who draw parallels between the legends surrounding Mithras.



A few scholars and critics theorize further that certain elements of the story of Jesus were embellishments, copied from legends surrounding Horus through an abrupt form of syncretism. Indeed, some even claim that the historical figure of Jesus was copied from Horus wholesale, and retroactively made into a Jewish teacher[citation needed]; these assert that Horus was the basis for the elements assigned to the M Gospel (the bits in Matthew which are not in the Q Gospel or Mark) and the L Gospel (comprising the bits in Luke which are not in the Q gospel or Mark), especially the infancy narratives.[citation needed]





Neith's nativity



The nativity sequence itself stands out for comparison with the nativity of Ra, whose mother became thought of as Neith, who had become the personification of the primal waters of the Ogdoad. As the primal waters, from which Ra arose due to the interaction of the ogdoad, Neith was considered to have given birth whilst remaining a virgin. As the various religious groups gained and lost power in Egypt, the legend altered and, when the cult of Thoth sought to involve themselves in the story, it was said that Thoth's wisdom (which he personified) meant that he foretold the birth of Ra to Neith. Since the later legends had other gods in existence at Ra's birth, it was said that they acknowledged Ra's authority by praising him at his birth.



Later, the tale evolved so that the god Kneph was present, who represented the breath of life, which brought new life to things. This was partly to do with the assertion, of the small cult of Kneph, that Kneph was the creator, although it was more accurate to say that Kneph was the personification of the concept of creation of life itself. As a creator, Kneph became identified as the more dominant creator deity Amun, and when Amun became Amun-Ra, so Kneph gained Hathor as a wife.



Many of the features look similar to the nativity of Jesus at first glance, such as the continued virginity, lack of father, annunciation by a celestial figure, birth of god, and so forth, but others do not. Although many deities, and indeed people, were referred to as beloved, it was a title which was most frequently applied to Neith, indeed it became something of an alternative name. The word used, in this context, for beloved, is Mery in Egyptian.



Meanwhile, Kneph was said by Plutarch to have been understood by the Egyptians in the same way as the Greeks understood pneuma, meaning spirit, and so it was that Neith became pregnant by the actions of the holy spirit, like Mary does in the Christian story. Thoth himself was identified by the Greeks, due to his association with healing, as Hermes, and consequently, in the Hellenic era, Thoth was considered the messenger of the gods. This role was taken by the Archangel Michael in Jewish thought, and so if the Christians copied the tale, it would have been Michael, not Gabriel, who made the annunciation to Mary.



Much criticism of this similarity is leveled at the fact that Neith is a goddess, and not a human mother. However, Pharaohs often attributed tales of divinity to themselves, and their families, and so divine birth stories for themselves were common. Nethertheless, the tale was essentially about Neith rather than the queens of pharaohs, until that is, Amenhotep III applied it to his wife and the birth of his son, whom was consequently identified as Horus, as after the amalgamation of the gods Ra and Horus, the tale became one of Horus too. The significance of Amenhotep making the identification is both that it became a tale of the birth of Akhenaten, who left such an impression that, as the gods evolved further, the tale became remembered as being one of the birth from a human mother of a human son, who was nevertheless divine.



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Helios

14:10 Dec 24 2006
Times Read: 1,049






He was a son of the Titans Hyperion and Theia and brother of the goddesses Selene the moon and Eos the dawn. The names of these three were simply the Greek words for sun, moon and dawn.



Helios was imagined as a handsome god crowned with the shining aureole of the sun, who drove a chariot across the sky. Homer descibed it as drawn by solar bulls (Iliad xvi.779); later Pindar saw it as drawn by "fire-darting steeds" (Olympian Ode 7.71). Still later, the horses were given fiery names: Pyrois, Aeos, Aethon and Phlegon.



As time passed, he was increasingly identified with the god of light Apollo. The equivalent of Helios in Roman mythology was Sol, whose name was simply the Latin word for sun.









Greek mythology



The best known story involving Helios is that of his son Phaeton, who attempted to drive his father's chariot but lost control and set the earth on fire.



Helios was sometimes referred to with the epithet Helios Panoptes ("the all-seeing"). In the story told in the hall of Alcinous in the Odyssey (viii.300ff), Aphrodite, the consort of Hephaestus secretly bedded Ares. All-seeing Helios, lord of the sun, spied on them and told Hephaestus who ensnared the two lovers in nets invisibly fine, to punish them.



The rooster and white horse were sacred to the god. In the Odyssey (book XII), Odysseus and his surviving crew landed on Thrinacia, an island sacred to the sun god, whom Circe names Hyperion rather than Helios:



You will now come to the Thrinacian island, and here you will see many herds of cattle and flocks of sheep belonging to the sun-god. There will be seven herds of cattle and seven flocks of sheep, with fifty head in each flock. They do not breed, nor do they become fewer in number, and they are tended by the goddesses Phaethusa and Lampetia, who are children of the sun-god Hyperion by Neaera. Their mother when she had borne them and had done suckling them sent them to the Thrinacian island, which was a long way off, to live there and look after their father's flocks and herds."

There were kept the sacred red Cattle of the Sun. Though Odysseus warned his men not to, they impiously killed and ate some of the cattle. The guardians of the island, Helios' daughters, told their father. Helios, however, had to appeal to Zeus, who destroyed the ship and killed all the men except for Odysseus.



In one Greek vase painting Helios appears riding across the sea in the cup of the Delphic tripod, which appears to be a solar reference. Athenaeus in Deipnosophistae related that at the hour of sunset Helios climbed into a great golden cup, in which he passes from the Hesperides in the farthest west to the land of the Ethiops, with whom he passes the dark hours. While Heracles traveled to Erytheia to retrieve the cattle of Geryon, he crossed the Libyan desert and was so frustrated at the heat that he shot an arrow at Helios, the sun. Helios begged him to stop and Heracles demanded the golden cup which Helios used to sail across the sea every night, from the west to the east. Heracles used this golden cup to reach Erytheia.





Solar Apollo with the radiant halo of Helios in a Roman floor mosaic, El Djem, Tunisia, late 2nd centuryBy the Oceanid Perse Helios became the father of Aeëtes, Circe, and Pasiphae. His other children are Phaethusa ("radiant") and Lampetia ("shining") and Phaeton.





Helios and Apollo



Apollo as he appears in Homer, a plague-dealing god with a silver (not golden) bow, has no solar features. "Different names may refer to the same being," Walter Burkert observes (1985:120), "or else they may be consciously equated, as in the case of Apollo and Helios."



The earliest certain reference to Apollo identified with the sun titan Helios appears in the surviving fragments of Euripides' play Phaethon in a speech near the end (fr 781 N²), Clymene, Phaethon's mother, laments that Helios has destroyed her child, that Helios whom men rightly call Apollo (the name Apollo here understood to mean Apollon "Destroyer").



By Hellenistic times Apollo had become closely connected with the sun in cult. His epithet Phoebus "shining", drawn from Helios, was later also applied by Latin poets to the sun-god Sol.





Coin of Roman Emperor Constantine I depicting Sol Invictus/Apollo with the legend SOLI INVICTO COMITI, c. 315.The identification became a commonplace in philosophic texts and appears in the writing of Parmenides, Empedocles, Plutarch and Crates of Thebes among others, as well as appearing in some Orphic texts. Pseudo-Eratosthenes writes about Orpheus in Catasterismi, section 24:



But having gone down into Hades because of his wife and seeing what sort of things were there, he did not continue to worship Dionysus, because of whom he was famous, but he thought Helios to be the greatest of the gods, Helios whom he also addressed as Apollo. Rousing himself each night toward dawn and climbing the mountain called Pangaion, he would await the sun's rising, so that he might see it first. Therefore Dionysus, being angry with him, sent the Bassarides, as Aeschylus the tragedian says; they tore him apart and scattered the limbs.

Dionysus and Asclepius are sometimes also identified with this Apollo Helios.



Classical Latin poets also used Phoebus as a byname for the sun-god, whence come common references in later European poetry to Phoebus and his car ("chariot") as a metaphor for the sun. But in particular instances in myth, Apollo and Helios are distinct. The sun-god, the son of Hyperion, with his sun chariot, though often called Phoebus ("shining") is not called Apollo except in purposeful non-traditional identifications. Roman poets often referred to the sun god as Titan.



Despite these identification, Apollo was never actually described by the Greek poets driving the chariot of the sun; it was common practice among Latin poets.





Cult of Helios



"The island of Rhodes is almost the only place where Helios enjoys an important cult", Burkert asserts (p 174), instancing a spectacular rite in which a quadriga, a chariot drawn by four horses, is driven over a precipice into the sea, with its overtones of the plight of Phaethon noted. There annual gymnastic tournaments were held in his honor. The Colossus of Rhodes was dedicated to him. He also had a significant cult on the acropolis of Corinth on the Greek mainland.



Consorts/Children



Aegle

Charites

Aglaea

Euphrosyne

Thalia

Clymene

Heliades

Aegiale

Aegle

Aetheria

Helia

Merope

Phoebe

Dioxippe

Phaeton

Merope

Phaeton

Neaera

Phaethusa

Lampetia

Rhodus

Elektryo

Heliadae

Ochimus

Cercaphus

Macareus

Actis

Tenages

Triopas

Candalus

Perse

Aegea

Aeetes

Calypso

Circe

Pasiphae

Perses

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Apollo

14:03 Dec 24 2006
Times Read: 1,050




Apollo is the son of Zeus and Leto, and the twin brother of the chaste huntress Artemis, who took the place of Selene as goddess of the moon. As the prophetic deity of the Delphic oracle, Apollo was one of the most important and many-sided of the Olympian deities. Apollo is known in Greek-influenced Etruscan mythology as Apulu. In Roman mythology he is known as Apollo and increasingly, especially during the third century BC, as Apollo Helios he became identified with Sol, the Sun. In Hellenistic times, Apollo became conflated with Helios, god of the sun, and his sister similarly equated with Selene, goddess of the moon. However, Apollo and Helios remained separate beings in literary and mythological texts.



Cult sites



Unusual among the Olympic deities, Apollo had two cult sites that had widespread influence: Delos and Delphi. In cult practice, Delian Apollo and Pythian Apollo (the Apollo of Delphi) were so distinct that they might both have shrines in the same locality. Theophoric names such as Apollodorus or Apollonios and cities named Apollonia are met with throughout the Greek world. Apollo's cult was already fully established when written sources commence, about 650 BCE.





Oracular shrines



Apollo had a famous oracle in Delphi, and other notable ones in Clarus and Branchidae. His oracular shrine in Abea in Phocis, was important enough to be consulted by Croesus (Herodotus, 1.46). Looking at the ancient oracular shrines to Apollo from the oldest to the youngest we find:



In Didyma, an oracle on the coast of Anatolia, south west of Lydian (Luwian) Sardis, in which priests from the lineage of the Branchidae received inspiration by drinking from a healing spring located in the temple.

In Hieropolis, Asia Minor, priests breathed in vapors that for small animals were highly poisonous. Small animals and birds were cast into the Plutonium, named after Pluto—the god of death and the underworld—as a demonstration of their power. Prophecy was by movements of an archaic aniconic wooden xoanon of Apollo.

In Delos, there was an oracle to the Delian Apollo, during summer. The Heiron (Sanctuary) of Apollo adjacent to the Sacred Lake, was the place where the god was born.

In Corinth, the Oracle of Corinth came from the town of Tenea, from prisoners supposedly taken in the Trojan War

In Bassae in the Peloponnese

In Abae, near Delphi

In Delphi, the Pythia became filled with the pneuma of Apollo, said to come from a spring inside the Adyton. Apollo took this temple from Gaia.

At Patara, in Lycia, there was a seasonal winter oracle of Apollo, said to have been the place where the god went from Delos. As at Delphi the oracle at Patara was a woman.

At Clarus, on the west coast of Asia Minor; as at Delphi a holy spring which gave off a pneuma, from which the priests drank.

In Segesta in Sicily, the latest of the series, another oracle of Apollo was seized originally from Gaia.

Oracles were also given by sons of Apollo.



In Oropus, north of Athens, the oracle Amphiaraus, was said to be the son of Apollo; Oropus also had a sacred spring.

in Labadea, 20 miles east of Delphi, Trophonius, another son of Apollo, killed his brother and fled to the cave where he was also afterwards consulted as an oracle.



Festivals



The chief Apollonian festivals were the Carneia, Carpiae, Daphnephoria, Delia, Hyacinthia, Pyanepsia, Pythia and Thargelia.





Attributes and symbols



Apollo, the son of Zeus and Leto.Apollo's most common attributes were the lyre and the bow. Other attributes of his included the kithara (an advanced version of the common lyre) and plectrum. Another common emblem was the sacrificial tripod, representing his prophetic powers. The Pythian Games were held in Apollo's honor every four years at Delphi. The laurel bay plant was used in expiatory sacrifices and in making the crown of victory at these games. The palm was also sacred to Apollo because he had been born under one in Delos. Animals sacred to Apollo included wolves, dolphins and roe, swans and grasshoppers (symbolizing music and song), hawks, ravens, crows and snakes (referencing Apollo's function as the god of prophecy), mice, laurel and griffins, mythical eagle-lion hybrids of Eastern origin.



As god of colonization, Apollo gave oracular guidance on colonies, especially during the height of colonization, 750–550 BCE. According to Greek tradition, he helped Cretan or Arcadian colonists found the city of Troy. However, this story may reflect a cultural influence which had the reverse direction: Hittite cuneiform texts mention a Minor Asian god called Appaliunas or Apalunas in connection with the city of Wilusa, which is now regarded as being identical with the Greek Illios by most scholars. In this interpretation, Apollo’s title of Lykegenes can simply be read as "born in Lycia", which effectively severs the god's supposed link with wolves (possibly a folk etymology).



In literary contexts Apollo represents harmony, order, and reasons—characteristics contrasted with those of Dionysus, god of wine, who represents ecstasy and disorder. The contrast between the roles of these gods is reflected in the adjectives Apollonian and Dionysian. However, the Greeks thought of the two qualities as complementary: the two gods are brothers, and when Apollo at winter left for Hyperborea, he would leave the Delphi Oracle to Dionysus. This contrast appears to be shown on the two sides of the Borghese Vase.





Roman Apollo



The Roman worship of Apollo was adopted from the Greeks. Roman name of Apollo was Phoebus. There is a tradition that the Delphic oracle was consulted as early as the period of the kings of Rome during the reign of Tarquinius Superbus. In 430 BCE, a temple was dedicated to Apollo on the occasion of a pestilence. During the Second Punic War in 212 BCE, the Ludi Apollinares ("Apollonian Games") were instituted in his honor. In the time of Augustus, who considered himself under the special protection of Apollo and was even said to be his son, his worship developed and he became one of the chief gods of Rome. After the battle of Actium, Augustus enlarged his old temple, dedicated a portion of the spoils to him, and instituted quinquennial games in his honour. He also erected a new temple on the Palatine hill and transferred the secular games, for which Horace composed his Carmen Saeculare, to Apollo and Diana.





Origins of the cult of Apollo



It appears that both Greek and Etruscan Apollos came to the Aegean during the Archaic Period (from 1,100 BCE till 800 BCE) from Anatolia. Homer pictures him on the side of the Trojans, not the Achaeans, in the Trojan War and he has close affiliations with Luwian Apaliuna, who in turn seems to have traveled west from further east. Late Bronze Age (from 1,700 BCE - 1,200 BCE) Hittite and Hurrian "Aplu",[citation needed] like Homeric Apollo, was a God of the Plague, and resembles the mouse god Apollo Smintheus. Here we have an apotropaic situation, where a god originally bringing the plague was invoked to end illness, merging over time through fusion with the Mycenaean "doctor" god Paieon (PA-JA-WO in Linear B); Paean, in Homer, was the Greek physician of the gods. In other writers the word is a mere epithet of Apollo in his capacity as a god of healing, but it is now known from Linear B that Paean was originally a separate deity.





Apollo (the "Adonis" of Centocelle), Roman after a Greek original (Ashmolean Museum)Homer left the question unanswered, whilst Hesiod separated the two, and in later poetry Paean was invoked independently as a god of healing. It is equally difficult to separate Paean or Paeon in the sense of "healer" from Paean in the sense of "song." It was believed to refer to the ancient association between the healing craft and the singing of spells, but here we see a shift from the concerns to the original sense of "healer" gradually giving way to that of "hymn," from the phrase Ιή Παιάν.[citation needed]









StatueSuch songs were originally addressed to Apollo, and afterwards to other gods, Dionysus, Helios, Asclepius, gods associated with Apollo. About the fourth century BC the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. It was in this way that Apollo became recognised as the God of Music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.



Hurrian Aplu itself seems to be derived from the Babylonian "Aplu" meaning a "son of"—a title that was given to the Babylonian plague god, Nergal (son of Enlil). Apollo's links with oracles again seem to be associated with wishing to know the outcome of an illness.





Apollo with a radiant halo in a Roman floor mosaic, El Djem, Tunisia, late 2nd centuryApollo killed the Python of Delphi and took over that oracle, so he is vanquisher of unconscious terrors.[citation needed] He is golden-haired like the sun; he is an archer who shoots arrows of insight[citation needed] and/or death; he is a god of music and the lyre. Healing belongs to his realm: he was the father of Asclepius, the god of medicine. The Muses are part of his retinue, so that music, history, dreams,[citation needed] poetry, dance, all belong to him. The Muses are those we call on when we evoke creative imagination to give us helpful images…





Apollo in art



In art, Apollo is depicted as a handsome beardless young man, often with a lyre— as Apollo Citharoedus— or bow in hand. The Apollo Belvedere is a marble sculpture that was rediscovered in the late 15th century; for centuries it epitomized the ideals of Classical Antiquity for Europeans, from the Renaissance through the nineteenth century. The marble is a Hellenistic or Roman copy of a bronze original by the Greek sculptor Leochares, made between 350 and 325 BCE.



In the late second century CE floor mosaic from El Djem, Roman Thysdrus, he is identifiable as Apollo Helios by his effulgent halo, though now even a god's divine nakedness is concealed by his cloak, a mark of increasing conventions of modesty in the later Empire. Another haloed Apollo in mosaic, from Hadrumentum, is in the museum at Sousse.The conventions of this representation, head tilted, lips slightly parted, large-eyed, curling hair cut in locks grazing the neck, were developed in the third century BCE to depict Alexander the Great (Bieber 1964, Yalouris 1980). Some time after this mosaic was executed, the earliest depictions of Christ will be beardless and haloed.





Mythology



Birth



When Hera discovered that Leto was pregnant and that Zeus was the father, she banned Leto from giving birth on "terra-firma", or the mainland, or any island at sea. In her wanderings, Leto found the newly created floating island of Delos, which was neither mainland nor a real island, and she gave birth there. The island was surrounded by swans. Afterwards, Zeus secured Delos to the bottom of the ocean. This island later became sacred to Apollo.



It is also stated that Hera kidnapped Ilithyia, the goddess of childbirth, to prevent Leto from going into labor. The other gods tricked Hera into letting her go by offering her a necklace, nine yards long, of amber. Mythographers agree that Artemis was born first and then assisted with the birth of Apollo, or that Artemis was born one day before Apollo, on the island of Ortygia and that she helped Leto cross the sea to Delos the next day to give birth to Apollo. Apollo was born on the seventh day (ἡβδομαγενης) of the month Thargelion —according to Delian tradition— or of the month Bysios— according to Delphian tradition. The seventh and twentieth, the days of the new and full moon, were ever afterwards held sacred to him



Youth



In his youth, Apollo killed the chthonic dragon Python, which lived in Delphi beside the Castalian Spring because Python had attempted to rape Leto while she was pregnant with Apollo and Artemis. This was the spring which emitted vapors that caused the oracle at Delphi to give her prophesies. Apollo killed Python but had to be punished for it, since Python was a child of Gaia.



Apollo has his ominous aspects, too. Marsyas, who dared challenge him to a music contest, was flayed after he lost. Apollo brought down arrows of plague upon the Greeks because they dishonored his priest Chryses. Apollo's arrows of plague struck Niobe, who, excessively proud of her seven sons and seven daughters, had disparaged Apollo's mother, Leto, for having only two children (Apollo and Artemis).





Apollo and Admetus



When Zeus struck down Apollo's son, Asclepius, with a lightning bolt for resurrecting the dead (transgressing Themis by stealing Hades's subjects), Apollo in revenge killed the Cyclops, who had fashioned the bolt for Zeus. Apollo would have been banished to Tartarus forever, but was instead sentenced to one year of hard labor as punishment, thanks to the intercession of his mother, Leto. During this time he served as shepherd for King Admetus of Pherae in Thessaly. Admetus treated Apollo well, and, in return, the god conferred great benefits on Admetus.



Apollo helped Admetus win Alcestis, the daughter of King Pelias and later convinced the Fates to let Admetus live past his time, if another took his place. But when it came time for Admetus to die, his elderly parents, whom he had assumed would gladly die for him, refused to cooperate. Instead, Alcestis took his place, but Heracles managed to "persuade" Thanatos, the god of death, to return her to the world of the living.





Apollo during the Trojan War



Apollo shot arrows infected with the plague into the Greek encampment during the Trojan War in retribution for Agamemnon's insult to Chryses, a priest of Apollo whose daughter Chryseis had been captured. He demanded her return, and the Achaeans complied, indirectly causing the anger of Achilles, which is the theme of the Iliad.



When Diomedes injured Aeneas, (Iliad), Apollo rescued him. First, Aphrodite tried to rescue Aeneas but Diomedes injured her as well. Aeneas was then enveloped in a cloud by Apollo, who took him to Pergamos, a sacred spot in Troy.



Apollo aided Paris in the killing of Achilles by guiding the arrow of his bow into Achilles' heel. One interpretation of his motive is that it was in revenge for Achilles' sacrilege in murdering Troilus, the god's own son by Hecuba, on the very altar of the god's own temple.



Niobe



A queen of Thebes and wife of Amphion, Niobe boasted of her superiority to Leto because she had fourteen children (Niobids), seven male and seven female, while Leto had only two. Apollo killed her sons as they practiced athletics, with the last begging for his life, and Artemis her daughters. Apollo and Artemis used poisoned arrows to kill them, though according to some versions of the myth, a number of the Niobids were spared (Chloris, usually). Amphion, at the sight of his dead sons, either killed himself or was killed by Apollo after swearing revenge. A devastated Niobe fled to Mt. Siplyon in Asia Minor and turned into stone as she wept. Her tears formed the river Achelous. Zeus had turned all the people of Thebes to stone and so no one buried the Niobids until the ninth day after their death, when the gods themselves entombed them.





Apollo's consorts and children



Female lovers



Apollo chased the nymph Daphne, daughter of Peneus, who had scorned him. His infatuation was caused by an arrow from Eros, who was jealous because Apollo had made fun of his archery skills. Eros also claimed to be irritated by Apollo's singing. Simultaneously, however, Eros had shot a hate arrow into Daphne, causing her to be repulsed by Apollo. Following a spirited chase by Apollo, Daphne prayed to Mother Earth, or, alternatively, her father - a river god - to help her and he changed her into a Laurel tree, which became sacred to Apollo: see Apollo and Daphne.



Apollo had an affair with a human princess named Leucothea, daughter of Orchamus and sister of Clytia. Leucothea loved Apollo who disguised himself as Leucothea's mother to gain entrance to her chambers. Clytia, jealous of her sister because she wanted Apollo for herself, told Orchamus the truth, betraying her sister's trust and confidence in her. Enraged, Orchamus ordered Leucothea to be buried alive. Apollo refused to forgive Clytia for betraying his beloved, and a grieving Clytia wilted and slowly died. Apollo changed her into an incense plant, either heliotrope or sunflower, which follows the sun every day.



Marpessa was kidnapped by Idas but was loved by Apollo as well. Zeus made her choose between them, and she chose Idas on the grounds that Apollo, being immortal, would tire of her when she grew old.



Castalia was a nymph whom Apollo loved. She fled from him and dived into the spring at Delphi, at the base of Mt. Parnassos, which was then named after her. Water from this spring was sacred; it was used to clean the Delphian temples and inspire poets.



By Cyrene, Apollo had a son named Aristaeus, who became the patron god of cattle, fruit trees, hunting, husbandry and bee-keeping. He was also a culture-hero and taught humanity dairy skills and the use of nets and traps in hunting, as well as how to cultivate olives.



With Hecuba, wife of King Priam of Troy, Apollo had a son named Troilius. An oracle prophesied that Troy would not be defeated as long as Troilius reached the age of twenty alive. He and his sister, Polyxena were ambushed and killed by Achilles.



Apollo also fell in love with Cassandra, daughter of Hecuba and Priam, and Troilius' half-sister. He promised Cassandra the gift of prophecy to seduce her, but she rejected him afterwards. Enraged, Apollo indeed gifted her with the ability to know the future, with a curse that no one would ever believe her.



Coronis, daughter of Phlegyas, King of the Lapiths, was another of Apollo's liaisons. Pregnant with Asclepius, Coronis fell in love with Ischys, son of Elatus. A crow informed Apollo of the affair. When first informed he disbelieved the crow and turned all crows black (where they were previously white) as a punishment for spreading untruths. When he found out the truth he sent his sister, Artemis, to kill Coronis. As a result he also made the crow sacred and gave them the task of announcing important deaths. Apollo rescued the baby and gave it to the centaur Chiron to raise. Phlegyas was irate after the death of his daughter and burned the Temple of Apollo at Delphi. Apollo then killed him for what he did.



In Euripides' play Ion, Apollo fathered Ion by Creusa, wife of Xuthus. Creusa left Ion to die in the wild, but Apollo asked Hermes to save the child and bring him to the oracle at Delphi, where he was raised by a priestess.





Male lovers



Apollo and Hyacinthus

Jacopo Caraglio; 16th c. Italian engravingApollo, the eternal beardless kouros himself, had the most prominent male relationships of all the Greek Gods. That was to be expected from a god who was god of the palaestra, the athletic gathering place for youth who all competed in the nude, a god said to represent the ideal educator and therefore the ideal erastes, or lover of a boy (Sergent, p.102). All his lovers were younger than him, in the style of the Greek pederastic relationships of the time. Many of Apollo's young beloveds died "accidentally", a reflection on the function of these myths as part of rites of passage, in which the youth died in order to be reborn as an adult.



Hyacinth was one of his male lovers. Hyacinthus was a Spartan prince, beautiful and athletic. The pair were practicing throwing the discus when Hyacinthus was struck in the head by a discus blown off course by Zephyrus, who was jealous of Apollo and loved Hyacinthus as well. When Hyacinthus died, Apollo is said in some accounts to have been so filled with grief that he cursed his own immortality, wishing to join his lover in mortal death. Out of the blood of his slain lover Apollo created the hyacinth flower as a memorial to his death, and his tears stained the flower petals with άί άί, meaning alas. The Festival of Hyacinthus was a celebration of Sparta.



One of his other liaisons was with Acantha, the spirit of the acanthus tree. Upon his death, he was transformed into a sun-loving herb by Apollo, and his bereaved sister, Acanthis, was turned into a thistle finch by the other gods.



Another male lover was Cyparissus, a descendant of Heracles. Apollo gave the boy a tame deer as a companion but Cyparissus accidentally killed it with a javelin as it lay asleep in the undergrowth. Cyparissus asked Apollo to let his tears fall forever. Apollo turned the sad boy into a cypress tree, which was said to be a sad tree because the sap forms droplets like tears on the trunk.





Apollo and the birth of Hermes



Hermes was born on Mount Cyllene in Arcadia. The story is told in the Homeric Hymn to Hermes. His mother, Maia, had been secretly impregnated by Zeus, in a secret affair. Maia wrapped the infant in blankets but Hermes escaped while she was asleep. Hermes ran to Thessaly, where Apollo was grazing his cattle. The infant Hermes stole a number of his cows and took them to a cave in the woods near Pylos, covering their tracks. In the cave, he found a tortoise and killed it, then removed the insides. He used one of the cow's intestines and the tortoise shell and made the first lyre. Apollo complained to Maia that her son had stolen his cattle, but Hermes had already replaced himself in the blankets she had wrapped him in, so Maia refused to believe Apollo's claim. Zeus intervened and, claiming to have seen the events, sided with Apollo. Hermes then began to play music on the lyre he had invented. Apollo, a god of music, fell in love with the instrument and offered to allow exchange of the cattle for the lyre. Hence, Apollo became a master of the lyre and Hermes invented a kind of pipes-instrument called a syrinx.



Later, Apollo exchanged a caduceus for a syrinx from Hermes.





Other stories



Apollo gave the order, through the Oracle at Delphi, for Orestes to kill his mother, Clytemnestra, and her lover, Aegisthus. Orestes was punished fiercely by the Erinyes (female personifications of vengeance) for this crime.



In the Odyssey, Odysseus and his surviving crew landed on an island sacred to Helios the sun god, where he kept sacred cattle. Though Odysseus warned his men not to (as Tiresias and Circe had told him), they killed and ate some of the cattle and Helios had Zeus destroy the ship and all the men save Odysseus.



Apollo also had a lyre-playing contest with Cinyras, his son, who committed suicide when he lost.



Apollo killed the Aloadae when they attempted to storm Mt. Olympus.



It was also said that Apollo rode on the back of a swan to the land of the Hyperboreans during the winter months, a swan that he also lent to his beloved Hyacinthus to ride.



Apollo turned Cephissus into a sea monster.





Musical contests



Pan



Once Pan had the audacity to compare his music with that of Apollo, and to challenge Apollo, the god of the lyre, to a trial of skill. Tmolus, the mountain-god, was chosen to umpire. Pan blew on his pipes, and with his rustic melody gave great satisfaction to himself and his faithful follower, Midas, who happened to be present. Then Apollo struck the strings of his lyre. Tmolus at once awarded the victory to Apollo, and all but Midas agreed with the judgment. He dissented, and questioned the justice of the award. Apollo would not suffer such a depraved pair of ears any longer, and caused them to become the ears of a donkey.





Marsyas



The Flaying of Marsyas by Titian, c.1570-76.Marsyas was a satyr who challenged Apollo to a contest of music. He had found an aulos on the ground, tossed away after being invented by Athena because it made her cheeks puffy. Marsyas lost and was flayed alive in a cave near Calaenae in Phrygia for his hubris to challenge a god. His blood turned into the river Marsyas.



Another variation is that Apollo played his instrument (the lyre) upside down. Marsyas could not do this with his instrument (the flute), and so Apollo hung him from a tree and flayed him alive. [taken from MAN MYTH & MAGIC by Richard Cavendish]





Epithets and cult titles



Apollo, like other Greek deities, had a number of epithets applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a great number of appellations in Greek myth, only a few occur in Latin literature, chief among them Phoebus ("shining one"), which was very commonly used by both the Greeks and Romans in Apollo's role as the god of light.



In Apollo's role as healer, his appellations included Akesios and Iatros, meaning "healer". He was also called Alexikakos ("restrainer of evil") and Apotropaeus ("he who averts evil"), and was referred to by the Romans as Averruncus ("averter of evils"). As a plague god and defender against rats and locusts, Apollo was known as Smintheus ("mouse-catcher") and Parnopius ("grasshopper"). The Romans also called Apollo Culicarius ("driving away midges"). In his healing aspect, the Romans referred to Apollo as Medicus ("the Physician"), and a temple was dedicated to Apollo Medicus at Rome, probably next to the temple of Bellona.



As a god of archery, Apollo was known as Aphetoros ("god of the bow") and Argurotoxos ("with the silver bow"). The Romans referred to Apollo as Articenens ("carrying the bow") as well. As a pastoral shepherd-god, Apollo was known as Nomios ("wandering").



Apollo was also known as Archegetes ("director of the foundation"), who oversaw colonies. He was known as Klarios, from the Doric klaros ("allotment of land"), for his supervision over cities and colonies.



He was known as Delphinios ("Delphinian"), meaning "of the womb", in his association with Delphoi (Delphi). At Delphi, he was also known as Pythios ("Pythian"). An aitiology in the Homeric hymns connects the epitheton to dolphins. Kynthios, another common epithet, stemmed from his birth on Mt. Cynthus. He was also known as Lyceios or Lykegenes, which either meant "wolfish" or "of Lycia", Lycia being the place where some postulate that his cult originated.



Specifically as god of prophecy, Apollo was known as Loxias ("the obscure"). He was also known as Coelispex ("he who watches the heavens") to the Romans. Apollo was attributed the epithet Musagetes as the leader of the muses, and Nymphegetes as "nymph-leader".



Acesius was a surname of Apollo, under which he was worshipped in Elis, where he had a temple in the agora. This surname, which has the same meaning as akestor and alezikakos, characterized the god as the averter of evil.



Etymology



The name Apollo might have been derived from a Pre-Hellenic compound Apo-ollon,[citation needed] likely related to an archaic verb Apo-ell- and literally meaning "he who elbows off", and thus "the Dispelling One". Indeed, he seems to have personified the power to dispel and ward off evil, which was related to his association with the darkness-dispelling power of the morning sun and the conceived power of reason and prophecy to dispel doubt and ignorance. In addition, Apollo's dispelling aspect made him associated with:



city walls and doorways, which served as bulwarks to guard against trespassers;

disembarkations and expatriations to colonies, which served to carry people away;

like his son Asclepius, healing, which dispelled disease and illness;

shepherds tending their flocks, who warded off pests and predators;

music and the arts, which dispelled discord and barbarism;

fit and skilled young men, with their highly important ability to dispel intruders and invading armies;

the ability of foresight into the future.

An explanation given by Plutarch in Moralia is that Apollon signified unity, since pollon meant "many", and the prefix a- was a negative. Thus, Apollon could be read as meaning "deprived of multitude". Apollo was consequently associated with the monad.



Hesychius connects the name Apollo with the Doric απελλα, which means assembly, so that Apollo would be the god of political life, and he also gives the explanation σηκος ("fold"), in which case Apollo would be the god of flocks and herds.



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Agni

13:53 Dec 24 2006
Times Read: 1,051










God of fire

Devanagari: अग्नि

Sanskrit Transliteration: Agni

Affiliation: Deva

Consort: Svaha

Mount: Ram



Classical Elements



Western



Air

Fire

Aether

Water

Earth



Chinese



Wood (木)

Fire (火)

Earth (土)

Metal (金)

Water (水)





Hinduism and Buddhism



Vayu / Pavan — Air / Wind

Agni / Tejas — Fire

Akasha — Aether

Prithvi / Bhumi — Earth

Ap / Jala — Water



Agni is a Hindu and Vedic deity. The word agni is Sanskrit for "fire" (noun), cognate with Latin ignis (the root of English ignite). He is the creator of the Agneyestra (IAST: Āgneyāstra, sanskrit: आग्नेयास्त्र), a fire weapon.



The sacrifices made to Agni go to the deities because Agni is a messenger from and to the other gods. He is ever-young, because the fire is re-lit every day; but also he is immortal.



He is worshipped[name a specific person/group] under a threefold form: fire on earth, lightning and the sun. His cult survived the change of the ancient Vedic nature-worship into modern Hinduism, and there are fire-priests (agnihotr) whose duty is to watch over his worshippers. The sacred fire-drill for procuring the temple-fire by friction — symbolic of Agni's daily miraculous birth — is still used.







Depictions



In Hindu art, Agni is represented as red and two-faced (sometimes covered with butter), suggesting both his destructive and beneficent qualities, and with black eyes and hair, three legs and seven arms. He rides a ram, or a chariot pulled by goats or, more rarely, parrots. Seven rays of light emanate from his body. One of his names is "Sapta jihva", 'seven tongues'.





Family



In Hinduism, he is a deva, second only to Indra in the power and importance attributed to him in Vedic mythology. He is Indra's twin, and therefore a son of Dyaus Pita and Prthivi. While in another version, he is a son of Kashyapa and Aditi or a Queen who kept her pregnancy secret from her husband. He has ten mothers, or ten sisters, or ten maidservants, who represent the ten fingers of the man who lights the fire. He has two parents: these represent the two sticks which, when rubbed together swiftly, create fire (called a fire drill). Some say that he destroyed his parents when he was born because they could not care for him. He is married to Svaha and father of Karttikeya by either Svaha or Ganga. He is one of the Guardians of the directions, representing the southeast.



In some stories about the Hindu gods, Agni is the one who is sent to the front in dangerous situations.





Agni in the Vedas



His name is the first word of the first hymn of the Rigveda:-

अग्नि॒म् ई॑ळे पुरो॒हि॑तं यज्ञ॒स्य॑ देव॒म् ऋत्वि॒ज॑म् ।

होता॑रं रत्नधा॒त॑मम् ॥

agnim īļe purohitam / yajñasya devam ŗtvijam / hotāraM ratnadhātamam.

(The vowels which are underlined here, carry the Vedic udātta pitch accent.)

"I praise Agni, the priest of the house, the divine ministrant of sacrifice, the invoker, the best bestower of treasure."



Another hymn runs: "No god indeed, no mortal is beyond the might of thee, the mighty One.". He lives among men and is miraculously reborn each day by the fire-drill, the friction of the two sticks which are regarded as his parents. He is the supreme director of religious ceremonies and duties, and even has the power of influencing the fate of each man in the future world. Agni is also representative of the power which digests the food in every person's stomach. He created the stars with the sparks resulting from his flames.



The Rigveda often says that Agni arises from water or dwells in the waters. He may have originally been the same as Apam Napat.



There is a ritual to ignite Agni. This process is called Agni-Mathana. This was the Ancient Hindu way of making fire. Wooden piece from Arani tree (belonging to the family of Ficus religiosa or Urostigma religiosum) is put to vigorous friction, which generates fire.





Agni God as witness



Although the Vedic fire-sacrifice (yajña) has largely disappeared from modern Hinduism (with the exception of Arya Samaj), Agni with the fire-sacrifice is still the mode of ritual in any modern Hindu marriage, where Agni is said to be the chief sakshi or witness of the marriage and guardian of the sanctity of marriage. Taking Agni (fire) as a witness is a very old tradition - in the Valmiki Ramayana, Rama and Sugreeva swear to help each other and circle the fire thrice as a seal of their bond. Similarly in the Mahabharata, Susarma and his brothers the Trigartas swear by the fire to either defeat Arjuna or die at his hands. Their joint oath earns them the name of "Samsaptaka" as a clan. The tradition stems from the idea that Agni or fire is the purest of all natural elements and is holy as the same.[citation needed]





Agni in Ayurveda



According to Ayurveda, Agni is the biological fire that governs digestion, metabolism and the immune system.





Agni in other faiths and religions



In Indo-Tibetan Buddhism, he is a lokapāla guarding the Southeast. Jigten lugs kyi bstan bcos: which translates, "Make your hearth in the southeast corner of the house, which is the quarter of Agni". He also plays a central role in most Buddhist homa fire-puja rites.



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13:48 Dec 24 2006
Times Read: 1,052


Solar gods



Aditya

Adramelech

Agni

Alaunus

Apollo

Arinna

Atea

Aten

Belenus

Belobog

Crom Cruach

Dagr

Dazbog

Delling

Elagabalus Sol Invictus

Grannus

Helios

Hors

Horus

Huitzilopochtli

Hyperion (mythology)

Inti

Istanu

Janardanah

Khepri

Lugh

Lugus

Maelare

Meri

Mithras

Moloch

Mug Ruith

Nahundi

Nanauatzin

Nefertem

Nergal

Ra

Savitr

Shahar (god)

Shalim

Shamash

Sol

Sol (goddess)

Sriman Narayana

Svarog

Teoyaomicqui

Tonatiuh

Utu

Vahagn

Viracocha

Vishnu

Vivasvat

Wi (mythology)



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Ra

13:42 Dec 24 2006
Times Read: 1,053










Ra (Arabic: رع‎)(sometimes spelled Rê based on the attested Coptic name and reconstructed as (ree-uh-uh) ) is the sun-god of Heliopolis in ancient Egypt. In later Egyptian dynastic times, Ra was subsumed into the god Horus, as Re-Horakhty (and many variant spellings).









The Eye of Ra



or the Right Eye of Horus The sun is either the symbolic interpretation of Ra, his entire body, or just his eye. The symbols of Ra are the solar symbols of a golden disk or the symbol ⊙ (circle with a point at its centre). He was also associated with the Phoenix, as he rose again each morning in flames. According to E. A. Wallis Budge he was the One god of Egyptian Monotheism, of which all other gods and goddesses were aspects, manifestations, phases, or forms of the god





Deity status



RaFrom the eighth dynasty (ca. 2400 B.C.) onward he was elevated to the status of a national deity, and much later was combined with the Theban god Amun to become Amun-Ra, the foremost deity of the Egyptian pantheon. Amun-Ra was the most powerful god and as he grew and grew he made Egypt something of a theocracy. In later times, when the earth god Atum evolved into a god of the setting sun, Atum became considered an aspect of Ra. Khepri, the less important god who pushed the sun across the sky each day, eventually was also absorbed into Ra, as the centuries wore on, becoming the aspect of Ra that is the rising sun. Also in later times, Ra was associated with Heryshaf.



Amon-Ra's identity with Jupiter was acknowledged by the Greeks and Romans. The Greeks even gave the name Diospolis, City of Zeus, to Thebes. He remained paramount for centuries except for a brief suspension during the time of Akhenaten (1350-1334 BCE) when a monotheistic worship of Aten, the sun disk itself, was imposed on the kingdom of Egypt.



Ra itself, however, was also a monotheistic God. A Hymn to Ra (approx. 1370 BCE) was written to stress the pantheistic nature of Ra to combat encroaching polytheism. In it, several gods and goddesses are described, not as beings in their own right, but certain forms of Ra. For example:



"Praise be unto thee, O Ra, thou exalted Power, who dost enter into the habitations of Ament, behold [thy] body is Temu."

"Praise be unto thee, O Ra, thou exalted Power, who dost enter into the hidden palace of Anubis, behold [thy] body is Khepera."



Solar barge



Ra in his solar barge.In order to pass through Duat (the underworld) each night, was Ma'at, i.e. order, the antithesis of chaos, that guided the course of the boat. At the helm of the boat stood Thoth, representative of the moon, who symbolically stood next to Horus, who, in early Egyptian myth, represented the sky, and whose dark eye was the moon. It was Horus who steered the boat.



Many of the other gods travelled in the boat with them, and one of them, possibly with the assistant Mehen (who may instead simply be nothing more than a boardgame), defended the boat from attack by the monster of darkness, who wished to devour Ra. In early mythology, it was Set who was the hero defending the boat, and Apep who was the attacker, but in later myth, after Set became regarded as evil, it was Thoth who defended and Set who was the demon. Temporary failure to protect Ra was said to be the cause of solar eclipses, and mere difficulty in doing so was said to cause bad weather.



Those who take Ra's Sun affiliation metaphorically however, note that in Egypt, God was the life and light. The best way to represent this is with the Sun, which provides life through heating the Earth and providing energy for photosynthesis, as well as provides light for all to see. The Sun is then, not Ra, but an object which can be used metaphorically to help people understand Ra.



Ra, is the third eye, the place where you can sense and travel (from a past life).









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Moinuddin Chishti

14:48 Dec 22 2006
Times Read: 1,057










Moinuddin Chishti dargah, Ajmer, IndiaKhawaja



Moinuddin Chishti (Persian: خواجہ معین الدین چشتی ) was born in 1141 and died in 1230 CE, also known as Gharib Nawaz (Persian: غریب نواز ), is the most famous Sufi saint of the Chishti Order of South Asia. He was born in 536 A.H./1141 CE, in Sajistan, Khorasan (other accounts say Isfahan) in Persia. He was a direct descendent of the Prophet Muhammad.



He was one of the most outstanding figures in the annals of Islamic mysticism and founder of the Chistiyya order in India.





Journeys



Khawaja Moinuddin Chishti visited the seminaries of Samarkand and Bukhara and acquired religious learning at the feet of eminent scholars of his age. He visited nearly all the great centers of Muslim culture, and acquainted himself with almost every important trend in Muslim religious life in the Middle Ages. In 1220 he became the disciple of the Chishti Khawaja Uthman Harooni. They traveled the Middle East extensively together, including visits to Mecca and Medina.





Return to India



Moinuddin Chishti turned towards India, reputedly after a dream in which the Holy Prophet told him to do so, and, after a brief stay at Lahore he reached Ajmer where he settled down. There he attracted a substantial following, acquiring a great deal of respect amongst the residents of the city. Today, hundreds of thousands of people, Muslims, Hindus and others, from the Indian sub-continent assemble to his tomb on the occasion of his urs (death anniversary).





Founding of Chishtiyya order in India



He apparently never wrote down his teachings in the form of a book, nor did his immediate disciples do so. But he laid the foundations of the Chishtiyya order in Ajmer, India, where common people flocked to him in large numbers. His firm faith in Wahdat al-wujud (Unity of Being) provided the necessary ideological support to his mystic mission to bring about emotional integration of the people amongst whom he lived.



The central principles that became characteristics of the Chistiyya order are based on his many teachings and practices. They lay stress on renunciation of material goods; strict regime of self-discipline and personal prayer; participation in Sama as a legitimate means to spiritual transformation; reliance on either cultivation or unsolicited offerings as means of basic subsistence; independence from rulers and the state, including rejection of monetary and land grants; generosity to others, particularly, through sharing of food and wealth, and tolerance and respect for religious differences.



He, in other words, interpreted religion in terms of human service and exhorted his disciples “to develop river-like generosity, sun-like affection and earth-like hospitality.” The highest form of devotion, according to him, was “to redress the misery of those in distress – to fulfill the needs of the helpless and to feed the hungry.”



It was during the reign of Akbar (1556 – 1605) that Ajmer emerged as one of the most important centers of pilgrimage in India when the Mughal Emperor undertook an unceremonial journey on foot to accomplish his humble wish to reach the place. The Akbarnama records that the emperor’s interest was first sparked when he heard some minstrels singing songs about the virtues of the holy man who lay asleep in Ajmer. Emperor Akbar was a Sufi mystic who firmly believed that all existence is one, and that love of God and one’s brethren was more important than narrow religious rituals.



Khawaja Moinuddin Chishti authored several books including ‘Anis al-Arwah’ and ‘Daleel al-Arefeen’ both of them dealing with Islamic code of living.



Khawaja Qutbuddin Baktiyar Kaki (d. 1235) and Hamiduddin Nagori (d. 1276) were Khawaja Moinuddin Chishti’s celebrated Khalifa or disciples who continued transmitting the teachings of their master through their disciples, leading to the widespread proliferation of the Chistiyya order in India.



Among Khawaja Qutbuddin Baktiyar’s prominent disciples was Fariduddin Ganj-i-Shakar (d. 1265), whose dargah is at Pakpattan (Pakistan). And Fariduddin’s most famous disciple was Nizamuddin Awliya (d. 1325) popularly referred to as Mahboob-i-Ilahi (God’s beloved) whose dargah is located in old Delhi.



From Delhi, the disciples branched out to establish dargahs in several regions of South Asia, from Sindh in the west to Bengal in the east, and the Deccan in the south. But from all the network of Chishti dargahs Ajmer dargah took on the special distinction of being the ‘mother’ dargah of them all.









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Nisargadatta Maharaj

14:36 Dec 22 2006
Times Read: 1,059








Nisargadatta Maharaj near the end of his life.Nisargadatta Maharaj (April 1897 – September 8, 1981) worked as a simple bidi seller in Mumbai (known formerly as Bombay) but was considered by many an enlightened being and a master of spirituality. Maharaj was world renowned and admired for his direct and informal teachings, a selection of which are in his most famous book I Am That, which has been translated into many languages. Nisargadatta is widely considered to be one of the 20th century's most articulate communicators of the Hindu school of advaita vedanta or nondualism, uniquely successful in making such previously diffuse ideas accessible to both eastern and western minds.



Although he had a Hindu background and upbringing, Sri Nisargadatta Maharaj's teachings have a universal appeal. His genius is in making abstract ideas clear to everyone. He explained that the purpose of advanced spirituality is to know who you are -- simply that. Through his many talks given in his humble flat in the slums of Bombay, he showed a direct way in which one could become aware of one's original nature. Many of these talks were recorded, and form the basis of I Am That and his other books. His words are free from cultural and religious trappings, and the knowledge he expounds is stripped bare of all that is deemed unnecessary.



In the words of advaita scholar Dr Robert Powell, "Like the Zen masters of old, Nisargadatta's style is abrupt, provocative, and immensely profound -- cutting to the core and wasting little effort on inessentials. His terse but potent sayings are known for their ability to trigger shifts in consciousness, just by hearing, or even reading them."











Biography



Nisargadatta's father, Shivrampant, worked as a domestic servant in Mumbai and later as a petty farmer in Kandalgaon, a small village in the back woods of Ratnagiri district of Maharashtra.



At 18 Maruti's (given name) father died, prompting him and his brother to leave their family behind to find work in Mumbai (previously Bombay). Maruti found work as a small time clerk but quickly opened a small goods store mainly comprising of leaf-rolled cigarettes (bidis). In 1924 he married Sumatibai and they had three daughters and a son.



At the age of 34 Maruti was introduced to his future guru, Sri Siddharameshwar Maharaj, the head of the Inchegeri branch of the Navnath Sampradaya by his friend Yashwantrao Baagkar. Maharaj "did not follow any particular course of breathing, or meditation, or study of scriptures." His guru told him to concentrate on the feeling "I Am" and to remain in that state.



Sri Siddharameshwar died three years later in 1936 and it was at this point that Maruti reached self-awareness, adopted the new name of Nisargadatta and inherited membership into the Navnath Sampradaya sect. He then took off to the Himalayas to further his understanding but eventually returned to his family in Mumbai. It was there that he spent the rest of his life, working as a bidi vendor and giving teachings in his home.



His book "I Am That" achieved international success in 1973 with its first English translation. His new found "fame" brought him many new devotees from around the world.



Nisargadatta continued to receive & teach visitors in his home up to his death in 1981 at the age of 84 years.



Bob Adamson, Stephen H. Wolinsky, Robert Powell, and Ramesh Balsekar are several of his followers who are still alive; they all teach the wisdom of and have written books about Sri Nisargadatta. A close friend of Sri Nisargadatta and fellow disciple of Sri Siddharameshwar, Ranjit Maharaj, taught in Mumbai, Europe, and the U.S.A. until his death in 2000.





Teachings



Nisargadatta's teachings are grounded in the Advaita Vedanta interpretation of the Hindu idea Tat Tvam Asi, literally "That Thou Art", meaning You are/are one with Divinity.



According to Nisargadatta, our true nature is perpetually free peaceful awareness, in Hinduism referred to as Brahman. Awareness is the source of, but different from the personal consciousness, which is related to the body. The mind and memory are responsible for association with a particular body; awareness is prior to both mind and memory . It is only the idea that we are the body that keeps us from living what he calls our "original essence", the True-Self, in Hinduism referred to as Atman.



He describes this essence as pure, free, and unaffected by anything that occurs. He likens it to a silent witness that watches through the body's senses, yet is not moved, either to happiness or sadness, based on what it sees.



For Nisargadatta, the Self is not one super-entity which knows independently the things; there is no such super-entity, no Creator with infinite intellect, no God as such.



What is, is the "total act(function)-ing" of the Ultimate / Absolute Reality (= Awareness / Self) along the infinite varying forms in manifestation.



Nisargadatta also predicates the radical idea that there is no such thing as a "doer". According to him and other teachers of Vedanta, since our true nature or identity is not the mind, is not the body, but the witness of the mind and body, we, as pure awareness do nothing. The mind and body act of their own accord, and we are the witness of them, though the mind often thinks it acts. This is the very idea that keeps us from recognizing our Self, and Nisargadatta cautions:



'"The life force [prana] and the mind are operating [of their own accord], but the mind will tempt you to believe that it is "you". Therefore understand always that you are the timeless spaceless witness. And even if the mind tells you that you are the one who is acting, don't believe the mind. The apparatus [mind, body] which is functioning has come upon your original essense, but you are not that apparatus."

"Whatever movement, thought, or experience there is, can only occur on this consciousness. And you are prior to this consciousness; therefore you are neither the consciousness - that is, the instrument - nor any thought or experience, or whatever it is that is happening on that instrument. You are totally apart from it. Now stick to that."

"When you will understand what this childhood is, then that is liberation. Paradoxically you will realize that you are already liberated... if you don't understand this consciousness itself then you are in bondage. You may do anything in the world but ultimately you are in shackles. The ... child consciousness has to know the consciousness. It has to know itself... Everything is contained within the knowledge that you are a child, and all that will finally go. So your whole identity will disappear, including even that child identity, eventually..."



"We are talking about the beginning of everything. It all began with childhood. Now that childhood is also a concept, and idea. So if you understand that, you transcend at once all concepts. That is why it is imperative to understand childhood. What is the function of childhood? Its function is for you to know that you exist. That is all it has done. Prior to that, you had no knowledge of the "I"-consciousness. My statement, and that of my guru, is that childhood is a 'cheat', it is false. The knowledge "I am" is itself a cheat. When the beingness appears, that love for existence is the result of maya, the primary illusion. Once you come to know that you exist, you feel like enduring eternally. You always want to be, to exist, to survive. And so the struggle begins. All because of that maya."

"Whatever appears has really no existence. And whatever has not appeared also drops away; what remains is That, the Absolute."

"During your entire lifetime, you do not have any permanent identity. Whatever you consider yourself to be changes from moment to moment. Nothing is constant.... if you really want to understand this, you must give up your identification with the body. By all means, make use of the body, but don't consider yourself to be the body while acting in this world. Identify yourself with the consciousness, which dwells in the body... if you identify yourself with the body, you will feel that you are dying, but in reality there is no death because you are not the body. Let the body be there or not be there, your existence is always there... You should never forget the real identity that you possess. Consider a patient on his deathbed, certain to die. When he first comes to know of his disease, he gets such a shock that it is permanently engraved in his memory. Like that, you should never forget your true nature... One who is constantly awake in his true nature - having this knowledge about himself - is liberated."



"When one talks in terms of consciousness, one is likely to think in terms of an individual. But understand that it is not really the individual who has consciousness, but it is the consciousness that assumes innumerable forms... The average person will not understand this... because it is too simple! To grasp, one wants something, some form, some shape. [The concept that] 'something' is born and is going to die or disappear is all imagination, all an illusion - nothing is born."

"People have been coming here and I have been talking... because the life span has to be spent... so even that is merely entertainment. Something has to be done; this is entertainment - whiling away the time, the life span. The name is the giving of knowledge, but what is the game? A game of cards, entertainment. The name is spiritual knowledge, the game is cards... there is no doer at all, no one has an identity to do anything. In the field of consciousness, everything just happens."









COMMENTS

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Ramakrishna

14:28 Dec 22 2006
Times Read: 1,059




Ramakrishna(Ramkrishno Pôromôhongsho), born Gadadhar Chattopadhyay

(Bangla:Gôdadhor Chôţţopaddhae) , (February 18, 1836–August 16, 1886)



was a Hindu religious teacher and an influential figure in the Bengal Renaissance of the Nineteenth century. His teachings emphasized God-realization as the highest goal of life, love and devotion for God, the oneness of existence, and the harmony of religions.



Sri Ramakrishna Paramahamsa



Sri Ramakrishna Paramahamsa

Born February 18, 1836

Kamarpukur, West Bengal, India

Died 16 August 1886

Garden House in Cossipore.



Biography

Historically, in India, emphasis is given to the teachings of saints and less attention is paid to dates and details. In the case of Ramakrishna, however, there exist first-hand accounts of the details of his life. This was possible because many of his disciples were well-educated and had a strong desire to present only facts that could be verified from multiple sources. Some credit for collecting and recording such facts goes to Swami Saradananda, a disciple of Ramakrishna. He wrote a biography from the legends and stories which were growing around Ramakrishna.





Childhood



Gadadhar was born in the village of Kamarpukur, in what is now the Hooghly district of West Bengal. Gadadhar’s parents, Khudiram and Chandramani, were poor and made ends meet with great difficulty. Gadadhar was extremely popular in his village. He was considered handsome and had a natural gift for the fine arts. He, however, disliked going to school, and was not interested in the pursuit of money. He loved nature and spent his time in fields and fruit gardens outside the village with his friends. He was seen visiting monks who stopped at his village on their way to Puri. He would serve them and listen with rapt attention to the religious debates they often had.



When arrangements for Gadadhar to be invested with the sacred thread were nearly complete, he declared that he would have his first alms as a Brahmin from a certain low-caste woman of the village. This was a shock in the days when tradition required that the first alms be from a brahmin, but he was adamant. He said he had given his word to the lady and if he did not keep his word, what sort of Brahmin would he be? No argument, no appeal, no amount of tears are said to have budged him from his position. Finally, Ramkumar, his eldest brother and the head of the family after the passing away of their father, gave in.



Meanwhile, the family's financial position worsened every day. Ramkumar ran a Sanskrit school in Calcutta and also served as purohit priest in some families. About this time, a rich woman of Calcutta, Rani Rashmoni, founded a temple at Dakshineswar. She approached Ramkumar to serve as priest at the temple of Kali and Ramkumar agreed. After some persuasion, Gadadhar agreed to decorate the deity. When Ramkumar retired, Gadadhar took his place as priest.





Career as priest



When Gadadhar started worshipping the deity Bhavatarini, he began to question if he was worshipping a piece of stone or a living Goddess. If he was worshipping a living Goddess, why should she not respond to his worship? This question nagged him day and night. Then, he began to pray to Kali: "Mother, you've been gracious to many devotees in the past and have revealed yourself to them. Why would you not reveal yourself to me, also? Am I not also your son?"



He is known to have wept bitterly and sometimes even cry out loudly while worshipping. At night, he would go into a nearby jungle and spend the whole night praying. One day, the famous account goes, he was so impatient to see Mother Kali that he decided to end his life. He seized a sword hanging on the wall and was about to strike himself with it, when he is reported to have seen light issuing from the deity in waves. He is said to have been soon overwhelmed by the waves and fell unconscious on the floor.



Gadadhar, however, unsatiated, prayed to Mother Kali for more religious experiences. He especially wanted to know the truths that other religions taught. Strangely, these teachers came to him when necessary and he is said to have reached the ultimate goals of those religions with ease. Soon word spread about this remarkable man and people of all denominations and all stations of life began to come to him.





Initiation



Ramakrishna was initiated in Advaita Vedanta by a wandering monk named Totapuri, in the city of Dakshineswar. Totapuri was "a teacher of masculine strength, a sterner mien, a gnarled physique, and a virile voice". Ramakrishna would soon affectionately address the monk as Nangta, the "Naked One". Nikhilananda interjects that this is because as a renunciate, Nangta did not wear any clothing

I [Ramakrishna] said to Totapuri in despair: "It's no good. I will never be able to lift my spirit to the unconditioned state and find myself face to face with the Atman." He [Totapuri] replied severely: "What do you mean you can't? You must!" Looking about him, he found a shard of glass. He took it and stuck the point between my eyes saying: "Concentrate your mind on that point." The last barrier vanished and my spirit immediately precipitated itself beyond the plane of the conditioned. I lost myself in samadhiAfter the departure of Totapuri, Ramakrishna reportedly remained for six month in a state of absolute contemplation:



For six months in a stretch, I [Ramakrishna] remained in that state from which ordinary men can never return; generally the body falls off, after three weeks, like a sere leaf. I was not conscious of day or night. Flies would enter my mouth and nostrils as they do a dead's body, but I did not feel them. My hair became matted with dust



Married life



Rumours spread to Kamarpukur that Ramakrishna had gone mad as a result of his over-taxing spiritual exercises at Dakshineswar. Alarmed, neighbours advised Ramakrishna’s mother that he be persuaded to marry, so that he might be more conscious of his responsibilities to the family. Far from objecting to the marriage, he, in fact, mentioned Jayrambati, three miles to the north-west of Kamarpukur, as being the village where the bride could be found at the house of one Ramchandra Mukherjee. The five-year-old bride, Sarada, was found and the marriage was duly solemnised. Sarada was Ramakrishna's first disciple. He attempted to teach her everything he had learnt from his various gurus. She is believed to have mastered every religious secret as quickly as Ramakrishna had. Impressed by her religious potential, he began to treat her as the Universal Mother Herself and performed a puja considering Sarada as veritable Tripura Sundari Devi. He said, 'I look upon you as my own mother and the Mother who is in the temple'. Ramakrishna impressed upon Sarada Devi that she was not only the mother of his young disciples, but also of all humanity. Initially, Sarada Devi was initially shy about playing this role, but slowly, she filled it with courage.



Her renunciation is believed by devotees to be a striking quality that she shared with her husband in a measure equal to, if not beyond, his. The true nature of their relationship and kinship was believed to be beyond the grasp of ordinary minds. Ramakrishna concluded, after close and constant association with her, that her relationship and attitude toward him were firmly based on a divine spiritual plane. Devotees believe that as they shared their daily lives, no other thought other than that of the divine presence, arose in their minds. An account of such continuous divine relationship between two souls of opposite gender is unique in religious records, not known in any of the past hagiographies. After the passing away of Ramakrishna, Sarada Devi became a religious teacher in her own right.





Later life



He soon came to be known as Ramakrishna Paramahansa, and like a magnet, is said to have begun to attract seekers of God. He taught the basic truths of religion ceaselessly for about fifteen years through parables, metaphors, songs, and above all by his own life.



He developed throat cancer and attained Mahasamadhi at a garden house in Cossipore on 16 August, 1886, leaving behind a devoted band of 16 young disciples headed by Swami Vivekananda, who would eventually become a well-known saint-philosopher, orator, and leader of the householder disciples. Among his contemporaries, Keshab Chandra Sen and Pandit Ishwar Chandra Vidyasagar, Hindu reformers, were his admirers.





Teachings





God-realisation



Ramakrishna (1881, Calcutta)The key concepts in Ramakrishna's teachings were the oneness of existence; the divinity of all living beings; the unity of God and the harmony of religions; that the primal bondage in human life is lust and greed (kamini and kanchana in Bengali).



Ramakrishna emphasized that God-realization is the supreme goal of all living beings. Religion, for him, was merely a means for the achievement of this goal. Ramakrishna's mystical realization, classified by Hindu tradition as nirvikalpa samadhi (literally, "constant meditation", thought to be absorption in the all-encompassing Consciousness), led him to believe that the various religions are different ways to reach The Absolute, and that the Ultimate Reality could never be expressed in human terms. This is in agreement with the proclamation in the Rig Veda that "Truth is one but sages call it by many names." As a consequence of this view, Ramakrishna actually spent periods of his life practicing his own understandings of Islam, Christianity and various Yogic and Tantric sects within Hinduism.





Avidyamaya and vidyamaya



Devotees believe that Ramakrishna's realization of nirvikalpa samadhi also led him to an understanding of the two sides of maya, or illusion, to which he referred as Avidyamaya and vidyamaya. He explained that avidyamaya represents dark forces (e.g. sensual desire, evil passions, greed, lust and cruelty), which keep the world-system on lower planes of consciousness. These forces are responsible for human entrapment in the cycle of birth and death, and they must be fought and vanquished. Vidyamaya, on the other hand, represents higher forces (e.g. spiritual virtues, enlightening qualities, kindness, purity, love, and devotion), which elevate human beings to the higher planes of consciousness. With the help of vidyamaya, he said that devotees could rid themselves of avidyamaya and achieve the ultimate goal of becoming mayatita - that is, free from maya.





Other teachings



Ramakrishna's proclamation of jatra jiv tatra Shiv (wherever there is a living being, there is Shiva) stemmed from his Advaitic perception of Reality. This would lead him teach his disciples, "Jive daya noy, Shiv gyane jiv seba" (not kindness to living beings, but serving the living being as Shiva Himself). This view differs considerably from what Ramakrishna's followers call the "sentimental pantheism" of, for example, Francis of Assisi.



Ramakrishna, though not formally trained as a philosopher, had an intuitive grasp of complex philosophical concepts.According to him brahmanda, the visible universe and many other universes, are mere bubbles emerging out of Brahman, the supreme ocean of intelligence.



Like Adi Sankara had done more than a thousand years earlier, Ramakrishna Paramahamsa revitalized Hinduism which had been fraught with excessive ritualism and superstition in the Nineteenth century and helped it become better-equipped to respond to challenges from Islam, Christianity and the dawn of the modern era. However, unlike Adi Sankara, Ramakrishna developed ideas about the post-samadhi descent of consciousness into the phenomenal world, which he went on to term "vignana". While he asserted the supreme validity of Advaita Vedanta, he also proclaimed that he accepts both the Nitya (or the eternal substance) and the Leela (literally, "play", indicating the dynamic phenomenal reality) as aspects of Brahman.



The idea of the descent of consciousness shows the influence of the Bhakti movement and certain sub-schools of Shaktism on Ramakrishna's thought. The idea would later influence Aurobindo's views about the Divine Life on Earth.





Ramakrishna's impact



Schools

Samkhya · Yoga

Nyaya · Vaisheshika

Purva Mimamsa · Vedanta

Schools of Vedanta

Advaita · Vishishtadvaita

Dvaita

Important figures

Kapila · Patañjali

Gotama · Kanada

Jaimini · Vyasa

Medieval

Adi Shankara · Ramanuja

Madhva · Madhusudana

Vedanta Desika · Jayatirtha

Modern

Ramakrishna · Ramana

Vivekananda · Narayana Guru

Nitya Chaitanya Yati

Aurobindo ·Sivananda

Satyananda · Nisargadatta

Lakshmanjoo · Chinmayananda



Born as he was during a social upheaval in Bengal in particular and India in general, Ramakrishna and his movement was an important part of the direction that Hinduism and Indian nationalism took in the coming years.



On Hinduism



The Hindu Renaissance that India experienced in the 19th century may be said to have been spurred by his life and work. Although the Brahmo Samaj and the Arya Samaj preceded the Ramakrishna Mission, their influence was limited on a broader level. With the emergence of the Mission, however, the situation changed dramatically. The Ramakrishna Mission was founded by Ramakrishna himself when he had distributed the gerua cloth of renunciation to his direct disciples. This is corroborated by Swami Vivekananda himself when he says that without Thakur's grace all this would not have been possible. Many Ramakrishnites believe that Vivekananda acted as Ramakrishna's message-bearer to the West and hence helped in the fulfillment of their master's spiritual mission.



Hinduism faced a huge intellectual challenge in the 19th century, from Westerners and Indians alike. The Hindu practice of 'idol worship' came under intense pressure specially in Bengal, then the center of British India, and was declared intellectually unsustainable. Response to this was varied, ranging from Young Bengal movement that denounced Hinduism and embraced Christianity or atheism, to the Brahmo movement that retained primacy of Hinduism but gave up idol worship, and to the staunch Hindu nationalism of Bankim Chandra Chattopadhyay. Ramakrishna's influence was crucial in this period for a Hindu revival of a more traditional kind, and can be compared to that of Chaitanya's contribution centuries earlier, when Hinduism in Bengal was under similar pressure from the growing power of Islam.



It would be difficult to give a comprehensive description of Ramakrishna's influence on Hinduism, but some important contributions of his can nevertheless be detected. In his worship of Mother Kali's murti, he questions the crux of idol worship - whether he is worshipping a piece of stone or a living Goddess and why she does not respond to his prayers. He is reassured several times by experiences that show him that she is present. To the many that revered him, this reinforced centuries-old traditions that were in the spotlight at the time. Ramakrishna also touted an inclusive version of the religion, declaring Joto mot toto path (roughly meaning Every opinion yields a path). He adopted a name that is clearly Vaishnavite (Rama and Krishna are both incarnations of Vishnu), but was a devotee of Kali, the mother goddess, and known to have followed various other religious paths including Tantrism and even Christianity and Islam.





On Indian Nationalism



Ramakrishna's impact on the growing Indian nationalism was, if more indirect, neverthless quite notable. A large number of intellectuals of that age had regular communication with him and respected him, though not all of them necessarily agreed with him on religious matters. Numerous members of the Brahmo Samaj respected him. Though some of them embraced his form of Hinduism, the fact that many others didn't shows that they detected in him a possibility for a strong national identity in the face of a colonial adversary that was intellectually undermining the Indian civilization. As Amoury de Riencourt states,"The greatest leaders of the early twentieth century, whatever their walk of life -- Rabindranath Tagore, the prince of poets; Aurobindo Ghosh, the greatest mystic-philosopher; Mahatma Gandhi, who eventually shook the Anglo-Indian Empire to destruction-- all acknowledged their over-riding debt to both the Swan and the Eagle, to Ramakrishna who stirred the heart of India, and to Vivekananda who awakened its soul." This is particularly evident in Ramakrishna's development of the Mother-symbolism and its eventual role in defining the incipient Indian nationalism/s. A similar statement could be made about the fact that Ishwar Chandra Vidyasagar and Ramakrishna held each other in high esteem, in spite of the fact that the first was a declared atheist.





Vivekananda, Ramakrishna Math and the Ramakrishna Mission



Vivekananda, Ramakrishna's most illustrious disciple, is considered by some to be one of his most important legacies. Vivekananda spread the message of Ramakrishna across the world. He also helped introduce Hinduism to the west. He founded two organisations based on the teachings of Ramakrishna. One was Ramakrishna Mission, which is designed to spread the word of Ramakrishna. Vivekananda also designed its emblem. Ramakrishna Math was created as a monastic order based on Ramakrishna's teachings.



The Ramakrishna Mission went to the courts in the 1980s in order to have their organization and movement declared as a non-Hindu minority religion.They sought to gain in this way the same privileges that are accorded only to the minority religions. The constitution privileges minority religions, e.g. in Article 30.(1) it gives them greater control over their educational institutions: “All minorities, whether based on religion or language, shall have the right to establish and administer educational institutions of their choice.” But their case was turned down by the Calcutta High Court and the Supreme Court.





Contemporary influence



It could be argued that Ramakrishna's vision of Hinduism, and its popularisation by western converts like Christopher Isherwood, have largely coloured Western notions of what Hinduism is. Some, like Andrew Harvey and Ken Wilber, see the beginning of a new planetary consciousness with Ramakrishna's life.



In 1991, historian Narasingha Sil wrote an account of Ramakrishna that suggests that Ramakrishna's mystical experiences were pathological and originated from alleged childhood sexual trauma.Other scholars, most notably psychologist Sudhir Kakar, judged Sil's study to be simplistic and misleading. Kakar sought a meta-psychological non-pathological explanation that focuses on the pre-Oedipal and the Lacanian Real, and connects Ramakrishna's mystical noesis with creativity. Kakar also argues that culturally relative concepts of eroticism and gender have contributed to the Western difficulty in comprehending Ramakrishna. Sil's theory has also been viewed as reductive by William B. Parsons, who has called for an increased empathetic dialogue between the classical/adaptive/transformative schools and the mystical traditions for an enhanced understanding of Ramakrishna's life and experiences.



In 1995, Religious scholar Jeffrey Kripal completed a controversial psychoanalytic study of Ramakrishna. Kripal adopts a multi-disciplinary approach to probe into the life of the mystic and uncover the connections between Tantric and psychoanalytic hermeneutical traditions. The book theorizes upon an alleged homoerotic strain in Ramakrishna's life, practice, and teachings. It has been criticized by the Ramakrishna Mission and other followers as being based on many mistranslations of primary sources, deceptions, and an incorrect use of psychoanalysis as a tool in forming the theory.





Quotations



Ramakrishna"Knowledge leads to unity. Ignorance, to disunity."



"As a man thinks, so he becomes."



"The number of opinions, the equal number of ways" (Jata mat tata path)



"God realization is possible for all. The householders need not renounce the world; but they should pray sincerely, practise discrimination between the Eternal and the temporal and remain unattached. God listens to sincere prayer. Intense longing (vyakulata) is the secret of success in spiritual life."



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13:17 Dec 21 2006
Times Read: 1,062


This is the meditation image (dhyana) of the young female guru. Om. With eyes like fully blossoming lotus petals, firm swelling breasts, a sweetly smiling face, and a slender waist, one should meditate on the auspicious female guru, shining like the red lotus, wearing beautiful red clothes, wearing a red ring on her hand, and beautiful jewelled anklets, resembling the effulgence of a hibiscus, her feet like like a lotus, her face like the brightness of the autumn Moon, her body resplendent, with her own Natha sitting on her left, her hands [showing the mudras] granting boons and dispelling fear. Having meditated in this way, one should do puja.



Striguru Kavacha. Of this Striguru Kavacha, the Female Guru is the devata and attaining the four aims of mankind is the application Obeisance to Sadashiva on the head. Obeisance to the Female Guru in the heart. Ishvara said: Sadashiva is the rishi of this Female Guru kavacha. It is said that this devata is the fruit-giver of the four aims. [1]



Om Klim bija protect my head, the same protect my forehead. Klim bija protect my eyes and Sadashiva all my limbs. [2]



Aim bija protect my face and Hrim encompass my tongue. Shrim bija protect the region of the shoulders and Hskphrem my two arms. [3]



The letter Ha protect the area of my throat and the letter Sa the sixteen petals. Ksha must protect me below and the letter Ka my heart. [4]



The letter Va (protect my) back and the letter Ra my right side. The syllable Hum my left side and the letter Sa my spine. [5]



The letter Ha my right hand and the letter Ksha my left. The letter Ma must protect my fingers and the letter Ma must protect my nails. [6]



The letter Va protect my rear and the letter Ra my belly. The syllable Yim my feet and Hsauh protect all of my limbs. [7]



Hsauh shield the penis and the hair of the body and the head. Aim bija protect me in the East and Hrim bija shield me in the South. [8]



Shrim bija protect me in the West and Bhutasambhava in the North. Aim must protect me in the South East and Om (vedadya) in the South West. [9]



Devyamba must protect me in the North West and Shri Paduka in the North East. Pujayami must protect me above and Namah below. [10]



Om thus to you, Charming One, is declared the supremely marvellous armour. After reciting the guru mantra if one should then read the armour, one becomes a siddha, with ganas (hosts) like Shiva, clearly, there is no doubt. [11]



At puja time one should recite the armour, the very body of the mantra. It gives the fruit of puja, Sureshvari, this is true, true. Whoever recites it at the three twilights become successful, there is no doubt about this. [12]



If one should write it on bhurja (birch bark), wrapped up in a golden ball, and by showing it, for him the disputatious becomes humiliated (lit. deprived of radiance - nishprabha), [13]



in knowledge he is victorious and in war he is like Nirriti, the goddess of death, in assemblies he gains victory and is my equal, no doubt. [14]



Whosoever should recite it at the three twilights in the 1,000 petalled lotus, becomes like Siddhalokesha and attains to Nirvana. [15]



The kavacha (armour) is called the accumulation of good fortune and is supremely marvellous. To whom should it never be given nor revealed? [16]



One should give it to a peaceful pupil, otherwise it is without fruit. Never show it, Deveshi, to the undevoted or to (their?) sons. [17]



Whoever recites this kavacha without knowing the vidya, gains no fruit and afterwards goes to the Naraka (underworld). [18]



So in the Brahmayamala, in the conversation with Parvati, the Shrimad Stri Guru Kavacha is completed.





Shrimad Guru Paduka Stotra



I worship the 12 lettered lotus adorned with the Kundali nadi in the womb of the marvellous and eternally white and pure 1,000 petal lotus. [1]

I worship that auspicious white seat in the cavity of the flowering pericarp, where exist the lines of A- Ka-Tha and so forth, forming a circle marked with angles. [2]



I meditate in my heart on that beautiful jewel throne of bindu and nada, the circle of consciousness, in that cavity where a bright lightning-like colour competes with the effulgence of a pale red gem. [3]

I envelop myself in those two primordial swans above me, flaming consumers of fire, devouring the cosmos, abounding in great manifestation, those flowering feet. [4]



I remember those wonderful feet, the pair which are the root of cooling moon rays, the two feet of Natha, sun and moon, like saffron wine, a river of flower-juice. [5]



The nails of which are radiant like the moon, those gold-bejewelled, glittering, purifying, red padukas, which restrain the clamour of evil. I worship the two feet of the guru, sun and moon, supreme essence of nectar, pure quintessence, brilliant, the very core of power, placed on my head. [6]



This five-fold paduka hymn has come from the five faces of Shiva. [7]



So ends the Shrimad Guru Paduka Stotra, uttered by Shiva in the Shri Matrikabheda Tantra.





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14:33 Dec 20 2006
Times Read: 1,067


Vira sadhana



Sri Bhairava said: Now I speak of the supreme mantra of Mahakali, bestowing all poesy. Listen attentively, O Maheshani. She is the primordial one, Prakriti, the beautiful woman, the primordial knower, with kalas, the Fourth, the ultimate mother, the boon giver, the desirable one, the lady of heroes, the giver of success to sadhakas.



She, the primordial one, Mahaprakriti, Kali, the true form of time, whose great mantra of all mantras is the ocean of mantra, she alone gives all success to a sadhaka who wants it. The destroyer of anxiety, giving boons, seated on a corpse, gives all desires, O Devi, and creates all marvels.



In this matter, purification of mind and determination as to defects or enmity in a mantra are unnecessary. In sadhana with this great mantra, there are no restrictions as to time, nor day, lunar mansion or obstacles caused by lunar mansions and so forth. Nor in Mahakali's sadhana is it necessary to consider guru.



Listen, Vararoha, to the all-poesy bestowing mantra. Two Hrims and two Hums, followed by three Krims and Dakshine Kalike, then pronouncing the previous bija mantras in reverse order, putting in front of it Om and Svaha last, is the mantra of twenty three syllables, the ultimately beautiful mantra. Using this king of mantras causes a person to become like Shiva, there is no doubt of it.



Bhairava is the rishi of the mantra, Ushnik is the metre, Mahakali is the Devi and Hrim is the seed. Hum is the Shakti and its application is well known. Vararohe, listen to the meditation. Reciting it gives siddhi, its practice gives the power of attraction, and it causes pashus to become viras.



I worship the greatly beautiful one, with limbs the colour of thunderclouds, who is naked and sits on the corpse of Shiva, who has three eyes and earrings made of the bones of two young handsome boys, who is garlanded with skulls and flowers. In her lower left and upper right hands she holds a man's head and a sword, her other two hands bestowing boons and banishing fear. Her hair is greatly dishevelled. Using this meditation, worship and satisfy the Paramesvari.



Listen, beauteous one, to the Gayatri, which gives all knowledge when recited. Saying Kalikayai and vidmahe, then say shmashanavasinyai dhimahi, and then tanno ghore pracodayat. Devi, after reciting it twenty times, it is the giver of all prosperity. Recite it 20,000 times to achieve success in its preparation. Do homa of a tenth part, oblation of a tenth part of that, and abhiseka of a tenth part of that. Then feed Brahmanas. Do everything necessary within the sadhana, then dismiss Devi and throw the pot into water.



I speak now of the great ritual which bestows both the visible and the invisible. Mantras become successful using this rite, which is to be performed in the first or third watch at night, and are powerless otherwise.



O Mahesvari, do vira sadhana in a house, or elsewhere on earth. Make a small platform strewn with bunches of plantain leaves and place on this a pot smeared with vermilion. In the pot place mango shoots and wine made of khadira blossoms, as well as asvattha and badari leaves. Also place in the pot pearl, gold, silver, coral and crystal and then strive to accomplish vira sadhana.



Draw a matrika cakra, placing the pot on top of it. A mantrin should put it on a cloth, facing the northern direction. After worshipping with various substances, one should offer food, unguent, mutton and the most attractive sorts of food. Then, O Devi, offer curd to the great goddess.



Have there a young and beautiful girl, adorned with various jewels. After combing her hair, give her tambula and draw two Hrims on her breasts, Aim on or near her mouth, and draw two Klims on either side of her yoni. Drawing her towards you by her hair, caress her breasts and then place the linga into her yoni pot.



O pure smiling one. Recite the mantra 1,000 times, O sweet faced one. Dearest, one becomes accomplished by doing the rite for a week. Maheshani, recite the mantra not in the manner written of in books, but in her yoni. This brings mantra siddhi, there is no doubt of it. So, Devi, the secret thing giving all desires has been declared to you. One should not reveal it, one should never reveal it, Maheshani.



O Naganandini, at the risk of your life, never reveal it. It is the giver of all siddhi. I cannot speak of the magnificence of this mantra. Had I ten thousand million mouths and ten thousand million tongues, I could still not speak of it, O Paramesvari.



It is the most secret thing in the three worlds, very hard to obtain, the great pitha Kamarupa, giving the fruit of all desires. Maheshani, reciting in this way gives endless fruit, if, by the power of good fortune one attains this pitha. O Maheshani, after reciting the mantra there, it gives endless fruit. Bhairavi, siddhi resides in that high place (described in) this tantra, without doubt.



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14:11 Dec 20 2006
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Kulachudamani Tantra





First Patala

Sri Bhairava said: Innumerable are Tripura (tantras), innumerable those of Kalika, countless those of Vagishvari, numberless the beautiful Kulakulas known as Matangini, Purna, Vimala, Candanayika, Tripura-Ekajata, Durga and Kulasundari.

Numberless the Vaishnava, Ganapatya, Saura, Shaivite, and the different doctrines of Shankara.



The highest of the doctrines are the 64 tantras: the Mahasarasvata, Yoginijala, Shambara, Tattvashambara, the eight Bhairavas, the eight Bahurupas, the Jnana, the eight Yamalas, the Tantrajnana, the Vasuki, the Mahasammohana, the Mahasuksma, the Vahana and the Vahana Uttaram, the Hrdbheda, the Guhyatattva, the Kamika, the Kalapaka, the Kubjika Mata, the Maya Uttara, the Vina, the Trodala Uttara, the Pancamrta, the Rupabheda, the Bhutadamara, the Kulasara, the Kullodisa, the Visvatmaka, the Sarvajnatmaka, the Mahapitrmata, the Mahalakhmimata, the Siddhi Yogesvari Mata, the Kurupika Mata, the Rupikamata, the Sarvaviramata, the Vimalamata, the tantras of east, south, west and north, the Niruttara, the Vaisesikajnanatantra, the Sivabali, the Arunesa, the Mohanesa and the Visuddhesvara.



O Lovely Hipped One, now speak to me of their essence if you have love for me.



Devi said: Listen Deva, supremely blissful quintessence, the Lord of Kula, to the very essence of knowledge of the ocean of Kula tantra, concealed by my Maya.



I am Great Nature, consciousness, bliss, the quintessence, devotedly praised. Where I am, there are no Brahma, Hara, Shambhu or other devas, nor is there creation, maintenance or dissolution. Where I am, there is no attachment, happiness, sadness, liberation, goodness, faith, atheism, guru or disciple.



When I, desiring creation, cover myself with my Maya and become triple, becoming ecstatic in my wanton love play, I am Vikarini, giving rise to the various things.



The five elements and the 108 lingams come into being, while Brahma and the other devas, the three worlds, Bhur-Bhuvah-Svah spontaneously come into manifestation.



By mutual differences of Shiva and Shakti, the (three) gunas originate. All things, such as Brahma and so forth, are my parts, born from my being. Dividing and blending, the various tantras, mantras and kulas come into being. After withdrawing the five fold universe, I, Lalita, become of the nature of nirvana. Once more, men, great nature, egoism, the five elements, sattvas, rajas and tamas become manifested. This universe of parts appears and is then dissolved.



O All-Knowing One, if I am known, what need is there for revealed scriptures and sadhana? If I am unknown, what use for puja and revealed text? I am the essence of creation, manifested as woman, intoxicated with sexual desire, in order to know you as guru, you with whom I am one. Even given this, Mahadeva, my true nature still remains secret.



Devi said: Listen son, to the very plain exposition of the teachings of utmost bliss. I speak of the method relating to the yoga of liberation. This is the one essence of all tantras, worshipped by all devas, giving every sort of knowledge, secret, giving a clear idea of the essence of enlightenment, free of good or evil, giver of both enjoyment and liberation, consisting of all paths. Dear son, it deludes even the wise!



It is of various and numerous meanings and is the goal and refuge of all pure disciples. It is known as the best path according to all the paths, yet is reviled by all doctrines. It should be known only through the best of teachers. It should be protected and hidden in the heart very carefully, as I did not reveal it to Vishnu, Dhatra or Ganapati.



Dear son, whoever is unaware of this tantra is incompetent. Dearest, I speak of the pure knowledge of Kulachara.



Arising at dawn, a sadhaka should bow to a Kula tree. After meditating on the Kulas from the Muladhara to the one thousand petalled lotus, he should meditate on the gurus.



Then he should meditate on and worship the Kulagurus Prahladanandanatha, Sanakanandanatha, Kumaranandanatha, Vasistanandanatha, Krodhanandanatha, Sukhanandanatha, Jnananandanatha, and Bodhanandanatha as being intoxicacted by the nectar of the absolute, whose blissful hearts show in their eyes, their darkness cut and crushed by their having embraced Kulashastra, merciful to Kula disciples, complete, compassionate and effulgent, giving boons and dispelling fear, knowing the essence of all Kulatantras.



After bowing to the Kulagurus, one should give worship to the Kulamatrikas, fashioning a Kula place and bathing oneself in all the holy waters (tirthas).



Dear son, a Kulaguru is an accomplished being and said to be the vehicle of happiness. Dear son, conceal this very secret marvellous doctrine from the sight of pashus.



They who should reject the Kulanatha, who alone is a Shakta, served by the Kulas, for them initiation and sadhana is black magic. Because of this, one should by every effort resort to a Kulina guru. It is said a Kulina is competent in all vidyas and is able to initiate in all mantras.





Second Patala

Devi said: Dear son, now I will speak of bathing, the vehicle of Kula happiness. I have various forms (coloured) black, red, yellow and blue. Whichever pupil on the path of Kula goes to bathe, attains my form. Everything, heaven and hell, originates on earth. After sipping water, strew the Kula place with grass and Kula flowers and place durva grass, sesame oil and water in the Kula vessel.

After satisfying the Kuladeva, bathe. At first performing resolution, then draw the Kula Cakra on the (surface) of the water. Bow to the Kula trees, and using the Kula mudra called Ankusha, the Kula should invoke the Kula tirthas (into the water). After drinking the water three times, bathe body three times. Dedicate the offering to the deva of the Kula tree three times.



Using the Kula water, oblate the devas, the ancestors and the rishis. Again, after meditating on the Kulas, offer water to the Kula devas again. In the Bhairavi Tantra there are verses relating to this knowledge: Bhairavaya devaya. Creation came from Bhairava. Offer to Bhairava, pronouncing this mantra. After giving a suitable offering, meditate on the being of Bhairava-Bhairavi, offering the remainder.



Deva, by meditating in this manner, I bestow grace, whether the rite be that of ancestors, Shakti, offering, bathing or limb puja, there is no doubt about this. After satisfying (Devi), offer the remainder to the people pervading the world who have this thing. Then rise, don the Kula robe, and envelop oneself in Kula.



Making a forehead mark of the Kula type, sip water again. Pay respect to the Kula pitha and do worship of the Kuladeva.



After satisfying the guardian of the door by suitable song, dance, speech and so forth, one should collect the Kula elements and purify the Kula seat. The Kula seat duly prepared, then strew the area with suitable pleasant things. Sitting on the Kula seat, and binding the hair, do the ritual of Guru puja.



A person should purify himself, the area of ritual work, and his own body. Sipping the offering, the wise person should then worship the Kula ishtadevata. Do the puja with initiates, with adepts, with young maidens, with Kula people, and with those devoted to devata and guru.



Various kinds of flowers and different sorts of scents should be present and one should don clothes scented with camphor and incense, smeared with scented powder. Offer tambula and various other pleasant substances, giving incense and fire first.



A Kaulika should wear all kinds of jewels and gems, and, reciting the root vidya, should sprinkle the place with water. All the substances should be on the right, while the offering (arghya) should be on the left. The Kula substances should be to the west of the devata.



Making a yantra using different menstrual flowers such as svayambhu and different red materials like rocana, lac, kumkuma, and red sandalwood, one should do the puja, afterwards offering recitation. After reciting the Shakti mantra and praising her, then do the dismissal. Circle, and then prostrate yourself in front of the young woman there present. After previously offering the essence of the Kula nectar to the guru, one should then eat food.



One should worship the young woman and she should worship you. Conceal the design of the yantra in the secret place of the 1,000 petal lotus. Only impart this to a Kulina and never to atheists, fools, pashus or brahmanas, otherwise one meets with death.



Folk having gone at night to the cremation ground or to a Kula house and placing in the centre of flowers and sweet scents the highest Kula thing, should, in the company of Kulas, within the Kulacakra, draw a Kulayantra containing the name of the object to be accomplished. After first writing one's own name, accomplish the sadhana following the rules of the Kulacara. The sadhaka should do the sadhana with his own and other Shaktis.



Dear son, now listen to the rules relating to unification with Parashakti. Embrace one's own partner, who should be very beautiful and very alluring. One should act as the guru to the Kula devotee, and should initiate her into the path of Kula.



(She should) show in her eyes the very blissful essence, be Kula born, be faithful and very wise, inwardly protective of the guru, with her mouth full of tambula.



You should worship her as if she were your own daughter. Then draw on her forehead a Shakti Cakra of three concentric circles, within this writing the Kamakala mantra. In the centre, using mantra, write the name of the object to be attained. Inside this, invoke Devi and after meditating on her, worship her.



Then pronounce the rishi, metre and root mantra into the ear of your daughter, three times in her left ear.



Son, now listen to the sexual embrace in Kula puja. A knower of Kula should worship she who is wanton and free from shame, doing the actions according to the guidance of the guru. After being initiated, prostrate yourself like a stick on the ground.



Say Save me! O Lord of Kula, who with your Padmini is on the path of Kula! May the shadow of your lotus feet fall on my head, O Princely One! After giving dakshina to the guru with eyes full of love and tambula in his mouth, accomplish whatever you want with your own Kula Shakti.



If, firstly, you do not do limb and avarana puja, then you are not a Kula. After first meditating on one's own guru as being above one, the very essence of Kula nectar, and after oblating that deva, then one may recite mantra.





Third Patala

Now I speak to you of worship at night in one's own Kula. The Shakti should be seated on your left hand side on a mattress, adorned with red clothes, bejewelled with gold, smeared with red scents, garlanded with flowers, perfumed, wearing bright things, very beautiful, wearing lovely clothes, with eyes like shy blossoms, slender, with large full breasts.

On her forehead, draw a beautiful yantra and in this write the object to be accomplished. Draw the same on her shoulders, arms, breasts and stomach. Her mouth should be filled with tambula and Kula substances. After doing recitation of the Kulakula mantra, one attains the desired for thing immediately.



She comes from a distance of 100 yojanas, across rivers and mountains, across 1,000 isles, free of restraint, with agitated eyes, shedding love juice profusely, trembling, the circle of her beautiful buttocks swaying, her heart full of love for the sadhaka, boldly coming ever closer, coming to sit with the sadhaka, moving like the devata. Attracted to him in this way, a sadhaka achieves success and becomes a Kaulika.



Unless she is initiated and young, how is it possible to accomplish Kulapuja? There can be no Kulapuja, dearest, unless she has previously obtained the Kula mantra. When other than young, dear son, it is as if she were one with the guru (?).



In her left ear, recite the mantra while sprinkling her (with Kula nectar). Mahadeva, now listen. I will expound this mantra to you. Aim Klim Sauh Tripurayai imam Shaktim pavitram mama Shakti kuru Svaha. This mantra has 26 syllables (?). O Deva, purify the Shakti using this mantra.



Brahmin-girl, warrior-girl, merchant-girl, slave-girl, Kulini, daughter of a barber, washer-girl, yogini; these are the eight girls.



Each woman is equivalent to a Kula maiden. Hold the Kula cakra at a crossroads, close to a river, at the root of a bilva tree, actually within the cremation ground, during a feast, in a palace or whatever, O Holder of the Trident!



Draw, dear son, a great yantra using powdered vermilion, and strew on it the names of the object you want to accomplish!



Use couch grass. Worship according to the rule and enter the Kula using the essence of Kula. Worship therein according to the due prescription and create the Kula using the essence of Kula!



Offering wine within the Kula area, devoted souls should then worship beautiful young women, duly initiated, wearing (silken) robes, garlands and so forth, giving them food, good milk and all the rest.



To start, give (these maidens) food you have cooked yourself (dear son). (Examples follow): different sorts of cake, curd, milk, ghee, buttertmilk, candies. Offer different side-dishes flaboured [for example] with crushed saffron and essences of variegated sources (drawn from) the art of cookery.



Try offering jackfruit, polished cardamoms, washed lemons, pomegranates and different other pleasant fruits [all the while] smearing the maidens with a variety of scents and perfumes.



Try offering them sandalwood, musk, saffron, fresh green sprouts of pallava, borax, blossoms of the Lodhra tree, things from the water, items from the forest. Bring [your beautiful Shaktis] different jewels, and decorate them - in turn - with very precious jewels of different kinds.



Do the worship in a private place, and give offerings and also do purifications. Once [a sadhaka] has caused the Kula amrita to flow, he should bow in front of the Shaktis.



He should bow to each of the Shaktis, in turn, and should call out their names, starting with the Brahmini. Asking each to take a seat, a sadhaka should make sure each one has a seat. Then he should give them offerings, water to drink, water for each [beautiful goddess] to wash her toes, honey-flavoured water, and water yet again.



If they are uninitiated, [the sadhaka] should say Hrim to each. O truly beauteous One, he should feed them in the centre of a pavilion using golden plates. Then he should recite the hymn.



Om hail to you Mother Devi!

Stainless soul, the essence of Brahma.

Through your compassion remove obstacles and bestow siddhi on me!

Maheshi, giver of blessings!

Devi, the form of supreme bliss!

Through your compassion &c.

Kaumari, who dallies with Kumara,

Lady of all Knowledge,

Through your compassion &c.

Vashnavi, carried on Garuda's wings,

The very self of Vishnu

Through your compassion &c.

Varahi Devi, giver of blessings,

Who lifted the earth on your tusks,

Through your compassion &c.

Devi, you are Aindri, worshipped by all the gods and Indra.

Through your compassion &c.

Chamunda, smeared with blood, dressed in a garland of severed heads,

You destroy fear!

Through your compassion &c.

Mahalakshmi Mahamaya, you destroy anxiety and sorrow.

Through your compassion &c.

Devi you are the goddess, father and mother both!

You take the place of our father and mother!

Although one, you are many, in the form of the cosmos!

Hail to you Devi, hail!





Fourth Patala

Dear son, my secret originates in simple practice. Those lacking this do not obtain success even in one hundred koti of births. Folk following the path of Kula and the Kulashastras are broad minded, from following the path of Vishnu, patient of insult, and always doing good to others.

One should go to the temple of a deva, or to a deserted place, free of people, an empty place, to a crossroads or to an island. There, one should recite the mantra and, having bowed, become one with divinity and free from sorrow.



Bow to Mahakali if you see a vulture, a she-jackal, a raven, an osprey, a hawk, a crow or a black cat, saying: "O Origin of all, greatly terrifying one, with dishevelled hair, fond of flesh offering, charming one of Kulachara, I bow to you, Shankara's beloved!"



If you should see a cremation ground or a corpse, circumambulate. Bowing to them, and reciting a mantra, a mantrin becomes happy: "O you with terrible fangs, cruel eyed one, roaring like a raging sow! Destroyer of life! O mother of sweet and terrifying sound, I bow to you, dweller in the cremation ground."



If you should see a red flower or red clothes - the essence of Tripura - prostrate yourself like a stick on the ground and recite the following mantra: "Tripura, destroyer of fear, coloured red as a bandhuka blossom! Supremely beautiful one, hail to you, giver of boons."



If you should see a dark blue flower, a king, a prince, elephant, horse, chariot, swords, blossoms, a vira, a buffalo, a Kuladeva, or an image of Mahishamardini - bow to Jayadurga to become free of obstacles. Say: "Jaya Devi! Support of the universe! Mother Tripura! Triple divinity!"



If you should see a wine jar, fish, meat or a beautiful woman, bow to Bhairavi Devi, saying this mantra: "O destructress of terrifying obstacles! Grace giver of the path of Kula! I bow to you, boon giver adorned with a garland of skulls! O red clothed one! One praised by all! All obstacle destroying Devi! I bow to you, the beloved of Hara."



Dear son, if a person sees this things without bowing, the Shakti mantra does not give success.



I all of this I am the most important part, beloved of the Kula folk. All the Dakinis are my parts. Listen Bhairava! One who has gained success in my simple yoga cannot be harmed by a Dakini. My devotees abound in wealth and cannot be conquered by Vatukas or Bhairavas.



Whichever Kaula is seen by a young girl or woman, whether he be in village, city, festival, or at the crossroads, causes her to be filled with longing, her heart aching, her eyes darting glances, like a line of bees mad for honey falls on a lotus flower, greedy for nectar, like a female partridge for a cloud, like a cow for her recently born calf, like a female gazelle eager for young shoots of grass, like jackals for flesh, like a person tortured by thirst who sees water, like a dvamsi (?) at the sight of a lotus fibre, or like an ant greedy for honey.



The sight of such a Kaula, enveloped by the Kulas, causes her lower garment to slip, she becomes mad with lust, and of unsteady appearance.



Seeing her on a couch, her breasts and vagina exposed, one should fall to her feet, and, rising, fall again. One should impart the oral lore to an alluring female companion - in her feet resides the secret of the act of love. One attracts such female companions, with beautiful hips and beautiful breasts, like a moon to the Kaula, free from greed or modesty, devoted, patient of heart, sensuous, very inner of spirt.



In such a happy Duti, curiosity may suddenly arise, she asking "Dear son, what is to be done or not to be done? Speak!" One should perform sacrifice to the indwelling Maya and offer the remainder to the Shakti. After this, one should excite her and then perform the act of love.



On a Tuesday, in the cremation ground, smeared with Kula vermilion, using Kula wood, one should draw a yantra. In the petals write the Canda Mantra, Sphrem Sphrem Kiti Kiti twice, and then the ninefold mantra of Mahishamardini. Outside this, write the mantras of Jayadurga and Shmashana Bhairavi. After writing them, worship Bhadrakali at night, meditating on Kamakhya, the essence of Kamakala.



The Kulakaulika, naked, with dishevelled hair, should meditate on the formidable Kali, with her terrifying fangs and appearance, Digambari, with her garlands of human arms, seated on a corpse in Virasana, in sexual union with Mahakala, her ears adorned with bone ornaments, blood trickling from her mouth, roaring terrifyingly, wearing a garland of skulls, her large and swelling breasts smeared with blood, intoxicated with wine, trembling, holding in her left hand a sword, and in her right hand a human skull, dispelling fear and granting boons, her face terrifying, her tongue rolling wildly, her left ear adorned with a raven's feather, her jackal servants roaring loudly like the end of time, she herself laughing terribly and pitilessly, surrounded by hordes of fearsome Bhairavas, treading on human skeletons, wholly occupied with the sounds of victorious battle, the supreme one, served by numberless hosts of powerful demons.



After meditating on Kalika, the lord of Kula should then worship her. Unless one enters the other city, Kulasiddhi cannot be achieved. Because this Devi gives all success as soon as she is remembered, she is hymned in the three worlds as Dakshina.



O Bhairava, by reciting her mantra 108 times, one can achieve whatever object is wished for. After establishing oneself at the crossroads and meditating on the Devi in your heart, one should enter the city adorned with the most beautiful sorts of jewels. After meditating on Devi in the four directions, bow to the Kulaguru and, holding the name of the object of siddhi in your left hand, pronounce the mantra.



By smearing the eyes with anjana, one may shatter iron locks barring doors, becoming able to enter either stable, warrior's house, Kalika temple, treasury or sacred place, and may have sexual union according to will even 100 times. After meditating on Svapnavati Devi, one should enter the pavilion of Kama.



Do puja with a yantra, writing the appropriate mantra on it, and reciting it at Devikuta, Oddiyana, Kamarupa, Tata (?) or at Jalandhara or Purna(giri) on pure ground. Establish cakras in these places and, worshipping Devi, bow and recite her mantra eight, ten, 100 or 1,000 times.



Reciting and offering at such a pitha, one gains the wealth of a treasury. On a pure spot, establish the siddha seat, preparing the protective pedestal and bowing to the pitha in a pleasant way. Say: "Come, O great one of the form of the vagina! Siddhayoni! Give that which is desired! I will perform Kulapuja with appropriate ritual accessories! Yield to me!"



Becoming like her son, her feet on your head, she yields whatever is wished for. Repeatedly offer her Kula flowers, scent and food. Dear son, prepare everything, and after offering and cooking for her, give grain, rice, wine, fish, flesh, ghee, honey and the other things which bestow success. A sadhaka should install her in a jar, and then worship the supreme. After meditating on the ishtadevata, the possessor of the path of Kula should feed her.



Dividing a piece of fruit in half, give one to the Kula Shakti, take the other one yourself, and then eat. If one does not have a young woman as a Shakti, perform the dismissal using water. After performing the pitha puja, rub out the yantra, offering then to the ancestors of the place.





Fifth Patala

Shri Devi said: Deva, a sadhaka travelling in dream can enter Kamarupa, which is Kamakhya, the yoni pavilion. After drawing the ultimate cakra, surrounding it with Kula substances, a sadhaka should write round it the named object of desire.

Making the place of Kama, in the centre of the place of Kama, fashioning it into a funnel-shaped vessel, by Kama one should love Kama, turning Kama into Kama.



After meditating thus, and reciting a mantra, gazing at the pedestal and so forth, a possessor of the correct rule should place the father-face into the mother-face. So, offering cloth, saffron or tambula twice, one may take Kakini by force (?).



Doing ritual circling and so on according to the due rule, one may then go forth. If a man should attempt to subjugate women of the circle or protected property, a sadhaka becomes a fallen sadhaka. An act of black magic causes the destruction of a Kula. If he does a bad deed, it kills him, no doubt. City shaking prompted by black magic causes him to be bound by a superior power. The puravasini can be awoken using the sleep awakening mantra.



O Shankara, a Kulina using this method who intends to steal creates obstacles for himself, there is no doubt of it. Bhutas, pretas, pishachas, rakshasas, serpents, kinnari, naga maidens, underworld maidens, fairies, bhairavas, vatukas, and Ganapa create obstacles for those entering the place where protected women sleep. It causes the death of one's children, creates delusion, disease, and uprooting.



They cause different obstacles such as poverty and great anxiety, and loss of grain to one who emits his semen into a protected woman. Then they destroy sadhakas. One should protect oneself carefully, pegging all the gaps with vajra, Shakti. staff, sword, noose and goad. To avoid obstructions, carefully worship the guardians of the directions.



O Deva, one should offer cake, plantain, sweetmeats, milk rice, food, crushed parched grain and jackfruit, giving to Vishnu the supreme food and to Ganesha the pithaka (?). A vÌra should offer sweetmeats, jackfruit, plantain and black goat flesh to the Kshetresha, and then recite the mantra.



After reciting, offer a clump of earth and sprinkle water to the ten directions. Just as a horse sprinkled in sacrifice, as Sakra to the gods, so obstacle worship is for Kula. In the sleeping place, in the north east, place a Kula conch.



Around it, make a square of twelve finger breadths. A sadhaka, after making this king of yantras, should worship there at night. At night, roaming about, at night, doing Kula puja, there is nothing which cannot be done. A sadhaka becomes a Kaulika.



At night, establishing Tribhuvaneshvari, and bowing, recite her mantra. Bathing in the morning, and bowing to guru, devas, ancestors and rishis, offering oblation to the Shakti, worship in a devoted way.



O Bhairava, by serving a young woman who resembles a prostitute, one gains wealth, becomes all protected, beloved of all, and able to enslave. She bestows her grace. Kula sadhakas will know the different meditations by appeal to the Kulachudamani, previously spoken of.



After offering in a gold, copper or a Kula vessel, and drawing the nijayantra or Kulayantra or the Shriyantra or the Gandharvayantra, made of various things, and with in the centre the name of the Kula target, strewn with nija names and the Kamakala bija, all encircled with the nijamantra, the best of sadhakas should worship the essence of Kulamnaya.



With Kula puja and the like, using lingas, one may attain the highest core of Vishnu, saying Jaya Vishnu, Hare Brahma and so forth, offering various things, and doing the Kula puja in a forest or near a lake.



Using the previously declared rule, one may accomplish Kula agitation etc. One should bring the Kula born Devi at night to a deserted garden, house or temple, and initiate her using the root mantra. Then, using the rule previously spoken of, one may achieve Kula agitation. Both should recite the root mantra which gives siddhi.



Of all pithas, the supreme pitha is Kamarupa, the great giver of results. O Maheshvara, whoever does puja there is accomplished.



Son, I live in this best of all pithas. Therefore the Kamakhya yoni mandala is spoken of 100 times. Mahadeva, what can be said of the fruit gained thereby? There dwell millions of Shaktis and Mahishamardini herself. This pitha is the image of the absolute, the hidden vehicle of all happiness.



Bhairava said: Deveshi, if I am truly your son, speak of the methods of attraction, you the cause of creation and dissolution.



Devi said: Dear Son, I will speak of the mahavidya, the supremely great attraction maker, through which puja method a man can attract even the devas. After reciting the Kali mantra of one, two or three types, one can attract the moveable, the fixed and everything else, according to will. This is revealed clearly, as if from the mouths of Brahma and Sarasvati.



This Maha Kali vidya is said to be the ultimate secret of all secrets, causing sleep, wakefulness, delusion, confusion and bewilderment. One may go anywhere, whether in the night, the day, or the twilight. One should strew the name of the object to be accomplished (with the letters of the) bija mantra.



The guru should perform an act to enlighten the vira in this matter. Whatever the subject whatsoever, this method always bestows that which is wished for. Yoga meditation on a young woman causes people to become siddhas, there is no doubt of it.



Just as grain is the secret essence of an ear of corn, or as the Sun's brightness manifests by its rays, or as the Moon's beauty is shown in falling rain, or as the earth becomes full of nectar by being watered, or as by seeing a flower one becomes filled with devotion, or through Mahadurga's prasad makes one a Lord of Siddhas, or as by the grace of Kula flower pleasure arises, or as remembering the Ganges frees from sin, so by this method of attraction one becomes like Shiva, and so meditating on a young woman gives boons. Therefore, always initiate the Nija Kauliki.



Bhairava is the rishi, ushnik is the metre, the devata is Devi Dakshina Kalika, it gives the fruit of the four aims of mankind. Purva is the bija, para is the Shakti.



Do limb (nyasa) and so forth using six long bijas, and the fourteen matrika vowels, each separately. Place them in the heart, on the hands and on the feet. Do the diffusion (nyasa) using the fifteen syllables of the root mantra. Meditate five ways as previously described.



Inside the lotuses and in the fifteen angles do pitha puja. There indraw and worship Devi Dakshina, adorned with Kula. Afterwards, worship Mahakala, then the pitha Shaktis Kali, Kapalini, Kulla in the first triangle; Kurukulla, Virodhini and Vipracitta; Ugramukhi, Ugraprabha and Pradipta; Nila, Ghana and Balaka; Matra, Mita and Mudrika. Outside this, from the east petal in order, worship Brahmani and the rest.



After doing thus, a pure person should recite the mantra and sacrifice daily. Reciting a lakh (times) at night is the essence of great purification.



One need have no other thought in this puja than that of a young woman. Reciting at night gives siddhi and one becomes Dakshina. Do limb nyasa, and after meditating on Devi, the wise man should recite the mantra. After worshipping the body of the cosmos using this method, one may attract heavenly, underworld and Naga maidens.



Worship Maha Kali in a forest, performing puja, meditation, application and recitation of the mantra. The Devi dwells equally in all these places. Daily recitation and the like has already been spoken of. When a person does forest puja of great maidens, it bestows purity.



Place a conch in the north east and draw a yantra there. Offer and practice on the eighth or fourteenth night (of the dark Moon). Initiated mortals should recite the mantra 108 times, naked, with their mouths full of tambula, with dishevelled hair, controlled of senses, eyes rolling with intoxication, in sexual intercourse with the supreme woman.



Worshipping at night, naked, using scent and flowers. adorned with Kula gems, she who is named in the strewn yantra, being the vira's beloved, is she who ought to be worshipped. After giving her wine, meat and the other substances of Kula sadhana, one should meditate on and offer to the guru.



Asking leave to dismiss her, (placing a flower) on the head, one should do the remaining actions. Dearest son! Do not do Kula puja without wine and flesh, else it destroys the good actions of 1,000 births.



Brahmins, in acts of subjugation, may offer honey in copper vessels instead of wine. Others should worship using Kula wine. This wine is drunk by yogis, this wine is the most excellent thing for yogis. For those for whom wine drinking is unsuitable, honey and sweet cakes may be offered.





Sixth Patala

Devi said: Dear son, now I speak to you of the rules of nyasa. One should invoke Devi as being diffused in the body, then doing nyasa. The best of sadhakas should first place Devikuta at the top of the head. Draw a yantra using the previously declared rule, following the Kula path. Bow to the various pithas and using scent and blossoms worship Devi as Mahabhaga, the root Devi, with her attendants.

After reciting the mantra 100,000 times, then establish Oddiyana, then worship the pitha known as Yoganidra, where one should do puja to the indwelling ishtadevata 100,000 times. After going to Kamarupa, one should then worship Katyayani.



At night, reciting a mantra 100,000 times, one should then perform worship to Kamakhya. Going then to Jalandhara, firstly worship Purneshi. Reciting the mantra 100,000 times there too, then go to Purnagiri and again do puja and recite the mantra to Chandi. Entering Kamarupa, firstly worship Kamakhya. At the close, worship the Mahadevi Dikkaravasini.



At night, after reciting mantra to each of the Pitheshvaris in the seven pithas, then worship the ishtadevata. On completing the requisite number, then bow, saying "Devi, highest of the Kulas, in this act I, named such and such, of the gotra such and such and family such and such ask you, the desired goddess, to bestow the highest boon." If unsuccessful, one should do the previous actions again.



Otherwise, one may worship Mahishamardini in all the pithas. Then she becomes pleased, and bestows the Kula boon. On reciting the root mantra, one becomes a lord of all siddhi. One should go to a Rajavriksha tree, and worship the ishtadevata at its root, starting worship on a great night. The recitation should continue over the next three days. Deva, the best of sadhakas gains the fruit of 100,000 pithas by doing this.



Bhairava Maheshvara, if a sadhaka should recite the secret Mahishamardini root vidya, he may gain at will the siddhis Vetala, Khadga, Anjana and Tilaka.



Bhairava said: O Deveshi Chandika, if you love me, tell me how to obtain the great siddhi Vetala and the rest.



Devi said: The best of sadhakas, using Nimba wood should, on a Tuesday, at midnight, sit in sexual intercourse on a corpse. After digging a pit, he should recite the Mahishamardini (vidya) 800,000 times, then offering 1,000 times in the cremation ground. Taking the ash, smear it on a staff and padukas, going to the cremation ground on a Durga eighth and offering libation there.



Doing puja according to rule on the corpse, a vira should then sit on the corpse and recite the mantra 1,008 times. O Natha, after giving animal sacrifice to the mother, he should then recite a mantra over the wood: "Sphrem Sphrem Mahabhaga Yogini, be lovingly pleased! Protect me with this staff I hold."



Whenever a Kaulika displays the staff and recites the mantra, he can pulverise whatever he wants and can conquer over and over again.



"Mahabhaga. boon giver, may these padukas go, go! May they travel 100 yojanas whenever I wear them!"



Taking copper and making a sword of 50 angulas length, and drawing a yantra on it, a person should recite the mantra. Sitting on a great corpse during a Kali day and reciting the mantra 1,000 times, (a sadhaka) should dig a pit in front of a Bija tree and do the binding and protection, reciting on a Kula eighth in the cremation ground at midnight. Firstly pleasing (the Devi), he should then do sacrifice in the cremation ground, using the three madhus with bilva leaf.



After the sacrifice, he should offer animal sacrifice to supreme Maya Devi Mahishamardini. Whosoever gives complete animal sacrifice to the great Unmukhi gains her favour. Dear son, say: "Take, wielder of the sword! Terrifying and fanged Maha Kali, true one of formidable form, Kam Im Um make! Kalyani, cut through my enemy!"



If a man should raise and strike with the sword, at the same time reciting the mantra, having cut, having cut and again having cut, he may achieve the act of sadhana.



Otherwise, he should sever the head of a male black cat with one blow, on a Tuesday, at the crossroads, at night, and should bury it with a mantra. Eating sacrificial food and emitting into a vessel, he should recite the mantra every night. Concentratedly reciting 1,008 times in the darkness, he should gaze at the dug-up vessel. Eating sacrificial food during the day, on a river bank, and immersing himself, he should wash it, reciting a mantra.



Dear son, I have spoken to you of opposition, through which a man can conquer. One should install and worship screaming Kalika, reciting the inimical Kali mantra 1,000 times. A mantrin then attains success in anjana - there is no doubt about this. A sadhaka, on making a powder of crushed bone, sandal, aguru and copper, worshipping according to rule, conquers all.



Kuleshvara, a man, worshipping Devi most attentitively at a Kula place, giving her Kula fish, Kula food and Kula wine. Reciting 1,008 times, a man may conquer all on earth using the Phut mantra. Even if the target is 100 yojanas distant, he may gain it. It comes to him from wherever it is on earth.



A man can contract his body, entering instantly a cleft, a small window, or a cavity. Dear son, Lord of Kulanathas, unless a man has the Durga or Kali mantra, the siddhis are concealed, there is no doubt of it.









COMMENTS

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15:58 Dec 15 2006
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The Enochian Hierarchy



Tablet of Union



EXARP Air of SPIRIT HCOMA Water of SPIRIT

NANTA Earth of SPIRIT BITOM Fire of SPIRIT

EHNB Spirit of Spirit XCAI Air of Spirit

AONT Water of Spirit RMTO Fire of Spirit

PAAM Fire of Spirit



Secret Holy Names

AIR

ORO IBAH AOZPI - He who cries aloud in the place of desolation



WATER

MPH ARSL GAIOL - He who is the 1st true creator,the horned one



EARTH

MOR DIAL HCTGA - He who burns up iniquity without equal



FIRE

OIP TEAA PDOCE - He whose name is unchanged from what it was





The Great Kings

AIR

BATAIVAH - He whose voice seems to have wings



WATER

RAAGIOSL - He whose hands are toward the East



EARTH

ICZHIHAL - He who solidifies the past



FIRE

EDLPRNAA - He who is first to recieve the flames





The Seniors

AIR

HABIORO - He whose voice is low

Mars

AAOZAIF - He who frequents the ways

Jupiter

AHAOZPI - He who is in his place

Venus

AVTOTAR - He who listens

Mercury

HTMORDA - He who has a son

Moon

HIPOTGA - He who is like nothing else

Saturn

LAOAXRP - He who is first in arrogance



WATER

Moon

SONIZNT - He who has the saving water

Mercury

LSRAHPM - He who slays

Mars

SLGAIOL - He who made the spirit

Venus

LIGDISA - He who has no head

Saturn

SAIINOV - He who has a temple

Jupiter

LAIDROM - He who knows the secrets of truth



EARTH

Mars

ALHCTGA - He who is most like a spirit

Venus

AHMLICV - He who is most ancient

Mercury

ACZINOR - He who is from the dark waters

Jupiter

LIIANSA - He who is first in truth

Saturn

LZINOPO - He who is first in the deep waters

Moon

ALNDVOD - He who will serve herein



FIRE

Moon

AAPDOCE - He whose name remains the same

Venus

ARINNAP - He who protects with a sword

Saturn

AAETPIO - He who seeks his place

Mars

ADOEOET - He who sings like a bird

Jupiter

ANODOIN - He who is open to others





The Calvary Cross Angels



IDOIGO - He who sits on the Holy Throne air of AIR

ARDZA - He who protects air of AIR

LLACZA - He who is first to precipitate water of AIR

PALAM - He who is on the path water of AIR

AIAOAI - He who is within and amoung you earth of AIR

OIIIT - He who is, but also is not earth of AIR

AOVRRZ - He who beautifies fire of AIR

ALOAI - He who is from a succession fire of AIR

OBGOTA - He who is like a garland air of WATER

AABCO - He who is bent over air of WATER

NELAPR - He who must have his way water of WATER

OMEBB - He who knows water of WATER

MALADI - He who shoots arrows earth of WATER

OLAAD - He who created birds earth of WATER

IAAASD - He who is in truth fire of WATER

ATAPA - He who bears a likeness fire of WATER

ANGPOI - He who divides thoughts air of EARTH

VNNAX - He whose great name is All air of EARTH

ANAEEM - He who is nine times obedient water of EARTH

SONDN - He who has a kingdom water of EARTH

ABALPT - He who stoops down earth of EARTH

ARBIZ - He whose voice protects earth of EARTH

OPMNIR - He who increases knowledge fire of EARTH

ILPIZ - He whose place is the Aethyrs fire of EARTH

NOALMR - He who is first to bring about torment air of FIRE

OLOAG - He who makes nothing air of FIRE

VADALI - He who has the Secret Truth water of FIRE

OBAUA - He who has half of truth water of FIRE

UOLXDO - He whose name is Annihilation earth of FIRE

SIODA - He who is eternal earth of FIRE

RZIONR - He who is in the waters of the Sun fire of FIRE

NRZFM - He who visits here six times fire of FIRE



The Kerubic Archangels & Kerubim they rule



Archangel Kerubim Sub-quadrantERZLA - controls RZLA;ZLAR;LARZ;ARZL - air of AIR

EYTPA - controls YTPA;TPAY;PAYT;AYTP - water of AIR

HTNBR - controls TNBR;NBRT;BRTN;RTNB - earth of AIR

HXGSD - controls XGSD;GSDX;SDXG;DXGS - fire of AIR

ETAAD - controls TAAD;AADT;ADTA;DTAA - air of WATER

ETDIM - controls TDIM;DIMT;IMTD;MTDI - water of WATER

HMAGL - controls MAGL;AGLM;GLMA;LMAG - earth of WATER

HNLRX - controls NLRX;LRXN;RXNL;XNLR - fire of WATER

ABOZA - controls BOZA;OZAB;ZABO;ABOZ - air of EARTH

APHRA - controls PHRA;HRAP;RAPH;APHR - water of EARTH

POCNC - controls OCNC;CNCO;NCOC;COCN - earth of EARTH

PASMT - controls ASMT;SMTA;MTAS;TASM - fire of EARTH

ADOPA - controls DOPA;OPAD;PADO;ADOP - air of FIRE

AANAA - controls ANAA;NAAA;AAAN;AANA - water of FIRE

PPSAC - controls PSAC;SACP;ACPS;CPSA - earth of FIRE

PZIZA - controls ZIZA;IZAZ;ZAZI;AZIZ - fire of FIRE

The Kerubic AngelsThe Names of the Sixteen Good Angels Skilled and Potent In Understanding the Secrets of All Men

RZLA and companions - ZLAR, LARZ, and ARZL - air of AIR

TAAD and companions - AADT, ADTA, and DTAA - air of WATER

BOZA and companions - OZAB, ZABO, and ABOZ - air of EARTH

DOPA and companions - OPAD, PADO, and ADOP - air of FIRE



The Names of the Sixteen Good Angels who are Potent In Changing of Place

YTPA and companions - TPAY, PAYT, and AYTP - water of AIR

TDIM and companions - DIMT, IMTD, and MTDI - water of WATER

PHRA and companions - HRAP, RAPH, and APHR - water of EARTH

ANAA and companions - NAAA, AAAN, and AANA - water of FIRE



The Names of the Sixteen Good Angels Skilled and Potent In Mechanical Arts

TNBR and companions - NBRT, BRTN, and RTNB - earth of AIR

MAGL and companions - AGLM, GLMA, and LMAG - earth of WATER

OCNC and companions - CNCO, NCOC, and COCN - earth of EARTH

PSAC and companions - SACP, ACPS, and CPSA - earth of FIRE



The Names of the Sixteen Good Angels that are Skilled and Potent In the Mixture of Natures

XGSD and companions - GSDX, SDXG, and DXGS - fire of AIR

NLRX and companions - LRXN, RXNL, and XNLR - fire of WATER

ASMT and companions - SMTA, MTAS, and TASM - fire of EARTH

ZIZA and companions - IZAZ, ZAZI, and AZIZ - fire of FIRE





Servient Angels

The Names of the Sixty-four Good Angels That Comprehend the Species and Uses of the Living Creatures in Each of the Four Elements

CZNS and companions - ZNSC, NSCZ, and SCZN *EX angel - air of AIR

TOTT and companions - OTTT, TTTO, and TTOT *LU angel - air of AIR

SIAS and companions - IASS, ASSI, and SSIA *HI angel - air of AIR

FMND and companions - MNDF, NDFM, and DFMN *SH angel - air of AIR

TOCO and companions - OCOT, COTO, and OTOC *EX angel - air of WATER

NHDD and companions - HDDN, DDNH, and DNHD *LU angel - air of WATER

PAAX and companions - AAXP, AXPA, and XPAA *HI angel - air of WATER

SAIX and companions - AIXS, IXSA, and XSAI *SH angel - air of WATER

AIRA and companions - IRAA, RAAI, and AAIR *EX angel - air of EARTH

ORMN and companions - RMNO, MNOR, and NORM *LU angel - air of EARTH

RSNI and companions - SNIR, NIRS, and IRSN *HI angel - air of EARTH

IZNR and companions - ZNRI, NRIZ, and RIZN *SH angel - air of EARTH

OPMN and companions - PMNO, MNOP, and NOPM *EX angel - air of FIRE

APST and companions - PSTA, STAP, and TAPS *LU angel - air of FIRE

SCIO and companions - CIOS, IOSC, and OSCI *HI angel - air of FIRE

VASG and companions - ASGV, SGVA, and GVAS *SH angel - air of FIRE



The Names of the Sixty-four Good Angels Most Skilled and Effective In Medicine and the Cure of Sickness

OYVB and companions - YVBO, VBOY, and BOYV *EX angel - water of AIR

PAOC and companions - AOCP, OCPA, and CPAO *LU angel - water of AIR

RBNH and companions - BNHR, NHRB, and HRBN *HI angel - water of AIR

DIRI and companions - IRID, RIDI, and IDIR *SH angel - water of AIR

MAGM and companions - AGMM, GMMA, and MMAG *EX angel - water of WATER

LEOC and companions - EOCL, OCLE, and CLEO *LU angel - water of WATER

VSSN and companions - SSNV, SNVS, and NVSS *HI angel - water of WATER

RVOI and companions - VOIR, OIRV, and IRVO *SH angel - water of WATER

OMGG and companions - MGGO, GGOM, and GOMG *EX angel - water of EARTH

GBAL and companions - BALG, ALGB, and LGBA *LU angel - water of EARTH

RLMV and companions - LMVR, MVRL, and VRLM *HI angel - water of EARTH

IAHL and companions - AHLI, HLIA, and LIAH *SH angel - water of EARTH

GMNM and companions - MNMG, NMGM, and MGMN *EX angel - water of FIRE

ECOP and companions - COPE, OPEC, and PECO *LU angel - water of FIRE

AMOX and companions - MOXA, OXAM, and XAMO *HI angel - water of FIRE

BRAP and companions - RAPB, APBR, and PBRA *SH angel - water of FIRE



The Names of the Sixty-four Good Angels Who Are Skilled and Potent In the Discovery, Collecting, Use and Intrinsic Power of Metals, and also in the Combining of Stones and Their Powers

ABMO and companions - BMOA, MOAB, and OABM *EX angel - earth of AIR

NACO and companions - ACON, CONA, and ONAC *LU angel - earth of AIR

OCNM and companions - CNMO, NMOC, and MOCN *HI angel - earth of AIR

SHAL and companions - HALS, ALSH, and LSHA *SH angel - earth of AIR

PACO and companions - ACOP, COPA, and OPAC *EX angel - earth of WATER

NDZN and companions - DZNN, ZNND, and NNDZ *LU angel - earth of WATER

IIPO and companions - IPOI, POII, and OIIP *HI angel - earth of WATER

XRNH and companions - RNHX, NHXR, and HXRN *SH angel - earth of WATER

OPNA and companions - PNAO, NAOP, and AOPN *EX angel - earth of EARTH

DOOP and companions - OOPD, OPDO, and PDOO *LU angel - earth of EARTH

RXAO and companions - XAOR, AORX, and ORXA *HI angel - earth of EARTH

AXIR and companions - XIRA, IRAX, and RAXI *SH angel - earth of EARTH

DATT and companions - ATTD, TTDA, and TDAT *EX angel - earth of FIRE

DIOM and companions - IOMD, OMDI, and MDIO *LU angel - earth of FIRE

OOPZ and companions - OPZO, PZOO, and ZOOP *HI angel - earth of FIRE

RGAN and companions - GANR, ANRG, and NRGA *SH angel - earth of FIRE



The Names of the Sixty-four Angels Who Are Skilled and Powerful In Transformation

ACCA and companions - CCAA, CAAC, and AACC *EX angel - fire of AIR

NPNT and companions - PNTN, NTNP, and TNPN *LU angel - fire of AIR

OTOI and companions - TOIO, OIOT, and IOTO *HI angel - fire of AIR

PMOX and companions - MOXP, OXPM, and XPMO *SH angel - fire of AIR

XPCN and companions - PCNX, CNXP, and NXPC *EX angel - fire of WATER

VASA and companions - ASAV, SAVA, and AVAS *LU angel - fire of WATER

DAPI and companions - APID, PIDA, and IDAP *HI angel - fire of WATER

RNIL and companions - NILR, ILRN, and LRNI *SH angel - fire of WATER

MSAP and companions - SAPM, APMS, and PMSA *EX angel - fire of EARTH

IABA and companions - ABAI, BAIA, and AIAB *LU angel - fire of EARTH

IZXP and companions - ZXPI, XPIZ, and PIZX *HI angel - fire of EARTH

STIM and companions - TIMS, IMST, and MSTI *SH angel - fire of EARTH

ADRE and companions - DREA, READ, and EADR *EX angel - fire of FIRE

SISP and companions - ISPS, SPSI, and PSIS *LU angel - fire of FIRE

PALI and companions - ALIP, LIPA, and IPAL *HI angel - fire of FIRE

ACAR and companions - CARA, ARAC, and RACA *SH angel - fire of FIRE

*EX - Excellent (Arch)angel - 3rd line Elemental sub-quadrant

*LU - Luminous (Arch)angel - 4th line Elemental sub-quadrant

*HI - High (Arch)angel - 5th line Elemental sub-quadrant

*SH - Shining (Arch)angel - 6th line Elemental sub-quadrant



The Daemonic Rulers and the Cacodaemons they Control

OGIODI and AZDRA controls XCZ, ATO, RSI, PFM - *CC - air of AIR

AZCALL and MALAP controls XOY, APA, RRB, PDI - *CC - water of AIR

IAOAIA and TIIIO controls CAB, ONA, MOC, ASH - *CC - earth of AIR

ZRRUOA and IAOLA controls CAC, ONP, MOT, APM - *CC - fire of AIR

ATOGBO and OCBAA controls XTO, ANH, RPA, PSA - *CC - air of WATER

RPALEN and BBEMO controls XMA, ALE, RVS, PRV - *CC - water of WATER

IDALAM and DAALO controls CPA, OND, MII, AXR - *CC - earth of WATER

DSAAAI and APATA controls CXP, OVA, MDA, ARN - *CC - fire of WATER

IOPGNA and XANNU controls MAI, OOR, CRS, HIZ - *CC - air of EARTH

MEEANA and NDNOS controls MOM, OGB, CRL, HIA - *CC - water of EARTH

TPLABA and ZIBRA controls ROP, ADO, XRX, EAX - *CC - earth of EARTH

RINMPO and ZIPLI controls RMS, AIA, XIZ, EST - *CC - fire of EARTH

RMLAON and GAOLO controls MOP, OAP, CSC, HVA - *CC - air of FIRE

ILADAV and AUABO controls MGM, OEC, CAM, HBR - *CC - water of FIRE

ODXLOU and ADOIS controls RDA, ADI, XOO, ERG - *CC - earth of FIRE

RNOIZR and MFZRN controls RAD, ASI, XPA, EAC - *CC - fire of FIRE





The Aires



LIL The First Aethyr

ARN Aethyr of fulfillment

ZOM Aethyr of self knowledge

PAZ Aethyr of impending expression

LIT Aethyr that is without a supreme being

MAZ Aethyr of appearances

DEO Aethyr of selfishness

ZID Aethyr of one's God

ZIP Aethyr for those who are not

ZAX Aethyr of the One with a Great Name

ICH Aethyr of tension

LOE The first aethyr of glory

ZIM Aethyr of application

VTA Aethyr of semblances

OXO Aethyr of dancing

LEA The first aethyr of the (higher) self

TAN Aethyr of ones equilibrium

ZEN Aethyr of sacrifice

POP Aethyr of division

CHR Aethyr of the wheel

ASP Aethyr of causation

LIN Aethyr of the void

TOR Aethyr that sustains

NIA Aethyr of traveling

VTI Aethyr of change

DES Aethyr that accepts that which is

ZAA Aethyr of solitude

BAG Aethyr of doubt

RII Aethyr of the mercy of heaven

TEX Aethyr that is in 4 parts



Governors

Governor Meaning of Name Div Aethyr Tablet

OCCODON - He whose name is Renewal - 1 - LIL - WATER

PASCOMB - He who precedes understanding - 2 - LIL - WATER

VALGARS - He who works with that which is - 3 - LIL - WATER

DOAGNIS - She who comes without a name - 1 - ARN - WATER

PACASNA - She who is unchanged by time - 2 - ARN - WATER

DIALOIA - The god where truth is - 3 - ARN - WATER

SAMAPHA - He who is with continuity - 1 - ZOM - WATER

VIROOLI - He who made the first nest - 2 - ZOM - WATER

ANDISPI - He who binds into obedience - 3 - ZOM - WATER

THOTANP - She whose visits brings victory - 1 - PAZ - WATER

AXXIARG - He whose name is Flame - 2 - PAZ - WATER

POTHNIR - Son of the three fold throne - 3 - PAZ - WATER

LAZDIXI - He who has no supreme name - 1 - LIT - WATER

NOCAMAL - He who is servant of the arrow - 2 - LIT - WATER

TIARPAX - He whose name means truth - 3 - LIT - WATER

SAXTOMP - She whose name means understanding - 1 - MAZ - FIRE

VAUAAMP - He who initiates action - 2 - MAZ - FIRE

ZIRZIRD - He who was and will be - 3 - MAZ - FIRE

OPMACAS - He who is from the beginning - 1 - DEO - FIRE

GENADOL - He who only attracts - 2 - DEO - FIRE

ASPIAON - She who precedes inner truth - 3 - DEO - FIRE

ZAMFRES - He who appears when praised - 1 - ZID - FIRE

TODNAON - He who is and will be - 2 - ZID - FIRE

PRISTAC - He who has the likeness of a Holy One - 3 - ZID - FIRE

ODDIORG - He of fire and justice - 1 - ZIP - FIRE

CRALPIR - He of bright joy - 2 - ZIP - FIRE

DOANZIN - He who names the waters - 3 - ZIP - FIRE

LEXARPH - He who is first of the air - 1 - ZAX - BLK CRS

COMANAN - He who knows how to manifest - 2 - ZAX - BLK CRS

TABITOM - He who is like fire - 3 - ZAX - BLK CRS

MOLPAND - He who recieves men - 1 - ICH - WATER

VSNARDA - He who casts down into the depths - 2 - ICH - WATER

PONODOL - He who destroys and creates - 3 - ICH - FIRE

TAPAMAL - She who is like she was at the beginning - 1 - LOE - FIRE

GEDOONS - He who eliminates your name - 2 - LOE - FIRE

AMBRIOL - He who continuously comforts - 3 - LOE - FIRE

GECAOND - She who only obeys - 1 - ZIM - FIRE

LAPARIN - He who is the protector of man - 2 - ZIM - FIRE

DOCEPAX - He who names only great names - 3 - ZIM - FIRE

TEDOOND - He who demands obedience - 1 - VTA - FIRE

VIUIPOS - She of many repetitions - 2 - VTA - FIRE

VOANAMB - He to whom truth is relative - 3 - VTA - FIRE

TAHAMDO - He who lives according to his name - 1 - OXO - AIR

NOTIABI - Servant who speaks the truth - 2 - OXO - AIR

TASTOZO - She who initiates dancing - 3 - OXO - AIR

CUCNRPT - She who replaces what was with something - similar - 1 - LEA - AIR

LAVACON - The happy one - 2 - LEA - AIR

SOCHIAL - He who burns up the past - 3 - LEA - AIR

SIGMORF - He who visits the darkness - 1 - TAN - AIR

AYDROPT - She who sees us with equality - 2 - TAN - AIR

TOCARZI - He of such equality - 3 - TAN - AIR

NABAOMI - He who knows pain - 1 - ZEN - AIR

ZAFASAI - He who is in emptiness - 2 - ZEN - AIR

YALPAMB - He who is the beginning and the end - 3 - ZEN - AIR

TORZOXI - She who rises up in strength - 1 - POP - AIR

ABRIOND - He who prepares his kingdom - 2 - POP - AIR

OMAGRAP - He of lunar knowledge - 3 - POP - AIR

ZILDRON - He who sets in flight - 1 - CHR - AIR

PARZIBA - He who promises - 2 - CHR - AIR

TOTOCAN - He who drives the cycles - 3 - CHR - AIR

CHIRZPA - He who enjoys loud sounds - 1 - ASP - AIR

TOANTOM - He who loves knowledge - 2 - ASP - AIR

VIXPALG - He who consumes - 3 - ASP - AIR

OSIDAIA - He who is the god of truth - 1 - LIN - AIR

PAOAOAN - He who has eyes - 2 - LIN - ALL 4

CALZIRG - She who is in the firmament - 3 - LIN - EARTH

RONOOMB - He who protects the process of becoming - 1 - TOR - EARTH

ONIZIMP - He who brings labor - 2 - TOR - EARTH

ZAXANIN - He who names things - 3 - TOR - EARTH

ORANCIR - He who is above and below - 1 - NIA - EARTH

CHASLPO - He of wonderous joy - 2 - NIA - EARTH

SOAGEEL - He who helps the most - 3 - NIA - EARTH

MIRZIND - He who is from the Waters of Torment - 1 - VTI - EARTH

OBUAORS - She who is half darkness - 2 - VTI - EARTH

RANGLAM - He who governs his thoughts - 3 - VTI - EARTH

POPHAND - He who is divided into three parts - 1 - DES - EARTH

NIGRANA - He who governs the 28 days of the moon - 2 - DES - EARTH

LAZHIIM - He who makes use of the day - 3 - DES - EARTH

SAZIAMI - He who has true power - 1 - ZAA - EARTH

MATHVLA - He who ends actions - 2 - ZAA - EARTH

CRPANIB - He who destroys speech - 3 - ZAA - EARTH

PABNIXP - He who governs - 1 - BAG - EARTH

POCISNI - He who visits those in Heaven - 2 - BAG - EARTH

OXLOPAR - He who has them in his hands - 3 - BAG - EARTH

VASTRIM - He who is merciful - 1 - RII - EARTH

ODRAXTI - He who opens up the east - 2 - RII - EARTH

GMTZIAM - She who knows only herself - 3 - RII - EARTH

TAAOGBA - He who becomes the foremost beginning - 1 - TEX - WATER

GEMNIMB - He who is only for a season - 2 - TEX - WATER

ADVORPT - She who silently watches - 3 - TEX - WATER

DOXMAEL - He who establishes the night - 4 - TEX - WATER



COMMENTS

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15:56 Dec 15 2006
Times Read: 1,073


The First Key



The First Key -- English



I rayng ouer you, sayeth the God of Iustice, in powre exalted above the firmaments of wrath: in whose hands the Sonne is as a sword and the Mone as a throwgh thrusting fire: which measureth your garments in the mydst of my vestures, and trussed you together as the palms of my hands: whose seats I garnished with the fire of gathering, and bewtified your garments wth admiration. To whome I made a law to govern the holy ones and deliuered you a rod with the ark of knowledg. Moreouer you lifted vp your voyces and sware [obedience and faith to him that liueth and triumpheth] whose begynning is not, nor ende can not be, which shyneth as a flame in the myddst of your pallace, and rayngneth amongst you as the ballance of righteousnes and truth. Moue, therfore, and shew yorselues: open the Mysteries of your Creation: Be frendely vnto me: for I am the servant of the same yor God, the true wurshipper of the Highest.



The First Key -- Enochian



Ol sonf vorsg, goho Iad balt, lansh calz vonpho: sobra z-ol ror i ta Nazpad Graa ta Malprg Ds hol-q Qaa nothoa zimz Od commah ta nobloh zien: Soba thil gnonp prge aldi Od vrbs oboleh grsam Casarm ohorela caba pir Od zonrensg cab erm Iadnah Pilah farzm zurza adna Ds gono Iadpil Ds hom Od toh Soba Ipam lu Ipamis Ds loholo vep zomd Poamal Od bogpa aai ta piap piamo-i od vaoan ZACARe c-a od ZAMRAM Odo cicle Qaa Zorge, Lap zirdo Noco MAD Hoath Iaida. The First Key -- Phonetic Ol sonuf vaoresaji, gohu IAD Balata, elanusaha caelazod: sobrazod-ol Roray i ta nazodapesad, Giraa ta maelpereji, das hoel-qo qaa notahoa zodimezod, od comemahe ta nobeloha zodien; soba tahil ginonupe pereje aladi, das vaurebes obolehe giresam. Causarem ohorela caba Pire: das zodonurenusagi cab: erem Iadanahe. Pilahe farezodem zodenurezoda adana gono Iadapiel das home-tohe: soba ipame lu ipamis: das sobolo vepe zodomeda poamal, od bogira aai ta piape Piamoel od Vaoan! Zodacare, eca, od zodameranu! odo cicale Qaa; zodoreje, lape zodiredo Noco Mada, Hoathahe I A I D A!



The Second Key



The Second Key -- English



Can the wings of the windes vnderstand yor voyces of wunder, O you the second of the first, whome the burning flames haue framed within the depth of my Iaws; whome I haue prepared as Cupps for a Wedding, or as the flowres in their beawty for the Chamber of righteousnes. Stronger are your fete then the barren stone, and mightier are your voices then the manifold windes. For you are become a buylding such as is not, but in the mynde of the All powrefull. Arrise, sayth the First: Move therfore vnto his Servants: Shew your selues in powre: And make me a strong Seething: for I am of him that liueth for euer.



The Second Key -- Enochian



Adgt v-pa-ah zongom fa-a-ip Sald vi-i-v L sobam I-al-prg I-za-zaz pi-adph cas-arma abramg ta talho paracleda Q-ta lors-l-q turbs ooge Baltch Giui chis lusd orri Od mi-calp chis bia ozongon Lap noan trof cors tage o-q manin Ia-i-don Torzu gohel ZACAR ca c-no-qod, ZAMRAN micalzo Od ozazm vrelp Lap zir Ioiad.



The Second Key -- Phonetic



Adagita vau-pa-ahe zodonugonu fa-a-ipe salada! Vi-i-vau el! Sobame ial-pereji i-zoda-zodazod pi-adapehe casarema aberameji ta ta-labo paracaleda qo-ta lores-el-qo turebesa ooge balatohe! Giui cahisa lusada oreri od micalapape cahisa bia ozodonugonu! lape noanu tarofe coresa tage o-quo maninu IA-I-DON. Torezodu! gohe-el, zodacare eca ca-no-quoda! zodameranu micalazodo od ozodazodame vaurelar; lape zodir IOIAD!Adagita vau-pa-ahe zodonugonu fa-a-ipe salada! Vi-i-vau el! Sobame ial-pereji i-zoda-zodazod pi-adapehe casarema aberameji ta ta-labo paracaleda qo-ta lores-el-qo turebesa ooge balatohe! Giui cahisa lusada oreri od micalapape cahisa bia ozodonugonu! lape noanu tarofe coresa tage o-quo maninu IA-I-DON. Torezodu! gohe-el, zodacare eca ca-no-quoda! zodameranu micalazodo od ozodazodame vaurelar; lape zodir IOIAD!



The Third Key



The Third Key -- English



Behold, sayeth your god, I am a Circle on whose hands stand 12 Kingdoms: Sis are the seats of Liuing Breath: the rest are as sharp sickles or the horns of death, wherein the Creatures of ye earth are to are not, except myne own hand which slepe and shall ryse. In the first I made you Stuards and placed you in seats 12 of government. giving vnto euery one of you powre successively ouer 456, the true ages of tyme: to the intent that from ye highest vessells and the corners of your governments you might work my powre, powring downe the fires of life and encrease continually on the earth: Thus you are become the skirts of Iustice and Truth. In the Name of the same your God, lift vp, I say, your selues. Behold his mercies florish and Name is become mighty amongst vs. In whome we say: Moue, Descend, and apply your selues vnto vs, as vnto the partakers of the Secret Wisdome of your Creation.



The Third Key -- Enochian



Micma goho Piad zir com-selh a zien biab Os Lon-doh Norz Chis othil Gigipah vnd-l chis ta-pu-im Q mos-pleh teloch Qui-i-n toltorg chis i chis ge m ozien dst brgda od torzul i li F ol balzarg, od aala Thiln Os ne ta ab dluga vomsarg lonsa cap-mi-ali vors cla homil cocasb fafen izizop od mi i noag de gnetaab vaun na-na-e-el panpir Malpirgi caosg Pild noan vnalah balt od vooan do o-i-ap MAD Goholor gohus amiran Micma Iehusoz ca-ca-com od do-o-a-in noar mi-ca-olz a-ai-om Casarmg gohia ZACAR vniglag od Im-ua-mar pugo plapli ananael Q a an.



The Third Key -- Phonetic



Micama! goho Pe-IAD! zodir com-selahe azodien biabe os-lon-dohe. Norezoda cahisa otahila Gigipahe; vaunudel-cahisa ta-pu-ime qo-mos-pelehe telocahe; qui-i-inu toltoregi cahisa i cahisaji em ozodien; dasata beregida od toreodul! Ili e-Ol balazodareji, od aala tahilanu-os netaabe: daluga vaomesareji elonusa cape-mi-ali vaoresa CALA homila; cocasabe fafenu izodizodope, od miinoagi de ginetaabe: vaunu na-na-e-el: panupire malapireji caosaji. Pilada noanu vaunalahe balata od-vaoan. Do-o-i-ape mada: goholore, gohus, amiranu! Micama! Yehusozod ca-ca-com, od do-o-a-inu noari micaolazoda a-ai-om. Casarameji gohia: Zodacare! Vaunigilaji! od im-ua-mar pugo pelapeli Ananael Qo-a-an.



The Fourth Key



The Fourth Key -- English



I haue set my fete in the sowth and haue loked abowt me, saying, are not the Thunders of encrease numbred 33 which raigne in the Second Angle? vnder whome I haue placed 9639 whome none hath yet numbred but one, in whome the second beginning of things are and wax strong, which allso successively are the number of time: and their powres are as the first 456. Arrise, you Sonns of pleasure, and viset the earth: for I am the Lord your God which is, and liueth. In the name of the Creator, Move and shew yourselues as pleasant deliuerers, That you may praise him amongst the sonnes of men.



The Fourth Key -- Enochian



Othil lasdi babge od dorpha Gohol G chis ge auauago cormp pd dsonf vi v-di-v Casarmi oali Map m Sobam ag cormpo c-rp-l Casarmg cro od zi chis od vgeg dst ca pi mali chis ca pi ma on Ionshin chis ta lo Cla Torgu Nor quasahi od F caosaga Bagle zi re nai ad Dsi od Apila Do o a ip Q-a-al ZACAR od ZAMRAN Obelisong rest-el aaf Nor-mo-lap.



The Fourth Key -- Phonetic



Otahil elasadi babaje, od dorepaha gohol: gi-cahisaje auauago coremepe peda, dasonuf vi-vau-di-vau? Casaremi oeli MEAPEME sobame agi coremepo carep-el: casaremeji caro-o-dazodi cahisa od vaugeji; dasata ca-pi-mali cahisa ca-pi-ma-on: od elonusahinu cahisa ta el-o CALAA. Torezodu nor-quasahi od fe-caosaga: Bagile zodir e-na-IAD: das iod apila! Do-o-a-ipe quo-A-AL, zodacare! Zodameranu obelisonugi resat-el aaf nor-mo-lapi!



The Fifth Key



The Fifth Key -- English



The mighty sownds haue entred in ye 3th Angle and are become as oliues in ye oliue mownt, looking wth gladnes vppon the earth and dwelling in the brightnes of the heuens as contynuall cumforters. vnto whome I fastened pillers of gladnes 19 and gaue them vessels to water the earth wth her creatures: and they are the brothers of the first and second and the beginning of their own sea[ts] which [are garnished with continually burning lamps] 69636 whose numbers are as the first, the endes, and ye contents of tyme. Therfore come you and obey your creation: viset vs in peace and cumfort: Conclude vs as receiuers of yor mysteries: for why? Our Lord and Mr is all One.



The Fifth Key -- Enochian



Sa pah zimii du-i-v od noas ta-qu-a-nis adroch dorphal Ca osg od faonts peripsol tablior Casarm amipzi na zarth af od dlugar zizop z-lida caosagi tol torg od z-chis e si asch L ta vi u od iaod thild ds peral hubar Pe o al soba cormfa chis ta la vis od Q-co-casb Ca nils od Darbs Q a as Feth-ar-zi od bliora ia-ial ed nas cicles Bagle Ge iad i L.



The Fifth Key -- Phonetic



Sapahe zodimii du-i-be, od noasa ta qu-a-nis, adarocahe dorepehal caosagi od faonutas peripeso ta-be-liore. Casareme A-me-ipezodi na-zodaretahe AFA; od dalugare zodizodope zodelida caosaji tol-toregi; od zod-cahisa esiasacahe El ta-vi-vau; od iao-d tahilada das hubare PE-O-AL; soba coremefa cahisa ta Ela Vaulasa od Quo-Co-Casabe. Eca niisa od darebesa quo-a-asa: fetahe-ar-ezodi od beliora: ia-ial eda-nasa cicalesa; bagile Ge-iad I-el!



The Sixth Key



The Sixth Key -- English



The spirits of ye 4th Angle are Nine, Mighty in the firmament of waters: whome the first hath planted a torment to the wicked and a garland to the righteous: [g]iving vnto them fyrie darts to vanne the earth and 7699 continuall Workmen whose courses viset with cumfort the earth and are in government and contynuance as the second and the third. Wherfore harken vnto my voyce: I haue talked of you and I move you in powre and presence: whose Works shalbe a song of honor and the praise of your God in your Creation.



The Sixth Key -- Enochian



Gah s di u chis em micalzo pil zin sobam El harg mir babalon od obloc samvelg dlugar malprg arcaosgi od Acam canal so bol zar f-bliard caosgi od chis a ne tab od miam ta vi v od d Darsar sol peth bi en B ri ta od zacam g mi calzo sob ha hath trian Lu ia he odecrin MAD Q a a on.



The Sixth Key -- Phonetic



Gahe sa-div cahisa EM, micalazoda Pil-zodinu, sobam El haraji mir babalonu od obeloce samevelaji, dalagare malapereji ar-caosaji od ACAME canale, sobola zodare fabeliareda caosaji od cahisa aneta-na miame ta Viv od Da. Daresare Sol-petahe-bienu Be-ri-ta od zodacame ji-micalazodo: sob-ha-atahe tarianu luia-he od ecarinu MADA Qu-a-a-on!



The Seventh Key



The Seventh Key -- English



The East is a howse of virgins singing praises amongst the flames of first glory wherein the Lord hath opened his mowth: and they are become 28 liuing dwellings in whome the strength of man reioyseth, and they are apparailed wth ornaments of brightnes such as work wunders on all creatures. Whose Kingdomes and continuance are as the Third and Fowrth Strong Towres and places of cumfort, The seats of Mercy and Continuance. O you Servants of Mercy: Moue, Appeare: sing prayses vnto the Creator and be mighty amongst vs. For to this remembrance is given powre and our strength waxeth strong in our Cumforter.



The Seventh Key -- Enochian



R a as isalman para di zod oe cri ni aao ial purgah qui in enay butmon od in oas ni para dial casarmg vgear chirlan od zonac Lu cif tian cors to vaul zirn tol ha mi Soba Londoh od miam chis tad o des vmadea od pibliar Othil rit od miam C no quol Rit ZACAR, ZAMRAN oecrimi Q a dah od o mi ca olz aaiom Bagle pap nor id lugam lonshi od vmplif vgegi Bigliad.



The Seventh Key -- Phonetic



Ra-asa isalamanu para-di-zoda oe-cari-mi aao iala-piregahe Qui-inu. Enai butamonu od inoasa NI pa-ra-diala. Casaremeji ujeare cahirelanu, od zodonace lucifatianu, caresa ta vavale-zodirenu tol-hami. Soba lonudohe od nuame cahisa ta Da o Desa vo-ma-dea od pi-beliare itahila rita od miame ca-ni-quola rita! Zodacare! Zodameranu! Iecarimi Quo-a-dahe od I-mica-ol-zododa aaiome. Bajireje papenore idalugama elonusahi--od umapelifa vau-ge-ji Bijil--IAD!



The Eighth Key



The Eighth Key -- English



The Midday, the first, is as the third heaven made of Hiacynet Pillers 26: in whome the Elders are become strong wch I haue prepared for my own righteousnes sayth the Lord: whose long contynuance shall be as bucklers to the stowping Dragon and like vnto the haruest of a Wyddow. How many ar there which remayn in the glorie of the earth, which are, and shall not see death, vntyll this howse fall and the Dragon synck? Come away, for the Thunders haue spoken: Come away, for the Crownes of the Temple and the coat of him that is, was, and shalbe crowned, are diuided. Come, appeare to the terror of the earth and to our comfort and of such as are prepared.



The Eighth Key -- Enochian



Bazmelo i ta pi ripson oln Na za vabh ox casarmg vran Chis vgeg dsa bramig bal to ha goho i ad solamian trian ta lol cis A ba i uo nin od a zi agi er rior Ir gil chis da ds pa a ox bufd Caosgo ds chis odi puran teloah cacrg isalman loncho od Vouina carbaf Niiso Bagle auauaga gohon Niiso bagle momao siaion od mabza Iad o i as mo mar poilp Niis ZAMRAN ci a o fi caosgo od bliors od corsi ta a bra mig.



The Eighth Key -- Phonetic



Bazodemelo i ta pi-ripesonu olanu Na-zodavabebe OX. Casaremeji varanu cahisa vaugeji asa berameji balatoha: goho IAD. Soba miame tarianu ta Iolacis Abaivoninu od azodiajiere riore. Irejila cahisa da das pa-aox busada Caosago, das cahisa od ipuranu telocahe cacureji oisalamahe lonucaho od Vovina carebafe? NIISO! bagile avavago hohon. NIISO! bagile momao siaionu, od mabezoda IAD oi asa-momare poilape. NIIASA! Zodameranu ciaosi caosago od belioresa od coresi ta a beramiji.



The Ninth Key



The Ninth Key -- English



A mighty garde of fire wth two edged swords flaming (which haue Viols 8 of Wrath for two tymes and a half: whose wings are of wormwood and of the marrow of salt,) haue stled their feete in the West and are measured with their Ministers 9996. These gather vp the moss of the earth as the rich man doth his threasor: cursed ar they whose iniquities they are in their eyes are milstones greater then the earth, and from their mowthes rune seas of blud: their heds are covered with diamond, and vppon their heds are marble sleus.* Happie is he on whome they frown not. For why? The God of righteousnes reioyseth in them! Come away, and not your Viols, for the tyme is such as requireth cumfort.



The Ninth Key -- Enochian



Mica oli bransg prgel napta ialpor ds brin efafafe P vonpho o l a ni od obza Sobca v pa ah chis tatan od tra nan balye a lar lusda so boln od chis hol q C no quo di cial v nal aldon mom caosgo ta las ollor gnay limlal Amma chiis Sobca madrid z chis ooanoan chiis auiny dril pi caosgin od od butmoni parm zum vi C nila Daziz e thamz a-childao od mirc ozol chis pi di a i Collal Vl ci nin a sobam v cim Bagle Iab baltoh chirlan par Niiso od ip ofafafe Bagle acosasb icorsca unig blior.



The Nineth Key -- Phonetic



Micaoli beranusaji perejala napeta ialapore, das barinu efafaje PE vaunupeho olani od obezoda, soba-ca upaahe cahisa tatanu od tarananu balie, alare busada so-bolunu od cahisa hoel-qo ca-no-quodi CIAL. Vaunesa aladonu mom caosago ta iasa olalore ginai limelala. Amema cahisa sobra madarida zod cahisa! Ooa moanu cahisa avini darilapi caosajinu: od butamoni pareme zodumebi canilu. Dazodisa etahamezoda cahisa dao, od mireka ozodola cahisa pidiai Colalala. Ul ci ninu a sabame ucime. Bajile? IAD BALATOHE cahirelanu pare! NIISO! od upe ofafafe; bajile a-cocasahe icoresaka a uniji beliore.



The Tenth Key



The Tenth Key -- English



The Thunders of Iudgment and Wrath are numbred and are haborowed in the North in the likenes of an oke, whose branches are Nests 22 of Lamentation and Weaping layd vp for the earth, which burn night and day: and vomit out the heds of scorpions and live sulphur myngled with poyson. These be the Thunders that 5678 tymes in ye 24th part of a moment rore [with a hundred mighty earthquakes and a thousand] tymes as many surges. which rest not neyther know any echoing* tyme here. One rock bringeth furth 1000, euen as the hart of man doth his thowghts. Wo, Wo, Wo, Wo, Wo, Wo, yea Wo be to the earth! For her iniquitie is, was and shalbe great! Come awaye: but not your noyses. * "Any echoing time between."



The Tenth Key -- Enochian



Coraxo chis cormp od blans Liucal aziazor paeb soba lilonon chis virq op eophan od salbrox cynixir faboan U nal chis Coust ds saox co casg ol oanio yor eors vohim gizyax od math cocasg plo si molui ds pa ge ip larag om droln matorb cocasb emna L patralx yolci math nomig momons olora gnay angelard Ohio ohio ohio ohio ohio ohio noib ohio caosgon Bagle madrid i zirop chiso drilpa Niiso crip ip nidali.



The Tenth Key -- Phonetic



Coraxo cahisa coremepe, od belanusa Lucala azodia-zodore paebe Soba iisononu cahisa uirequo OPE copehanu od racalire maasi bajile caosagi; das yalaponu dosiji od basajime; od ox ex dazodisa siatarisa od salaberoxa cynuxire faboanu. Vaunala cahisa conusata das DAOX cocasa ol Oanio yore vohima ol jizodyzoda od eoresa cocasaji pelosi molui das pajeipe, laraji same darolanu matorebe cocasaji emena. El pataralaxa yolaci matabe nomiji mononusa olora jinayo anujelareda. Ohyo! ohyo! ohyo! ohyo! ohyo! ohyo! noibe Ohyo! caosagonu! Bajile madarida i zodirope cahiso darisapa! NIISO! caripe ipe nidali!



The Eleventh Key



The Eleventh Key -- English



The Mighty Seat groaned and they were 5 thunders which flew into the East: and the Egle spake and cryed wth a lowde voyce, Come awaye: [and they gathered themselues together and became] the howse of death of whome it is measured and it is as they are, whose number is 31. Come away, for I haue prepared for you. Moue therfore, and shew your selues: open the Mysteries of your Creation: be frendely vnto me: for I am the servant of ye same yor God, the true wurshipper of the Highest.



The Eleventh Key -- Enochian



Ox i ay al holdo od zirom O Coraxo ds zddar ra asy od vab zir comliax od ba hal Niiso salman teloch Casar man holq od ti ta z-chis soba cormf i ga Niisa Bagle abramg noncp ZACARe ca od ZAMRAN odo cicle qaa Zorge lap zirdo noco Mad Hoath Iaida.



The Eleventh Key -- Phonetic



Oxiayala holado, od zodirome O coraxo das zodiladare raasyo. Od vabezodire cameliaxa od bahala: NIISO! salamanu telocahe! Casaremanu hoel-qo, od ti ta zod cahisa soba coremefa i ga. NIISA! bagile aberameji nonucape. Zodacare eca od Zodameranu! odo cicale Qaa! Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A!



The Twelfth Key



The Twelfth Key -- English



O you that rayng in the Sowth and are 28, The Lanterns of Sorrow, bynde vp yor girdles and viset vs. Bring down your trayn 3663 that the Lord may be magnified, whose name amongst you is Wrath. Moue, I say, and shew yor selues: open ye Mysteries of yor Creation: be frendely vnto me: for I am the servant of the same yor God, the true wurshipper of the Highest.



The Twelfth Key -- Enochian



Nonci dsonf Babage od chis ob hubaio tibibp allar atraah od ef drix fafen Mian ar E nay ovof soba do o a in aai i VONPH ZACAR gohus od ZAMRAM odo cicle Qaa Zorge, lap zirdo noco MAD Hoath Iaida.



The Twelfth Key -- Phonetic



Nonuci dasonuf Babaje od cahisa OB hubaio tibibipe: alalare ataraahe od ef! Darix fafenu MIANU ar Enayo ovof! Soba dooainu aai i VONUPEHE. Zodacare, gohusa, od Zodameranu. Odo cicale Qaa! Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A!



The Thirteenth Key



The Thirteenth Key -- English



O you swords of the Sowth which haue 42 eyes to styr vp the wrath of synn, making men drunken which are empty. Behold the promise of God and his powre which is called amongst you a Bitter Sting. Moue and shew your selues: open the Mysteryes of yor Creation: be frendly vnto me: for I am the servant of ye same yor God, the true wurshipper of the Highest.



The Thirteenth Key -- Enochian



Napeai Babgen ds brin vx ooaona lring vonph doalim eolis ollog orsba ds chis affa Micma isro MAD od Lonshitox ds ivmd aai GROSB ZACAR od ZAMRAN, odo cicle Qaa, zorge, lap zirdo noco MAD Hoath Iaida.



The Thirteenth Key -- Phonetic



Napeai Babajehe das berinu VAX ooaona larinuji vonupehe doalime: conisa olalogi oresaha das cahisa afefa. Micama isaro Mada od Lonu-sahi-toxa, das ivaumeda aai Jirosabe. Zodacare od Zodameranu. Odo cicale Qaa! Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A.



The Fourteenth Key



The Fourteenth Key -- English



O you sonns of fury, the dowghters of the lust, which sit vppon 24 seats, vexing all creatures of the earth with age, which haue vnder you 1636: behold the Voyce of God, the promys of him which is called amongst you Furye or Extreme Iustice. Moue and shew yor selues: open the Mysteries of yor Creation: be frendely vnto me: for I am the servant of the same your God, the true wurshipper of the Highest.



The Fourteenth Key -- Enochian



Noromi bagie pasbs oiad ds trint mirc ol thil dods tolham caosgo Ho min ds brin oroch Quar Micma bial oiad a is ro tox dsi vm aai Baltim ZACAR od ZAMRAN odo cicle Qaa, zorge, lap zirdo noco MAD, hoath Iaida.



The Fourteenth Key -- Phonetic



Noroni bajihie pasahasa Oiada! das tarinuta mireca OL tahila dodasa tolahame caosago Homida: das berinu orocahe QUARE: Micama! Bial' Oiad; aisaro toxa das ivame aai Balatima. Zodacare od Zodameranu! Odo cicale Qaa! Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A.



The Fifteenth Key



The Fifteenth Key -- English



O thow the governor of the first flame vnder whose wyngs are 6739 which weaue the earth wth drynes: which knowest the great name Righteousnes and the Seale of Honor. Moue and shew yor selues: open the Mysteries of yor Creation: be frendely vnto me: for I am the servant of the same your God, the true wurshipper of the High[e]st.



The Fifteenth Key -- Enochian



Ils tabaan li al prt casarman Vpahi chis darg dso ado caosgi orscor ds omax nonasci Baeouib od emetgis iaiadix ZACAR od ZAMRAN, odo cicle Qaa, zorge, lap zirdo noco MAD, hoath Iaida.



The Fifteenth Key -- Phonetic



Hasa! tabaanu li-El pereta, casaremanu upaahi cahisa DAREJI; das oado caosaji oresacore: das omaxa monasaci Baeouibe od emetajisa Iaiadix. Zodacare od Zodameranu! Odo cicale Qaa. Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A.



The Sixteenth Key



The Sixteenth Key -- English



O thow second flame, the howse of Iustice, which hast thy begynning in glory and shalt cumfort the iust: which walkest on the eart[h] with feete 8763 that vnderstand and separate creatures: great art thow in the God of Stretch Furth and Conquere. Moue and shew yor selues: open the Mysteries of yor Creation: be frendely vnto me: for I am the servant of the same your God, the true wurshipper of the Highest.



The Sixteenth Key -- Enochian



Ils viuialprt salman blat ds acro odzi busd od bliorax balit dsin-si caosg lusdan Emod dsom od tli-ob drilpa geh uls MAD zilodarp ZACAR od ZAMRAN odo cicle Qaa, zorge, lap zirdo noco MAD, hoath Iaida.



The Sixteenth Key -- Phonetic



Ilasa viviala pereta! Salamanu balata, das acaro odazodi busada, od belioraxa balita: das inusi caosaji lusadanu EMODA: das ome od taliobe: darilapa iehe ilasa Mada Zodilodarepe. Zodacare od Zodameranu. Odo cicale Qaa: zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A.



The Seventeenth Key



The Seventeenth Key -- English



O thow third flame whose whose wyngs are thorns to styr vp vexation and hast 7336 Lamps Liuing going before the[e], whose God is Wrath in Angre, gyrd vp thy loynes and harken. Moue and shew yor selues: open the Mysteries of yor Creation: be frendely vnto me: for I am the servant of the same your God, the true wurshipper of the Highest.



The Seventeenth Key -- Enochian



Ils do alprt soba vpa ah chis manba zixlay dodshi od brint Taxs hubaro tas tax ylsi, so bai ad I von po vnph Aldon dax il od toatar ZACAR od ZAMRAN odo cicle Qaa zorge lap zirdo Noco MAD hoath Iaida.



The Seventeenth Key -- Phonetic



Ilasa dial pereta! soba vaupaahe cahisa nanuba zodixalayo dodasihe od berinuta FAXISA hubaro tasataxa yolasa: soba Iad I Vonupehe o Uonupehe: aladonu dax ila od toatare! Zodacare od Zodameranu! Odo cicale Qaa! Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A.



The Eighteenth Key



The Eighteenth Key -- English



O thow mighty Light and burning flame of cumfort which openest the glory of God to the center of the erth, in whome the Secrets of Truth 6332 haue their abiding, which is called in thy kingdome Ioye and not to be measured: be thow a wyndow of cumfort vnto me. Moue and shew your selues: open the Mysteries of your Creation: be frendely vnto me: for I am the servant of the same your God, the true wurshipper of the Highest.



The Eighteenth Key -- Enochian



Ils Micail-z olprit ial prg Bliors ds odo Cusdir oiad o uo ars caosgo Ca sar mg La iad eran brints cafafam ds iumd a q lo a do hi MOZ od ma of fas Bolp comobliort pambt ZACAR od ZAMRAN odo cicle Qaa zorge lap zirdo Noco MAD, hoath Iaida.



The Eighteenth Key -- Phonetic



Ilasa micalazoda olapireta ialpereji beliore: das odo Busadire Oiad ouoaresa caosago: casaremeji Laiada ERANU berinutasa cafafame das ivemeda aqoso adoho Moz, od maoffasa. Bolape como belioreta pamebeta. Zodacare od Zodameranu! Odo cicale Qaa. Zodoreje, lape zodiredo Noco Mada, hoathahe I A I D A.



The Call or Key of the Thirty Aethyrs

The Thirty Names of the Aethyrs:

1. LIL 6. MAZ 11. ICH 16. LEA 21. ASP 26. DES

2. ARN 7. DEO 12. LOE 17. TAN 22. LIN 27. ZAA

3. ZOM 8. ZID 13. ZIM 18. ZEN 23. TOR 28. BAG

4. PAZ 9. ZIP 14. VTA 19. POP 24. NIA 29. RII

5. LAT 10. ZAX 15. OXO 20. CHR 25. VTI 30. TEX



The Call or Key of the Thirty Aethyrs -- English



O you heuens which dwell in the First Ayre, the mightie in the partes of the Erth, and execute the Iudgment of the Highest! To you it is sayd, Beholde the face of your God, the begynning of cumfort, whose eyes are the brightnes of the hevens: which prouided you for the gouernment of the Erth and her vnspeakable varietie, furnishing you wth a powr vnderstand to dispose all things according to the providence of Him that sitteth on the Holy Throne, and rose vp in the begynning, saying: the Earth let her be gouerned by her parts and let there be diuision in her, that the glory of hir may be allwayes drunken and vexed in it self. Her course, let it ronne wth the hevens, and as a handmayd let her serve them. One season let it confownd an other, and let there be no creature vppon or within her the same: all her members let them differ in their qualities, and let there be no one creature aequall wth an other: the reasonable Creatures of the Erth let them vex and weede out one an other, and the dwelling places let them forget thier names: the work of man, and his pomp, let them be defaced: his buyldings let them become caves for the beasts of the feeld. Confownd her vnderstanding with darknes. For why? It repenteth me I made Man. One while let her be known and an other while a stranger: bycause she is the bed of a Harlot, and the dwelling place of Him that is Faln. O you heuens arrise: the lower heuens vnder neath you, let them serve you! Gouern those that govern: cast down such as fall! Bring furth with those that encrease, and destroy the rotten! No place let it remayne in one number: ad and diminish vntill the stars be numbred! Arrise, Move, and Appere before the Couenant of his mowth, which he hath sworne vnto vs in his Iustice. Open the Mysteries of your Creation: and make vs partakers of Vndefyled Knowledg.





The Call of the Thirty Aethers -- Enochian



Madriax ds praf {Name of Aether, eg LIL} chis Micaolz saanir caosgo od fisis bal zizras Iaida nonca gohulim Micma adoian MAD I a od Bliorb sa ba ooaona chis Luciftias peripsol ds abraassa noncf netaa ib caosgi od tilb adphaht dam ploz tooat noncf gmi calzoma L rasd tofglo marb yarry I DOI GO od tor zulp ia o daf gohol caosga ta ba ord saanir od christeos yr poil ti ob l Bus dir tilb noaln pa id orsba od dodrmni zylna El zap tilb parm gi pe rip sax od ta qurlst bo o a pi S L nib m ov cho symp od Christeos Ag tol torn mirc q ti ob l Lel, Tom paombd dilzmo aspian, Od christeos Ag L tor torn parach a symp, Cord ziz dod pal od fifalz L s mnad od fargt bams omaoas Conisbra od auauox tonug Ors cat bl noasmi tab ges Leuith mong vnchi omp tilb ors. Bagle Mo o o ah ol cord ziz L ca pi ma o ix o maxip od ca co casb gsaa Baglen pi i tianta a ba ba lond od faorgt teloc vo v im Ma dri iax tirzu o adriax oro cha aboapri Tabaori priaz ar ta bas. A dr pan cor sta dobix Yol cam pri a zi ar coazior. Od quasb q ting Ripir pa a oxt sa ga cor. vm l od prd zar ca crg A oi ve a e cormpt TORZV ZACAR od ZAMRAN aspt sibsi but mona ds surzas tia baltan ODO cicle Qaa Od Ozama plapli Iad na mad.



The Call of the Thirty Aethers -- Phonetic



Madariatza das perifa {LIL} cahisa micaolazoda saanire caosago od fifisa balzodizodarasa Iaida. Nonuca gohulime: Micama odoianu MADA faoda beliorebe, soba ooaona cahisa luciftias peripesol, das aberaasasa nonucafe netaaibe caosaji od tilabe adapehaheta damepelozoda, tooata nonucafe jimicalazodoma larasada tofejilo marebe yareryo IDOIGO; od torezodulape yaodafe gohola, Caosaga, tabaoreda saanire, od caharisateosa yorepoila tiobela busadire, tilabe noalanu paida oresaba, od dodaremeni zodayolana. Elazodape tilaba paremeji peripesatza, od ta qurelesata booapisa. Lanibame oucaho sayomepe, od caharisateosa ajitoltorenu, mireca qo tiobela Iela. Tonu paomebeda dizodalamo asa pianu, od caharisateosa aji-latore-torenu paracahe a sayomepe. Coredazodizoda dodapala od fifalazoda, lasa manada, od faregita bamesa omaoasa. Conisabera od auauotza tonuji oresa; catabela noasami tabejesa leuitahemonuji. Vanucahi omepetilabe oresa! Bagile? Moooabe OL coredazodizoda. El capimao itzomatzipe, od cacocasabe gosaa. Bajilenu pii tianuta a babalanuda, od faoregita teloca uo uime. Madariiatza, torezodu!!! Oadariatza orocaha aboaperi! Tabaori periazoda aretabasa! Adarepanu coresata dobitza! Yolacame periazodi arecoazodiore, od quasabe qotinuji! Ripire paaotzata sagacore! Umela od perdazodare cacareji Aoiveae coremepeta! Torezodu! Zodacare od Zodameranu, asapeta sibesi butamona das surezodasa Tia balatanu. Odo cicale Qaa, od Ozodazodame pelapeli IADANAMADA!


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14:18 Dec 13 2006
Times Read: 1,081


Hekatês



Einodian Hekatên, klêizô, Trihoditin Erannên,

Ouranian, Chthonian, te kai Einalian, Krokopeplos.

Tymbidian, Psychais Nekyôn meta bakcheuosan,

Perseian, Philerêmon, agallomenên elaphoisi.

Nykterian, Skylakitin, amaimaketon Basileian.

Thêrobromon, Azôston, aprosmachon Eidos echousan.

Tauropolon, Pantos Kosmou Klêidouchon, Anassan,

Hêgemonên, Nymphên, Kourotrophon, Ouresiphoitin.

Lissomenos, Kourên, teletais hosiaisi pareinai,

Boukolôi eumeneousan aei kecharêoti thymôi.







To Hekatê



Hekatê of the Path, I invoke Thee, Lovely Lady of the Triple Crossroads,

Celestial, Chthonian, and Marine One, Lady of the Saffron Robe.

Sepulchral One, celebrating the Bakchic Mysteries among the Souls of the Dead,

Daughter of Persês, Lover of Solitude, rejoicing in deer.

Nocturnal One, Lady of the Dogs, invincible Queen.

She of the Cry of the Beast, Ungirt One, having an irresistible Form.

Bullherder, Keeper of the Keys of All the Universe, Mistress,

Guide, Bride, Nurturer of Youths, Mountain Wanderer.

I pray Thee, Maiden, to be present at our hallowed rites of initiation,

Always bestowing Thy graciousness upon the Boukolos.



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