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Origin of the werewolf myth
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Lykeros
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05:29:48 Jun 28 2009
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I read this theory on the origin of werewolves recently and found it interesting given the asetian vampire ideas I have read or heard about.

Do you think this could be a possible theory as to where the myth came from? Why?

If not, what do you think the origin of the myth is?


Source:
http://werewolves.monstrous.com/egypt.htm

In 1990, Werewolf researcher Hugh H. Trotti offered a highly original explanation of the Werewolf myth. He noted that the ancient Egyptian cult of Anubis, whose priests wore a wolf-like mask representing this jackal-headed god of death, eventually became established in Rome where Anubis became known as Hermanubis.

By the 1st century AD, moreover, many statues of jackal-headed humans representing Hermanubis had been erected there.

Accordingly, as suggested by Trootti, Germanic troops recruited into the Roman armies who saw preists of Hermanubis wearing their lupine masks, and who also observed the jackal-headed statues would certainly have remembered and referred to them long after the fall of the Roman empire. In turn, it would not be difficult for distorted accounts of these priests and statues to give rise in time to stories of men who could transform into wolves.




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AdurnaLoivissA
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07:19:02 Jun 28 2009
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it does seem highly logical that throughout the years that people seeing these statues could have been mistaking them for a "werewolf" of sorts ... but a more specific question would get you a more defined answer...



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LordWolf
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08:31:19 Jun 28 2009
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but various shape changers are discussed in the folklore of almost every culture on earth.
in scandiavia there were warriors known as the barsark and the ulfsark (the bearshirt and the wolfshirt). some of the tales have them literally turning into a bear or a wolf. that said, i dont think that the norse had a connection to egypt prior to the first belief in these beings.
~W~



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Daeva
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06:32:12 Jun 29 2009
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There are numerous books on the werewolf and lycanthropy but still most historians will state that Sabine Baring-Goulds is by far one of the best and been around a long time. It has most of the legends. It's called The Book Of Werewolves. She brings up often the berserkers who wore wolf skins and were known to be ruthless fighters. Many thought because they became so wolf like in battle and some of the things they did that they were actually able to change into wolves.

I am just putting an excerpt from Wikipedia. Most copy what they say all over the net, lol.

Berserkers (or Berserks) were Swedish and Norse warriors who wore coats of wolf or bear skin and were commonly understood to have fought in an uncontrollable rage or trance of fury, hence the modern word berserk. It is also likely they were called Berserkers because of their close relation to bears and the fact that they wore a "serk" of bearfurs. Serk simply meant a dress in the old Nordic language.

The Úlfhéðnar (singular Úlfhéðinn) mentioned in the Vatnsdœla saga, Haraldskvæði and the Völsunga saga were said to wear the pelt of a wolf upon their heads when they entered battle (e.g., Bernhari, Haimric, Hlodwig, Theudberga, Warinhari). Úlfhéðnar are sometimes described as Odin's special warriors, with the pelt from a wolf and a spear as distinguishing features."

Now even though they are mentioning bear pelts here they did wear wolf as well and were known to howl like a wolf when going into battle.


Here is a little more:

Debate has centered on the meaning of the word itself. Berserker could mean "bare shirt," that is, naked; berserkers, as a mark of ferocity and invincibility, are said to have fought without needing armor. The word, however, may also mean "bear-shirt," reflective of the shape and nature of the bear assumed by these warriors. More literally, it may refer to protective bearskins that such warriors may have worn into battle. When the "berserker rage" was upon him, a berserker was thought of as a sort of "were-bear" (or werewolf), part man, part beast, who was neither fully human nor fully animal. Although not specifically so called, Bodvar Bjarki is a berserker of sorts. He appears at Hrolf's final battle in the form of a huge bear, invulnerable to weapons. In both his invulnerability and his ability to change shape, Bodvar also displays preternatural abilities resembling those of Odinic champions.

http://www.viking.ucla.edu/hrolf/berserkers.html

I believe it came out of Scandinavia really and spread throughout Europe as the Vikings conquered many cultures.

You can find Baring-Gould's book translated and in Project Gutenberg. There is no copyright on the original writing in the US so they have it there.



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cadrewolf
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19:10:54 Jun 29 2009
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It possibly could add the the werewolf lore, yet perception or myth does date back a little earlier than that.



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Kerai
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19:57:30 Jun 29 2009
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thats true but the question is... could the myth be true?



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cadrewolf
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20:05:06 Jun 29 2009
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myths are so not written that facts or lores or myths are hard to say that they are true. to many lost interpetations are given to these.



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Kerai
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20:15:40 Jun 29 2009
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good response. what is your thought on or capapility to find the truth about this?



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cadrewolf
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22:13:01 Jun 29 2009
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Have looked for some insight on the myths. many pages on the web only speculate a time of the origin of the werewolf. i am sure others will post to help you out. I once posted this same question to vr and yet the origins of the myth started and calculation on when it began comes up different depending on the post.



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Revenous
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02:49:32 Jun 30 2009
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Makes you think, what if their is a derivation or evolution of different species like the break between humans and primates, what if an equivalent separation happened with reptiles or any other specie such as a wolf or crocodile, with the capability of reason like us, and seemed as demons, werewolves, bigfoot, etc... In early/present times, and some were hunted...just a thought.



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S0RVENA
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08:48:17 Jun 30 2009
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I think that it is and has always been around since man and animal walked the Earth together. I have been told different things through the years about Lycanthropes, or the shapeshifter, and as stated above, it is well known through many cultures. It is to me, when man and animal learn from one another and soulfully embrace each other in a great spiritual way.



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Ahriman
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10:36:27 Jun 30 2009
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In the "Member Articles" section you can find and article submitted by yours truly, "Dacians and Lycans", regarding this very problem...



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cadrewolf
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16:50:49 Jun 30 2009
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S0RVENA great post

Through out history it seem the fasination or kinship has been with animals and humans. So remarkably the myths of such things probably has been around since the connection had been made.



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Lightningsking
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17:16:50 Jul 01 2009
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A myth is just that until there is absolute proof. I have not heard of any proof that they exist yet. So for now its up to each individual as to if they believe it to be fact or myth



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cadrewolf
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18:19:53 Jul 01 2009
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Myths and lores seldom give proof , just in books or fables or sight of something. yet myths make us search for the truth.



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Bloodmother
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05:17:39 Jul 03 2009
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Wolves were known to dig up dead human bodies and for this reason corpses were often buried on islands, such as Handa off the north-west coast of Scotland. The church often associated them with the devil, giving even stronger incentive for their eradication. Along with fear, oftentimes comes a begrudging respect. This combined with known adoptions of infant humans by wolves could have contributed to the mythos.



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Saetan
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06:04:18 Jul 03 2009
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http://www.crystalinks.com/werewolves.html

Wolf

Iron ore grew out of the claw-prints of the wolf.
"On the fen a wolf was running And a bear upon the moorland; Under the wolf the bog was quaking And the moor beneath old bruin. There the iron ore arose 100 And the bars of steel grew up In the clawprints of the wolf, In the heelprints of the bear. -Runo 9
"Now he came upon the wolf tracks And the heelprints of the bear, Saw a sprouting crop of iron With some clinging lumps of steel In the wolfs enormous footprints, In the palmprints of the bear." -Runo 9


A werewolf in folklore and mythology is a person who shapeshifts into a wolf, either purposely, by using magic, or after being placed under a curse. The medieval chronicler Gervase of Tilbury associated the transformation with the appearance of the full moon, but this concept was rarely associated with the werewolf until the idea was picked up by modern fiction writers. Most modern references agree that a werewolf can be killed if shot by a silver bullet, although this is more a reflection of fiction's influence than an authentic feature of the folk legends. A werewolf allegedly can be killed by complete destruction of heart or brain; silver isn't necessary.

History of the Werewolf

Many European countries and cultures have stories of werewolves, including France (loup-garou), Greece (lycanthropos), Spain (hombre lobo), Bulgaria (varkolak, vulkodlak), Czech Republic (vlkodlak), Serbia (vukodlak), Russia (oboroten' , vurdalak), Ukraine (vovkulak(a),vovkun, pereverten' ), Croatia (vukodlak), Poland (wilkolak), Romania (varcolac), Scotland (werewolf, wulver), England (werwolf), Ireland (faoladh or conriocht), Germany (Werwolf), Denmark/Sweden (Varulv), Galicia(lobisÛn),, Portugal(( lobisomem)) Lithuania (vilkolakis and vilkatlakis), Latvia (vilkatis and vilkacis), Andorra (home llop), Estonia (libahunt), Argentina (lobizon, hombre lobo) and Italy (lupo mannaro). In northern Europe, there are also tales about people changing into animals including bears and wolves.

IIn Norse mythology, the legends of Ulfhednar (an Old Norse term for a warrior with attributes parallel to those of a berserker, but with a lupine aspect rather than ursine; both terms refer to a special type of warrior capable of performing feats far beyond the abilities of normal people. Historically, this was attributed to possession by the spirit of an animal) mentioned in Haraldskvaeoi and the Volsunga saga may be a source of the werewolf myths. These were vicious fighters analogous to the better known berserker, dressed in wolf hides and said to channel the spirits of these animals, enhancing their own power and ferocity in battle; they were immune to pain and killed viciously in battle, like a wild animal. They are both closely associated with Odin.

In Latvian mythology, the Vilkacis was a person changed into a wolf-like monster, though the Vilkacis was occasionally beneficial.

A closely related set of myths are the skin-walkers. These myths probably have a common base in Proto-Indo-European society, where the class of young, unwed warriors were apparently associated with wolves.

Shape-shifters similar to werewolves are common in myths from all over the world, though most of them involve animal forms other than wolves.

In Greek mythology the story of Lycaon supplies one of the earliest examples of a werewolf legend. According to one form of it Lycaon was transformed into a wolf as a result of eating human flesh; one of those who were present at periodical sacrifice on Mount Lycaon was said to suffer a similar fate.

The Roman Pliny the Elder, quoting Euanthes, says that a man of Anthus' family was selected by lot and brought to a lake in Arcadia, where he hung his clothing on an ash tree and swam across. This resulted in his being transformed into a wolf, and he wandered in this shape nine years. Then, if he had attacked no human being, he was at liberty to swim back and resume his former shape. Probably the two stories are identical, though we hear nothing of participation in the Lycaean sacrifice by the descendant of Antaeus.

Herodotus in his Histories tells us that the Neuri, a tribe he places to the north-east of Scythia were annually transformed for a few days, and Virgil is familiar with transformation of human beings into wolves. In the novel Satyricon, written about year 60 by Gaius Petronius, one of the characters recites a story about a man who turns into a wolf during a full moon.

There are women, so the Armenian belief runs, who in consequence of deadly sins are condemned to pass seven years in the form of a wolf. A spirit comes to such a woman and brings her a wolf's skin. He orders her to put it on, and no sooner has she done this than the most frightful wolfish cravings make their appearance and soon get the upper hand. Her better nature conquered, she makes a meal of her own children, one by one, then of her relatives' children according to the degree of relationship, and finally the children of strangers begin to fall as prey to her. She wanders forth only at night, and doors and locks spring open at her approach. When morning draws near she returns to human form and removes her wolf skin. In these cases the transformation was involuntary or virtually so. But side by side with this belief in involuntary metamorphosis, we find the belief that human beings can change themselves into animals at will and then resume their own form.

France in particular seems to have been infested with werewolves during the 16th century, and the consequent trials were very numerous. In some of the cases - e.g. those of the Gandillon family in the Jura, the tailor of Chalons and Roulet in Angers, all occurring in the year 1598 - there was clear evidence against the accused of murder and cannibalism, but none of association with wolves; in other cases, as that of Gilles Garnier in Dole in 1573, there was clear evidence against some wolf, but none against the accused.

Yet while this lycanthropy fever, both of suspectors and of suspected, was at its height, it was decided in the case of Jean Grenier at Bordeaux in 1603 that lycanthropy was nothing more than an insane delusion. From this time the loup-garou gradually ceased to be regarded as a dangerous heretic, and fell back into his pre-Christian position of being simply a "man-wolf-fiend".

The lubins or lupins of France were usually female and shy in contrast to the aggressive loup-garous.

In Prussia, Livonia and Lithuania, according to the bishops Olaus Magnus and Majolus, the werwolves were in the 16th century far more destructive than "true and natural wolves", and their heterodoxy appears from the Catholic bishops' assertion that they formed "an accursed college" of those "desirous of innovations contrary to the divine law".

The wolf was still extant in England in 1600, but had become extinct by 1680. At the beginning of the 17th century the punishment of witchcraft was still zealously prosecuted by James I of England, and that pious monarch regarded "warwoolfes" as victims of delusion induced by "a natural superabundance of melancholic".

Many of the werewolves in European tradition were most innocent and God-fearing persons, who suffered through the witchcraft of others, or simply from an unhappy fate, and who as wolves behaved in a truly touching fashion, fawning upon and protecting their benefactors. In Marie de France's poem Bisclaveret (c. 1200), the nobleman Bisclavret, for reasons not described in the lai, had to transform into a wolf every week. When his treacherous wife stole his clothing, needed to restore his human form, he escaped the king's wolf hunt by imploring the king for mercy, and accompanied the king thereafter. His behavior at court was so gentle and harmless than when his wife and her new husband appeared at court, his attack on them was taken as evidence of reason to hate them, and the truth was revealed. Others of this sort were the hero of William and the Werewolf (translated from French into English about 1350), and the numerous princes and princesses, knights and ladies, who appear temporarily in beast form in the German fairy tales, or Marchen.

Indeed, the power of transforming others into wild beasts was attributed not only to malignant sorcerers, but also to Christian saints. Omnes angeli, boni et mali, ex virtute naturali habent potestatem transmutandi corpora nostra ("All angels, good and bad have the power of transmutating our bodies") was the dictum of St. Thomas Aquinas. St. Patrick transformed Vereticus, a king in Wales, into a wolf; and St. Natalis cursed an illustrious Irish family with the result that each member of it was doomed to be a wolf for seven years. In other tales the divine agency is still more direct, while in Russia, again, men are supposed to become werewolves through incurring the wrath of the devil.

Some werewolf lore is based on documented events. The Beast of Gévaudan was a creature that reportedly terrorized the general area of the former province of Gévaudan, in today's Lozère département, in the Margeride Mountains in south-central France, in the general timeframe of 1764 to 1767. It was often described as a giant wolf and was said to attack livestock and humans indiscriminately.

In the late 1990s, a string of man-eating wolf attacks were reported in Uttar Pradesh, India. Frightened people claimed, among other things, that the wolves were werewolves.

Becoming a Werewolf

Historical legends describe a wide variety of methods for becoming a werewolf. One of the simplest was the removal of clothing and putting on a belt made of wolf skin, probably a substitute for the assumption of an entire animal skin which also is frequently described.

In other cases the body is rubbed with a magic salve.

To drink water out of the footprint of the animal in question or to drink from certain enchanted streams were also considered effectual modes of accomplishing metamorphosis.

Olaus Magnus says that the Livonian werewolves were initiated by draining a cup of specially prepared beer and repeating a set formula.

Ralston in his Songs of the Russian People gives the form of incantation still familiar in Russia. It is also said that the seventh son of the seventh son will become werewolf.

Another is to be directly bitten by a werewolf, where the saliva enters the blood stream.

In Galician, Portuguese and Brazilian folklore, it is the seventh of the sons (but sometimes the seventh child, a boy, after a line of six daughters) who becomes a werewolf. This belief was so extended in Northern Argentina (where it is called the "lobizón"), that seventh sons were abandoned, ceded in adoption or killed. A law from 1920 decreed that the President of Argentina is the godfather of every seventh son. Thus, the State gives him a gold medal in his baptism and a scholarship until his 21st year. This ended the abandonments, but it is still traditional that the President godfathers seventh sons.

Various methods also existed for removing the beast-shape. The simplest was the act of the enchanter (operating either on himself or on a victim), and another was the removal of the animal belt or skin. To kneel in one spot for a hundred years, to be reproached with being a werewolf, to be saluted with the sign of the cross, or addressed thrice by baptismal name, to be struck three blows on the forehead with a knife, or to have at least three drops of blood drawn have also been mentioned as possible cures. Many European folk tales include throwing an iron object over or at the werewolf, to make it reveal its human form.

In other cases the transformation was supposed to be accomplished by Satanic agency voluntarily submitted to, and that for the most loathsome ends, in particular for the gratification of a craving for human flesh. "The werwolves," writes Richard Verstegan (Restitution of Decayed Intelligence, 1628), "are certayne sorcerers, who having annoynted their bodies with an oyntment which they make by the instinct of the devil, and putting on a certayne inchaunted girdle, doe not onely unto the view of others seeme as wolves, but to their owne thinking have both the shape and nature of wolves, so long as they weare the said girdle. And they do dispose themselves as very wolves, in wourrying and killing, and most of humane creatures." Such were the views about lycanthropy current throughout the continent of Europe when Verstegan wrote. The ointments and salves in question may have contained hallucinogenic agents.

Becoming a werewolf simply by being bitten by another werewolf as a form of contagion is common in modern fiction, but rare in legend, in which werewolf attacks seldom left the victim alive to transform.[edit]

Theories of Origin

A recent theory has been proposed to explain werewolf episodes in Europe in the 18th and 19th centuries. Ergot, which causes a form of foodborne illness, is a fungus that grows in place of rye grains in wet growing seasons after very cold winters. Ergot poisoning usually affects whole towns or at least poor areas of towns and results in hallucinations, mass hysteria and paranoia, as well as convulsions and sometimes death. (LSD can be derived from ergot.)

Ergot poisoning has been proposed as both a cause of an individual believing that he or she is a werewolf and of a whole town believing that they had seen a werewolf. However, this theory is controversial and unsatisfactory. Witchcraft hysteria and legends of animal transformations, as well as hysteria and superstition in general, have existed across the world for all of recorded history. Even if ergot poisoning is found to be an accurate explanation in some cases, it cannot be applied to all instances. An over-reliance on any one theory denies the diversity and complexity of such occurrences.

Some modern researchers have tried to use conditions such as rabies, hypertrichosis (excessive hair growth over the entire body) or porphyria (an enzyme disorder with symptoms including hallucinations and paranoia) as an explanation for werewolf beliefs. Congenital erythropoietic porphyria has clinical features which include photosensitivity (so sufferers only go out at night), hairy hands and face, poorly healing skin, pink urine, and reddish colour to the teeth.

There is also a rare mental disorder called clinical lycanthropy, in which an affected person has a delusional belief that he or she is transforming into another animal, although not always a wolf or werewolf.

Others believe werewolf legends arose as a part of shamanism and totem animals in primitive and nature-based cultures.

The term therianthropy has been adopted to describe a spiritual concept in which the individual believes he or she has the spirit or soul, in whole or in part, of a non-human animal.

Werewolves in Modern Fiction

The process of transmogrification is portrayed in many films and works of literature to be painful. The resulting wolf is typically cunning but merciless, and prone to killing and eating people without compunction regardless of the moral character of the person when human. The form a werewolf takes is not always an ordinary wolf, but is often anthropomorphic or may be otherwise larger and more powerful than an ordinary wolf.

Many modern werewolves are also supposedly immune to damage caused by ordinary weapons, being vulnerable only to silver objects (usually a bullet or blade). This negative reaction to silver is sometimes so strong that the mere touch of the metal on a werewolf's skin will cause burns. Current-day werewolf fiction almost exclusively involves lycanthropy being either a hereditary condition or being transmitted like a disease by the bite of another werewolf.

More recently, the portrayal of werewolves has taken an even more sympathetic turn in some circles. With the rise of environmentalism and other back-to-nature ideals, the werewolf has come to be seen by some authors as a representation of humanity allied more closely with nature.



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TormentedOne
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00:41:21 Jul 28 2009
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i think that it's highly probable that this how the myth of werwolves started.



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Saetan
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Actually I have read something that the first two werewolves mentioned in history were Fenrir and his sons Skoll and Hati - I do not know if this is true or not but supposedly they were the first known werewolves or where the first myths about them originated. I decided to post this here as a reference although this is not the piece that I read about it.


There are 5 Wolves in Norse Mythology.


Because Norse mythology was transmitted and altered by medieval Christian historians, the original pagan religious beliefs, attitudes, and practices cannot be determined with certainty. Clearly, however, Norse mythology developed slowly, and the relative importance of different gods and heroes varied at different times and places.

The best source of understanding for us comes from Snorri Sturluson in Gylfaginning – or HERE BEGINS THE BEGUILING OF GYLFI.

The Gylfaginning tells the story of Gylfi, a king of "the land that men now call Sweden", who after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so king Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon three men; Hárr (High), Janhárr (Just-As-High), and Thridi (Third).

Gangleri is then challenged to show his wisdom by asking questions, as is the custom in many Norse sagas. Each question made to High, Just-As-High, and Third is about an aspect of the Norse mythology or its gods, and also about the creation and destruction of the world (Ragnarök). In the end all the palace and its people just vanish and Gylfi is left standing on empty ground. It is then implied that as Gylfi returns to his nation, he retells the tales he was told.

In the story Ganglei asked about the creation of the Sun and the Moon and why they move at such a fast pace.
Hárr answered: "A certain man was named Mundilfari, who had two children; they were so fair and comely that he called his son Moon, and his daughter Sun, and wedded her to the man called Glenr. But the gods were incensed at that insolence, and took the brother and sister, and set them up in the heavens; they caused Sun to drive those horses that drew the chariot of the sun, which the gods had fashioned, for the world's illumination, from that glowing stuff which flew out of Múspellheim. Those horses are called thus: Early-Wake and All-Strong; and under the shoulders of the horses the gods set two wind-bags to cool them, but in some records that is called 'iron-coolness.' Moon steers the course of the moon, and determines its waxing and waning. He took from the earth-two children, called Bil and Hjúki, they that went from the well called Byrgir, bearing on their shoulders the cask called Sægr, and the pole Simul. Their father is named Vidfinnr. These children follow Moon, as may be seen from the earth."

XII. Then said Gangleri: "The sun fares swiftly, and almost as if she were afraid: she could not hasten her course any the more if she feared her destruction." Then Hárr made answer: "It is no marvel that she hastens furiously: close cometh he that seeks her, and she has no escape save to run away." Then said Gangleri: "Who is he that causes her this disquiet?" Hárr replied: "It is two wolves; and he that runs after her is called Skoll; she fears him, and he shall take her. But he that leaps before her is called Hati Hródvitnisson. He is eager to seize the moon; and so it must be."

Gangleri also asked about the feasts for the champions who came to Valhalla and learned about the two wolves who were companions of Odin:

Then said Gangleri: "Has Odin the same fare as the champions?" Hárr answered: "That food which stands on his board he gives to two wolves which he has, called Geri the Ravenous and Freki the Greedy, but no food does he need; wine is both food and drink to him; so it says here:

Geri and Freki | the war-mighty glutteth,
The glorious God of Hosts;
But on wine alone | the weapon-glorious
Odin aye liveth.

The most famous wolf in Norse mythology is Fenrir (or Fenris). His is portrayed as a gigantic and terrible monster in the shape of a wolf. He is the eldest child of Loki and the giantess Angrboda. The gods learned of a prophecy which stated that the wolf and his family would one day be responsible for the destruction of the world. They caught the wolf and locked him in a cage. Only the god of war, Tyr, dared to feed and take care of the wolf.

When he was still a pup they had nothing to fear, but when the gods saw one day how he had grown, they decided to render him harmless. However, none of the gods had enough courage to face the gigantic wolf. Instead, they tried to trick him. They said the wolf was weak and could never break free when he was chained. Fenrir accepted the challenge and let the gods chain him. Unfortunately, he was so immensely strong that he managed to break the strongest fetters as if they were cobwebs.

After that, the gods saw only one alternative left: a magic chain. They ordered the dwarves to make something so strong that it could hold the wolf. The result was a soft, thin ribbon: Gleipnir. It was incredibly strong, despite what its size and appearance might suggest. The ribbon was fashioned of six strange elements: the footstep of a cat; the roots of a mountain; a woman's beard; the breath of fishes; the sinews of a bear; and a bird's spittle.

The gods tried to trick the wolf again, only this time Fenrir was less eager to show his strength. He saw how thin the chain was, and said that was no pride in breaking such a weak chain. Eventually, though, he agreed, thinking that otherwise his strength and courage would be doubted. Suspecting treachery however, he in turn asked the gods for a token of good will: one of them had to put a hand between his jaws. The gods were not overly eager to do this, knowing what they could expect. Finally, only Tyr agreed, and the gods chained the wolf with Gleipnir. No matter how hard Fenrir struggled, he could not break free from this thin ribbon. In revenge, he bit off Tyr's hand.

Being very pleased with themselves, the gods carried Fenrir off and chained him to a rock (called Gioll) a mile down into the earth. They put a sword between his jaws to prevent him from biting. On the day of Ragnarok, Fenrir will break his chains and join the giants in their battle against the gods. He will seek out Odin and devour him. Vidar, Odin's son, will avenge his father by killing the wolf.

Fenrir:

In Norse mythology, Fenrir (Old Norse "fen-dweller"), Fenrisúlfr (Old Norse "Fenris wolf"[2]), or Hróðvitnir (Old Norse "fame-wolf") is a monstrous wolf. Fenrir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson. In both the Poetic Edda and Prose Edda, Fenrir is the father of the wolves Sköll and Hati Hróðvitnisson, and is foretold to kill the god Odin during the events of Ragnarök, but will in turn be killed by Odin's son Víðarr.

In the Prose Edda, additional information is given about Fenrir, including that, due to the gods' knowledge of prophecies foretelling great trouble from Fenrir and his rapid growth, the gods bound him, and as a result Fenrir bit off the right hand of the god Týr. Depictions of Fenrir have been identified on various objects, and scholarly theories have been proposed regarding Fenrir's relation to other canine beings in Norse mythology. Fenrir has been the subject of artistic depictions, and appears in literature.

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Fenrir is mentioned in three stanzas of the poem Völuspá, and in two stanzas of the poem Vafþrúðnismál. In stanza 40 of the poem Völuspá, a völva divulges to Odin that, in the east, an old woman sat in the forest Járnviðr, "and bred there the broods of Fenrir. There will come from them all one of that number to be a moon-snatcher in troll's skin".[4] Further into the poem, the völva foretells that Odin will be consumed by Fenrir at Ragnarök:

Then is fulfilled Hlín's
second sorrow,
when Óðinn goes
to fight with the wolf,
and Beli's slayer,
bright, against Surtr.
Then shall Frigg's
sweet friend fall.
In the stanza that follows, the völva describes that Odin's "tall child of Triumph's Sire" (Odin's son Víðarr) will then come to "strike at the beast of slaughter", and with his hands, he will drive a sword into the heart of "Hveðrungr's son", avenging the death of his father.

In the first of two stanzas mentioning Fenrir in Vafþrúðnismál, Odin poses a question to the wise jötunn Vafþrúðnir:

"Much I have travelled, much have I tried out,
much have I tested the Powers;
from where will a sun come into the smooth heaven
when Fenrir has assailed this one?"
In the stanza that follows, Vafþrúðnir responds that Sól (here referred to as Álfröðull), will bear a daughter before Fenrir attacks her, and that this daughter shall continue the paths of her deceased mother through the heavens.

At the end of the Heimskringla saga Hákonar saga góða, the poem Hákonarmál by the 10th century skald Eyvindr skáldaspillir is presented. The poem is about the fall of King Haakon I of Norway; although he is Christian, he is taken by two valkyries to Valhalla, and is there received as one of the Einherjar. Towards the end of the poem, a stanza relates sooner will the bonds of Fenrir snap than as good a king as Haakon shall stand in his place:

Unfettered will fare the Fenris Wolf
and ravaged the realm of men,
ere that cometh a kingly prince
as good, to stand in his stead.



Skoll and Hati:

Skoll - One of the two fierce wolves who pursued the sun and moon. The other is Hati.Their object was to swallow them so that the world might again be enveloped in its primeval darkness. Skoll is the wolf that chases the lightdisir Sun and her two horses. Hati runs in front of her.When nature dies before Ragnarok, Skoll finally gets to eat Sun. Skoll and Hati are sons of the Giantess of Iron Wood and Fenrir-wolf. Hati, also known ans Manegarm, is the most mighty wolf ever bred, Manegarm chases the Moon every night. In the battle of Ragnarok he finally catches the Moon. He eats corpses and spatter heavens with lifeblood. Manegarm was given birth by a Giantess in the Ironforest.

In Norse mythology, Sköll (Old Norse "treachery") is a wolf that chases the horses Árvakr and Alsviðr, that drag the chariot which contains the sun (Sol) through the sky every day, trying to eat her. Sköll has a brother, Hati, who chases Máni, the moon. At Ragnarök, both Sköll and Hati Hróðitnisson will succeed in their quests.

Sköll, in certain circumstances, is used as a heiti to refer indirectly to the father (Fenrir) and not the son. This ambiguity works in the other direction also, for example in Vafþrúðnismál, where confusion exists in stanza 46 where Fenrir is given the sun-chasing attributes of his son Sköll. This can mostly be accounted for by the use of Hróðvitnir and Hróðvitnisson to refer to both Fenrir and his sons.

Hati Hróðvitnisson

"Far away and long ago" (1920) by Willy Pogany.In Norse mythology, Hati Hróðvitnisson (first name meaning "He Who Hates, Enemy"[1]) is a wolf that according to Gylfaginning chases the Moon across the night sky, just as the wolf Sköll chases the Sun during the day, until the time of Ragnarök when they will swallow these heavenly bodies, after which Fenrir will break free from his bonds and kill Odin.

Hati's surname is Hróðvitnisson, attested in both Grímnismál and Gylfaginning, which indicates that he is the son of Fenrir, whose alternate name is Hróðvitnir ("Famous Wolf"). Hati's mother is the giantess, not named but mentioned in Völuspá and Gylfaginning, who dwells to the east of Midgard in the forest of Járnviðr ("Ironwood"). Snorri states that this giantess and witch bears many giants for sons, all in the form of wolves including one named Mánagarm ("Moon Hound") who shall swallow the Moon and is thus identified with Hati. From this passage it is also presumed that Sköll is Hati's brother.

Once the wolves swallow the moon and sun, Fenris will break his bonds and kill Odin.


Geri and Freki:

In Norse mythology, Geri and Freki (also Gere and Freke) are a pair of wolves, companions of the god Odin. Freki is translated as "Ravenous." Geri is "Greedy"

Snorri Sturluson in Gylfaginning indicates that it is to these wolves that Odin gives his food when in Valhalla, for he has no need of it himself, subsisting solely on mead. His source for this myth is stanza 19 of Grímnismál.

Hyndluljóð
In the poem Hyndluljóð or Lay of Hyndla, part of the Poetic Edda, there are two Frekis mentioned by the giantess Hyndla during her enumeration of the human ancestors of Óttar.


Valkyries

In Norse mythology, a valkyrie (from the Old Norse valkyrja, meaning "chooser of the slain") is one of a host of female figures who choose those who die in battle. The valkyries bring their chosen who have died bravely in battle to the afterlife hall of the slain, Valhalla, ruled over by the god Odin, where the deceased warriors become einherjar. There, when the einherjar are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens, and sometimes connected to swans.

Valkyries are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson; Njáls saga, a Saga of Icelanders written in the 13th century; Völsunga saga, a legendary saga composed in the 13th century from earlier traditional sources; throughout the poetry of skalds, in a 14th century charm, and in various runic inscriptions.

The Old English cognate terms wælcyrge and wælcyrie appear in several Old English manuscripts, and scholars have explored whether the terms are derived through Norse influence, or an indigenous tradition from Anglo-Saxon paganism. Archaeological finds have been theorized as depicting valkyries. Scholarly theories have been proposed about the relation between the valkyries, the norns, the dísir, and Germanic seeresses. In modern culture, valkyries have been the subject of works of art, musical works, video games, and poetry.



References

Big Bad Wolf
Maugrim
Werewolf

http://en.wikipedia.org/wiki/Geri_and_Freki
http://en.wikipedia.org/wiki/Hati
http://www.sunnyway.com/runes/gods3.html#S
http://www.sunnyway.com/runes/gods2.html
http://en.wikipedia.org/wiki/Sk%C3%B6ll
http://en.wikipedia.org/wiki/Fenrir
http://en.wikipedia.org/wiki/Warg
http://en.wikipedia.org/wiki/Valkyrie


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MaximusPain
MaximusPain
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02:27:41 Jul 28 2009
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Read this link.......


http://www.mythicalrealm.com/legends/werewolf.html



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Artume
Artume
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05:58:21 Jul 28 2009
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Just do yourself a flavor and reseach a historical figure apply named: King Lycan. You may get a couple of cross references from there.



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Artume
Artume
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07:27:02 Jul 28 2009
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LYKAON (or Lycaon) was an early king of Arkadia who lived in the time before the Great Deluge. He sought to test the divinity of Zeus by serving the god a slaughtered child--either his son Nyktimos, grandson Arkas, or a Molossian captive. Zeus was furious and overturning the table, destroyed the fifty sons of Lykaon with lightning-bolts, and turned the king into a wolf.

In the chronology of myth Lykaon was a contemporary of Deukalion, king of Thessalia, and Kekrops, king of Athens. His fifty sons founded and gave their names to the towns and villages of Arkadia. Lykaon was succeeded on the throne by his youngest son Nyktimos or grandson Arkas. Some say that Nyktimos was preserved by Gaia (the Earth) when his brothers were struck down by the lightning-bolts of Zeus, others that he was the child sacrificed by Lykaon who was afterwards resurrected by the gods (cf. the story of the sacrifice and resurrection of Pelops).

Taken from: Here

More info on king Lycan of Arcadia.



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LordFangor
LordFangor
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17:31:41 Jul 28 2009
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If one would simply go to my journal and read the potions and spells section, on making and unmaking a werewolf,one's curiosity would be satisfied. Then of course, following my simple, time proven directions, your werewolf would be realized!



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VotreLouve
VotreLouve

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17:36:55 Jul 28 2009
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Anyone have any good information on the Benandanti? That is one very interesting were-wolf myth.



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xXLEGIONXx
xXLEGIONXx
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17:51:55 Jul 28 2009
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I am a firm believer in native american religion.I am not saying that what you are asking is nonesense because in all things,there is a bit of truth beneath the lies.I am merely saying that i do believe that native americans were correct in the logic of our animalistic spirits transforming our bodies.With that in mind,The more we corrupt our minds the less likely it could have happened.



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