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7 entries this month
 

What`s a Vurdalak

21:01 May 31 2010
Times Read: 981


# The Russian word for “vampire” or “werewolf”

# A poem by Aleksandr Pushkin

# A short story by Alexey Tolstoi

# A Moscow rock band

# One third of Mario Bava’s 1963 Black Sabbath trilogy, starring Boris Karloff





COMMENTS

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Dragon Order or The Dragon Disorder?

01:48 May 31 2010
Times Read: 991


Recently a friend of mine brought to my sight a book with a very wrong orientation and stories that wants themselves to be accepted as a secret but true history.Well for every historian and for many people familiar with vampirism, magic and Wicca they are purely fantasy and maybe a dangerous one.



Prince Nicholas de Vere von Drakenberg

"The Dragon Legacy"



If you didn`t read it please don`t!First I had curiosity(it`s about a so called lineage of a dragon order based on noble blood or something), then I laughed A LOT and then I throw it because I was loosing my time.

The guy has no expertise in no field and mixes Scyths with Aryans and Celts with Summerians and Indians.



Plus he offers erroneous data about Vlad III Tepes(Dracula) based on Bram Stokers book.



So if you don``t want to read a book(lol) stay away from this one.

And if you see this "nobleman"`s face just stay away:



http://www.bibliotecapleyades.net/sociopolitica/esp_sociopol_dragoncourt_a.htm



COMMENTS

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The Prince invades Transilvania!

15:42 May 29 2010
Times Read: 1,000


No, not Dracula, this time the invasion is inversed and the vampires come from England to invade Trasilvania and transform it into a "civilized" land.

Maybe even dispose of all the vampires from the past.







Lately I discover more and more evidence (or should I say masked evidence), that the Prince Charles of United Kingdom is buying more and more territories in Transilvania.



He first liked Saxon little villages and he bought many of them using Romanian cultural associations with the main seat in London and financed through donations from Prince`s money.

Officially the Romanian newspapers have no proof of this until the great financial scandal that was linked with the Royal family.



The buying of the Saxon villages(yes, entire villages with hundreds of old Saxon houses) almost emptied already, because of the Romanian revolution from 1989, when a lot of Saxons left to live a better life in Germany, is nothing new. Romanian journalists insinuated that this secrecy was because of the princess needed a close zone to relax without being spied by the British press.If this is true I understand why those mentioned cultural foundations fought against the construction of a new road in Transilvania.

The pretext was that this will kill the animals from the forests who might pass. In reality the zone must stay isolated and hard to access for the Royal family to have more intimacy there.



Some will say that the Prince did a good and noble thing by buying ad restoring the old Saxon villages almost ruined by the indifference of the Romanian government.In reality there is no trace of altruism there.Instead of giving money to the authorities and constrain them (why not, we are an European state after all) to really use them at the European standards, they prefer to hide behind cultural associations and a Saxon heritage (this is too funny - the British crown never has proprieties in Transilvania and hardly diplomatic contacts) to create their own medieval type of propriety.



Maybe the Saxon originated prince should buy the Saxon villages from Germany too.I wonder if in this case the German government would be so eager to serve them(it`s the right term) and gladly receive his visit there as will happen soon(see the newspaper ZIUA for details here :http://www.ziare.com/articole/vizita+charles+romania).



Because the prince WILL visit Romania again.And he even officially built a house(doh, only ONE!) in a little Transilvanian village: Viscri.

The online press is talking even of a Foundation of the Prince but I can`t find anywhere on the Internet this phantom foundation(more ghosts? I thought we have enough in our country).However I am certain it exists in papers and even has some activity and serve as a little cover-up for the big secret scheme of the real Foundations of the Prince.



I would of never write this article if searching for old castles in Maramures(Transilvania) I wouldn`t find out that the Teleki castle from Coltau was bought from it`s new owners by one of the British foundation in a suspect silence.

This is not a Saxon heritage, but a real Hungarian nobleman estate.The village is not inhabited by Saxons and never was, so the Prince can`t talk here about his Saxon origins.

For details please see this site(it`s translated in English):



http://www.koltotur.home.ro/Eng/presentation.html



In a country plagued by communism and vampirized by the Russian Empire even now, such a tragic masquerade of both Prince Charles and the Romanian government is a tragic one.In this cold war that is not by far finished, we a small country endure great blows in our National entity.

In the Television nobody speaks anymore about the Romanian nation anymore.They all replace this term with the term of "population"!



This is not a minor thing and I posted this message for all the real Americans who are proud not of the political masquerade, but they are still the protectors(by their honest work and studies and by their ideals) of Liberty and Identity of all the free nations of the world and of all the enslaved ones.





*****








„pesemne dumneata pă nărod cu al căror sânge s-au hrănit şi s-au poleit tot neamul boieresc, îl socoteşti nimic, şi numai pe jefuitori îi numeri patrie... Dar cum nu socotiţi dumneavoastră că patria se cheamă poporul, iar nu tagma jefuitorilor“.





"that means that the people, which blood was the food for all the nobles, you consider it nothing, and only the great robbers you number them as Country ...But I am amazed that you don`t consider that The Country is the proper call for the people not the guild of robbers." (Tudor Vladimirescu, around 1820)











COMMENTS

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Bloodmother
Bloodmother
03:43 May 31 2010

Fascinating! More, please.



Question: If the villages are mostly abandoned, what would happen to them if they were not purchased, and perhaps rehabilitated by an outside source?



Forgive me if I've misunderstood what you've written.






Dragonrouge
Dragonrouge
21:09 May 31 2010

The government is decided to invest in tourism.So instead of stupid kitch project like Dracula Land (a sort of Disneyland vampire themed), they should invest in preserving the houses and restore the terrific Saxon villages who really look medieval.

This will attract tourists and you can even create an entire touristic village. I bet many people would love to spend a few weeks in a genuine medieval village with old architecture and close to the Transilvanian woods and mountains, far from the maddening crowd.



If the Prince really cares about the villages he should create a program together with the Romanian state, not to steal land at low prices.





xxEmaeraldxx
xxEmaeraldxx
19:24 Jun 01 2010

Maybe Prince Charles is planning a happy ever after? ;)





 

Le Dragon Rouge

11:41 May 29 2010
Times Read: 1,006




Searching for the book "The Vampire of Val-de-Garce", an old book by Leon Gozlan published in 1861, I discovered that one of his books is named "Le Dragon Rouge!

I found it in French and I`m gonna read it.

I hope to find it in English too, so I can put it on my journal for all to read.

COMMENTS

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Vampire City

04:18 May 29 2010
Times Read: 1,010


About "Vampire City" by Paul Feval (1867)





Photobucket






"As always I have my finger firmly on the pulse of the nation and have decided to laud the efforts of a Frenchman at the expense of the hard-won reputation of an Irishman.



Thankfully not in football though.



No, instead I would draw your attention to Paul Feval, whose Vampire City predates Stoker’s Dracula by thirty years. Written in 1867, but only finally published in 1875, Vampire City is the third in a series of short novels by the French author that employs the Undead. Feval lived almost as tragic a life as the sexually repressed Stoker, suffering bankruptcy twice due to either foolish investments or embezzlement. He also drew upon the same source for his vampire novels, a biblical scholar known as Calmet – Dissertations Sur Les Apparitions des Esprits et sur les Vampires (1746).



Whereas Stoker uses the vampire as a metaphor for British imperial fears regarding race, set within a world changed by the industrial revolution, Feval may be responsible for an early form of the literary mash-up, targeting the Gothic genre. The heroine of Vampire City is none other than Ann Radcliffe herself. The events described in the novel are served up as the apparent inspiration for such works as The Mysteries of Udolpho. This is an entertaining conceit, as very little is known of Radcliffe’s life, identified mostly in the text by the italicised ‘Elle’. Like Dracula the story is related to the reader through third party means, here the author’s friend Miss Jebb, the guardian of this hidden past, revealing all to Feval.



Opening with a rant on the capricious copyright infringement and theft of his own works by the English, the Frenchman goes so far as to point the finger at Queen Victoria for her introduction of measures to prevent such practices, saving only for ‘fair imitation’, which is protected under the law. So in effect, Ann Radcliffe and the Gothic novel is parodied by Feval in Vampire City as a curious sort of revenge. Brian Stableford in his introduction to my copy of the novel seeks to establish ‘Elle’, as a literary precursor of Buffy the Vampire Slayer. I don’t feel that is necessary, as by itself Vampire City is an amusing and delectable send-up of the Gothic genre.



Yet the book is not only a work of parody, drawing on fantastical descriptions, such as the titular city of Selene, that have an incredible visual flair. Ornate mausoleums, spiralling towers that glow green in the night, hundreds of statues of young maidens menaced by cruel beasts, Feval’s Vampire City easily eclipses the parlour rooms of polite society and moribund castle of Stoker’s Dracula.



What’s more, his description of the vampire is quite different from the now widely accepted version we know today. If anything it bears a disturbing resemblance to John Carpenter’s The Thing. The villain Monsieur Goetzi is not vulnerable to sunlight, garlic, or presumably crosses (though Feval does state that vampires are ‘a prodigious people which the wrath of God has placed in the margins of our world‘). He does not drain his victims blood by biting on the neck. Instead he employs a serrated tongue. His victims are then physically moulded, their bodies becoming pliable to his touch, into forms that amuse him. Finally they are bound in servitude to the vampire. Monsieur Goetzi himself is peculiar in that he is quite upwardly mobile, plotting to relieve Radcliffe’s childhood friend of her wealth and inheritance. His low standing among vampire society, made evident by his poorly decorated tomb in Selene, reminded me of the scene from Roman Polanski’s The Fearless Vampire Killers, where the similarly class conscious Shagal (Alfie Bass) is barred from placing his cheap coffin near the ostentatious tombs of undead aristocrats.



So Goetzi is that most hated of villains – the petit bourgeois who desires to improve his standing in the world. Feval also introduces a comic stage Irishman, Merry Bones, who inadvertently discovers how to kill the immortal ghouls while employing his traditional fighting technique of head-butting his opponent in the chest. I found myself laughing at this character’s Oirish brogue and frustration at how easily his English lord is duped by Goetzi. For a racial caricature Merry Bones is unusually competent, perhaps at the expense of his English social betters. Feval peppers the text with obsequious descriptions of the English, even a brief cameo from an angelic Lord Wellington, yet I cannot help but feel he is taking the piss.



Which lends itself to the overall enjoyment of Vampire City. It is an absurdist yarn, an exercise in parody, even pausing to speculate on why Gothic novels avoid the subject of bodily functions:



You are entitled to suppose that She ate meals, for her stomach was of the same superior quality as the rest of her being. She slept too, equally well, but these diverse functions and all those which debase our nature we shall pass over in silence. (pp. 44, trans. Brian Stableford)



It may be that Paul Feval’s time has finally come round again. We are seeing a glut of horror parodies – zombies in Austen; Bronte repackaged for teen vampire lit fans – why not Ann Radcliffe – Vampire Slayer?



Brian Stableford argues that the book represents an ‘alternate history’, of Radcliffe’s life, a fiction that Feval uses to explain the source of inspiration for the Gothic novel. My fascination with it also lies in the idea of the road not taken. What if it had been Feval’s novel, instead of Stoker’s, which captured the imagination of playwrights, film-makers and Mormons? What might that have been like?"





This was taken from:



http://www.somnopolis.net/2009/11/23/paul-fevals-vampire-city/

COMMENTS

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Strigoii

00:46 May 26 2010
Times Read: 1,023


eminescu strigoii


This is an old vampire poem written by one of our most loved poets: Mihai Eminescu.It was written in 1 December 1876.

If you like it, please give it a rate in the database here.





Strigoii

(Ghosts)






... for it fades away like smoke above the earth.

They bloomed like flowers, were cut like grass,

Wrapped up in a linen and buried in the ground



Within an ancient church with lofty soaring dome,

Between tall waxen candles, does in her coffin lie,

Her face towards the altar, wrapped in white drapery,

The bride of brave King Harold, the King of Avari,

While softly chanted dirges do from the darkness come.



Upon the dead girl's breast a wreath of jewels glows,

Her golden hair hangs loosely over the coffin side,

Her eyes are sunken deep; a sad smile sanctified

Rest on her parched lips, that death to mauve has dyed,

While is her lovely face as pale as winter snows.



Beside her on his knees is Harold, mighty King,

And from his bloodshot eyes does shine untold despair,

His mouth with pain is drawn, dishevelled is his hair.

Though like a lion he would roar, grief holds him silent there;

Three days he thinks upon his life in nameless sorrowing.



"I was still but a child. Within the pine-tree glade

My greedy eyes already had conquered many a land,

I dreamed an empire grow beneath my fancy's wand,

I dreamed the world entire was under my command,

The foaming Volga's ford I fathomed with my blade.



Countless mighty hosts my youthful zeal led forth

By whom as of some God my name was worshipped.

I felt the very earth tremble beneath my tread;

Before my marching hosts the wandering nations fled,

Crowding in their terror the empty frozen North.



For Odin had deserted his frosty ancient home,

Down long and tortuous ways his wandering people went;

Priests with snowy locks and backs that time had bent

Roused and led through forests where peace an age had spent

Thousand diverse tongues along the way to Rome.



One eve my troops I camped upon the Nistru's side,

Intending on the morrow your battle host to quell;

But there amidst your councillors I came beneath your spell;

Before your marble loveliness my eyes in wonder fell,

So fearless you stood, in all your childish pride.



Before your soft reproach my words dried on my tongue.

I strove to make an answer, but could no answer find.

Would earth have swallowed me, and left no trace behind,

My hands before my face I put my shame to blind,

And tears came to the eyes where tears had never sprung.



Your councillors did smile and soon departed then

To leave us quite alone. I asked you, after a space,

Though scarcely did I dare to look upon your face;

Why have you come, o Queen, into this desert place?

What do you seek so far away from courts and men?



In a murmur filled with tears, gentle and sad you spake

Holding me with your eyes in which the sky shone clear,

You said: "I beg of you, o King and cavalier,

To give to me as prisoner the one I hold most dear,

Harold, that untamed youth, him would I captive take."



Turning my head away, I handed you my sword.

My people ceased their march along the Danube side;

Harold no longer dreamed the universe to ride,

His ears for tender tones and poetry did abide,

The conqueror from that hour was vanquished by your word.



From then sweet maid with hair of gold as ripened grain

Each night you came to me when nobody should know,

And your white, slender arms around my neck did throw,

And raising coaxing lips to mine you said in whispers low:

"O, King, it is for Harold I come to beg again."



If you would ask for Rome, if you would ask the earth,

Or all the crowns that rest on mortal monarch's head,

The wandering stars that beam across the heavens shed,

There heaped about your feet would I bestow instead,

But do not ask for Harold for he is nothing worth.



Ah, where are gone the days when brave I probed the ford

To stride into the world. Far better had it been

If so much loveliness my eyes had never seen...

To ride through ruined towns, to lead the battle keen

And thus fulfil those dreams the pine-tree forest stored l"



The torches are raised up. The train moves slowly on.

The Danube Queen is carried down to her narrow bed,

Councillor and monarch with heavy drooping head,

Priests with snowy beards and eyes that tears shed,

Mumbling their dirge in mournful unison.



Beneath the arching vault the slow procession goes,

A mystery religion, a strange and sombre lore,

They lower down the coffin beneath the gaping floor,

Then close it with a cross, a seal for evermore,

Beneath the holy lamp that in the corner glows.



II

Be silent, in God's name,

To hear the bay

Of the earth-hound

Under the stone cross.



Harold on his charger sweeps far o'er hill and dale,

Like a dream he goes within the moon's pale zone;

Across his breast in folds his black cloak he has thrown,

Behind him drifts of leaves high in the air are blown,

While never straight before him the Polar Star does sail.



Reaching at last the forest that clothes the rising hills,

Where does a sweet spring murmur, well out from 'neath a stone,

Where grey with scattered ashes an old hearth stands alone,

Where far off in the forest the earth-hound sounds his tone

And with his distant barking he midnight silence fills.



Upon a rocky ledge, quite stiff and ashen faced,

There sits, with crutch in hand, a priest of pagan creed

For ages sits he thus, by death forgot indeed,

Moss growing on his forehead and on his breast long weed,

His beard reaching to the ground, his eyebrows to his waist.



Blindly thus for ages he sits both day and night,

Until his feet have grown one with the stone at last,

Numbering the days that numberless have passed,

While over him are circling in endless circles vast

Two crows on weary wings, one black, the other white.



And now upon his arm the youth doth sudden lay

His eager hand, and wakes the old priest terrified;

"To you, o timeless Seer, across the world I ride

To give me back the one that envious death does hide,

And all my days for you I will unceasing pray."



Now with his crutch the Seer his heavy eyebrows parts

And gazes on the King, but not an utterance makes.

Then out o'the stone's grey substance his feet with trouble

And turning towards the forest his battered crutch he shakes,

And lastly up the narrow path with heavy paces starts.



Upon the oaken doorway that guards the mountain keep

With crutch on high uplifted loud three times does he knock;

With thunderous commotion the gates slow backwards rock,

The priest kneels down... while through the young king's spirit flock

A thousand dreadful fears, and thousand terrors leap.



Into the lofty vault of shining marble black

They go. The door swings shut again with rumbling sound;

The Seer now lights a candle that spreads its glow around

And throws away behind them their shadows on the ground

And lights the sombre walls that shine like iron back.



There in the dreadful darkness they know not what will come...

The old magician makes a sign that he should bide,

And Harold crouches down, his sword clasped at his side,

While nameless, awful dread does through his spirit ride,

Blank gazing at the walls of that uncanny tomb.



Till soon the Seer did seem immeasurably to grow;

He waved kiss magic crutch above his ancient head,

And through the chilly vault a wind in wailing sped

And thousand whispering voices into the silence shed

A song the filled the dome with gentle cadence low.



And now the singing gradually increases like a breeze

Until with sudden swelling it to a tempest grows,

As though a gale that madly across the ocean blows,

As though the tortured soul of deepest earth arose

And all that lives and feels with horrid fright must freeze.



The mighty vault now trembles from ceiling to the floor,

The marble walls are rocking and crack right to their base

While through the darkness curses do sobs in panic chase,

And cries and moans and lightning amidst the tumult race

Till thunderous indeed has grown the wild uproar...



"Out of the heart of earth let man the dead awake,

And let the stars her eyes their pristine spark ignite,

Her golden hair the moon, like it was once, make bright,

While you, o Zamolxis, eternal seed of light,

With breath of fire and frost let her of life partake.



Search wide throughout the kingdom where Harold is the king

Search deep the very entrails of this revolving earth,

Out of ice make vapour, from stone make gold of worth,

Blood make out of water, and fire from rock give birth,

While in her maiden heart again let hot blood spring."



At that the walls enclosing withdraw before his eyes,

He sees the snow and lightning and ice as one conspire,

The sky, the wind, the water, the elements entire,

He sees a mighty city beneath a bridge of fire,

And over all a thunderstorm of wailing and of sighs.



He sees the Christian church bow 'neath the tempest's host,

He sees the falling lightning its bulwarks shatter through,

The secret tomb within wide open laid to view,

The covering stone of marble divided now in two

And out of that uncovered grave does rise... a ghost.



A thing of snow she is. Upon her bosom frail

A wreath of rubies glows, her hair to earth arrayed,

Her eyes sunk in her head, her lips of violet shade,

Her hands as though of wax upon her temples laid,

Her tender childish face as new slaked lime is pale.



The tumult of her coming does all the clouds dispel,

The lightning and the thunder out of the heavens fly,

The moon turns pitchy-black within a drooping sky,

The waters sink to nowhere and leave the oceans dry;

An angel in her sleep, it seems, who walks through hell.



The vision fades away. Before those gleaming walls,

A form does now approach, with smooth and silent stride;

'Tis she. Harold stares, amazed with joy, wide eyed,

Then reaches out his arms to clasp her to his side,

But in a sudden trance to earth unconscious falls.



He feels two icy hands clasp gently round his heart,

A long and freezing kiss is set upon his breast,

As though from him in sleeping his very life would wrest...

Then feels the life returning to her against him pressed

And knows that from that hour they nevermore will part.



'Tis verily the maid who in her coffin lay?

He feels in her the life yet ever warmer glow,

Till she around his neck her snowy arms does throw,

And raising coaxing lips she says in murmurs low;

"'O King, behold Maria for Harold comes to pray !



Come, Harold, your sweet brow against my bosom lean;

Thou god with eyes of darkness... how wonderful they shine!

But let me round your neck my golden hair entwine...

My life and youth your presence does in the sky enshrine.

O let me gaze into your eyes of sweet and fatal sheen."



And now a sound of voices does gradually awake,

A song that ancient sweetness upon the ear bestows,

As when a spring at autumn among the dead leaves flows,

A harmony of love, voluptuous repose,

As when in silver cadence the breeze enfolds the lake.



III

"... as often when people die, many of those

dead, they say, wake up to become ghosts..."



In high and empty halls the torches redly burn

Wounding like glowing coals the darkness they intrude;

Harold is striding there in madman's frenzied mood,

Harold, the youthful King; a King in solitude,

While all his palace seems to wait the dead return.



Upon the marble mirrors a heavy shadow rears

Through which the torches' glimmer shines as on silken net,

A twilight doubly mournful with sorrowing beset;

The empty palace chambers house naught but dark regret,

While out of every corner it seems a dead man peers.



Since when the dome was shattered by dreadful lightning stroke

The whole day long he passes in cold and leaden sleep,

Upon his heart was branded a symbol black and deep.

But in the night he rises and does his council keep,

And then the pallid king does don his gloomy cloak.



It seems that now a mask of wax King Harold wears,

So paled and so still the face his grief's conceal;

Yet burn his eyes like fires, his lips the blood reveal,

Upon his heart he carries a black and deadly seal,

While on his noble forehead an iron crown he bears.



Since then in death's dark garments he wraps his life forlorn,

He cares but for sad chants as does the tempest play;

Often 'neath the moon at midnight rides away,

And when he does return his eyes are bright and gay

Until death's shuddering voice will grasp him at the dawn.



Harold, what can mean this sombre funeral guise,

This face your wear like wax, so pale and motionless?

What is this seal, this scar that does your heart oppress,

Why do you light the funeral torch, love dirges of distress?

Harold, you are dead if I believe my eyes !



Today once more he mounts his fiery Arab horse

And o'er the wilderness he speeds with arrow's flight

While does the moon shine down her soft and silver light.

Now over the horizon Maria comes in sight,

And through the whispering forest the wind flies on its course.



Set in her golden hair a wreath of rubies gleams,

The light of many saints does in her large eyes sleep.

On towards the meeting place their chargers swiftly sweep.

They meet and each in greeting bows to the other deep

But on their scarlet lips are stains of blood it seems.



They gallop like the tempest with thousand wings, they fly

Speeding o'er the country their chargers side by side,

Speaking of their love that naught can more divide,

She rests upon his arm that is around her plied

And on his ready shoulder her golden head does lie.



"Come Harold, your sweet brow upon my bosom lean

Thou God with eyes of darkness... how beautiful they shine !

But let me round your neck my golden hair entwine...

My life and youth your presence does in the sky enshrine.

O let me gaze into your eyes of sweet and fatal sheen."



A soft and soothing scent is in the air dispersed,

A shower of lime-tree blossoms the wind in passing throws

Upon the way by which the Queen of Danube goes,

A murmuring of breezes among the petals blows,

While do in tender kiss unite their lips athirst.



Thus flying like the wind they each of love inquire,

Nor see beyond the night the dawn already glowing;

Yet in their souls they feel an icy shiver growing

And o'er their pallid faces a mask of death is showing

While slowly on their lips their whispered words expire.



"O Harold, on your breast allow my face to hide,

Do you not hear far off the cock's hoarse morning cry?

A spear of light that sprang athwart the eastern sky

To wound his fleeting life within my heart does pry;

Within my soul is born the ruddy fire of day."



Harold bolt upright was stricken like an oak,

His eyes forever veiled with death's eternal shade.

Their steeds fled on untended with panic dread afraid,

Like to a demon's shadow straight out of Hades strayed

They went... Among the trees a plaintive wind awoke.



They speed on like a whirlwind, cross rivers no bridge spanned.

Before their flying course the dawn-lit mountains gleam,

They traverse hill and valley, and many a fordless stream,

Upon their waxen foreheads their crowns like lightning beam,

While far away before them the pine-tree forests stand.



Now from his rocky throne the old magician spies

Their coming, and he calls above the tempest fray

The sun to check its course, the night its moon delay,

The gale to fly abroad, the earth its movement stay,

Too late... The rising sun is mounting up the skies.



The hurricane let loose a tale of pain relates

And sweeps along besides them to fill their steeds with dread;

Their eyes are dimmed and downcast, the fire in them is shed,

Beautiful their dying, in death forever wed.

Now, widely swinging, open the temple's double gates.



They ride into the temple, the gates behind them swing.

Lost for all eternity within the tomb's constraint;

Around them in the darkness there sounds a sad complaint

For that fair mortal maid whose face was of a saint,

For Harold, youthful monarch, the pine-tree forest's king.



The Seer now lowers his eyebrows, the world fades from

His feet into the granite again enrooted grow,

Numbering the days that numberless did flow,

Harold in his failing mind a tale of long ago,

While soaring o'er his head two crows: one black, one white.



Upon his rocky ledge, upright and ashen faced,

There sits with crutch in hand the priest of pagan creed.

For ages sits he thus, by death forgot indeed,

Moss growing on his forehead and on his breast long weed,

His beard reaching to the ground, his eyebrows to his waist.





Translated by



Corneliu M. Popescu







COMMENTS

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philosopher
philosopher
18:00 May 28 2010

Very beautiful, my dear Dragonrouge. *smile*





Dragonrouge
Dragonrouge
11:51 May 29 2010

I am glad you like it!

Hail to Dark Romanticism!





 

July

22:38 May 08 2010
Times Read: 1,043


July

by George Bacovia

brilliantly translated by Cristina Hanganu-Bresch









There are a few dead bodies downtown, my love,

I came right away to tell you, before closing—

On the catafalque, in the heat, downtown,

The corpses are slowly decomposing.



They seem to be alive while decomposed,

The heat has turned them into sweaty matter,

The air around us smells like corpses, love,

And today, even your breast seems flatter.



Please pour strong perfumes on your rugs,

Let me cover you in roses—I’m proposing;

There are a few dead bodies downtown, my love,

And the corpses are slowly decomposing…









The poem in Romanian:



Cuptor

de George Bacovia



Sunt cîţiva morţi în oraş, iubito,

Chiar pentru asta am venit să-ţi spun;

Pe catafalc, de căldură-n oraş,

Încet, cadavrele se descompun.



Ce vii se mişcă şi ei descompuşi,

Cu lutul de căldură asudat;

E miros de cadavre, iubito,

Şi azi, chiar sînul tău e mai lăsat.



Toarnă pe covoare parfume tari,

Adu roze pe tine să le pun;

Sunt cîţiva morţi în oraş, iubito,

Şi-ncet, cadavrele se descompun...







"Well, there's my first linguistic treason right there: he used the old Romanian name for the month of July, which is "Cuptor," which means, appropriately, "Oven." I've had this problem before with Blaga's "Risipei se deda Florarul"; then and now, I cannot find an appropriately antiquated translation that will convey the same connotation as in Romanian. In this case, "cuptor" makes me think of hellish heat and sweat and death. So, we're stuck with July. Oh well."

The translator


COMMENTS

-



Isis101
Isis101
20:07 May 09 2010

...My coffee is now doing unpleasant things in my stomach.





Dragonrouge
Dragonrouge
04:43 May 25 2010

Oops.

;))

Just an old symbolist poem.I hope is not too bad.

It may be from the decomposition of the liquid into the stomach.

:P








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